Complete Decca & Philips Recordings

~ Release by Karl Böhm (see all versions of this release, 3 available)

Annotation

The complete collection of recordings that Karl Böhm made for Decca and Philips. The set consists of 38 CDs and a Blu-Ray that contains the remastered Wagner Ring cycle recorded live in Bayreuth (1966-1967).

Tracklist

1CD: Mozart: Symphonies nos. 34, 36, 38
2CD: Mozart: Requiem in D minor / Symphonies nos. 26 & 32
3CD: Mozart: Piano Concerto no. 27 / Beethoven: “Choral Fantasy”
4CD: Mozart: Symphonies nos. 39, 40, 41 “Jupiter”
5CD: Beethoven: Piano Concerto no. 1 / Piano Concerto no. 3
6CD: Beethoven: Symphony no. 8 / Schubert: Symphonies nos. 5 & 8 “Unfinished”
7CD: Beethoven: Symphony no. 9 “Choral”
8CD: Brahms: Piano Concerto no. 1
9CD: Brahms: Piano Concerto no. 2
10CD: Brahms: Symphony no. 3 / Weber: Four Overtures
11CD: Bruckner: Symphony no. 3 (1889 version)
12CD: Bruckner: Symphony no. 4 “Romantic” (1878/80 version)
13CD: R. Strauss: Vier letzte Lieder / Tod und Verklärung
14CD: Recitals of Arias & Lieder
15CD: Mozart: Die Zauberflöte (Overture, Act One)
16CD: Mozart: Die Zauberflöte (Act Two)
17CD: Mozart: Le nozze di Figaro (Overture, Act One)
18CD: Mozart: Le nozze di Figaro (Act Two)
19CD: Mozart: Le nozze di Figaro (Act Three, Act Four)
#TitleArtistLength
1Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “Che imbarazzo è mai questo” … “Via, fatti core: digli che ti attenda in giardino” (Conte, Contessa, Susanna)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:28
2Le nozze di Figaro, K. 492: Atto terzo. No. 17 Duettino: “Crudel! perchè finora farmi languir così?” (Conte, Susanna)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:46
3Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “E perchè fosti meco stamattina sì austera?” (Conte, Susanna, Figaro)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:40
4Le nozze di Figaro, K. 492: Atto terzo. No. 18 Recitativo ed Aria: “Hai già vinta la causa!” (Conte)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:26
5Le nozze di Figaro, K. 492: Atto terzo. No. 18 Recitativo ed Aria: “Vedro mentr’io sospiro” (Conte)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:19
6Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “È decisa la lite. O pagarla, o sposarla” (Don Curzio, Marcellina, Figaro, Conte, Bartolo)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass vocals [Bartolo]:
Oskar Czerwenka (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Marcellina]:
Ira Malaniuk (from 1956-04-13 until 1956-04-22)
tenor vocals [Don Curzio]:
Murray Dickie (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:34
7Le nozze di Figaro, K. 492: Atto terzo. No. 19 Sestetto: “Riconosci in questo amplesso una madre, amato figlio!” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass vocals [Bartolo]:
Oskar Czerwenka (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Marcellina]:
Ira Malaniuk (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
tenor vocals [Don Curzio]:
Murray Dickie (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:06
8Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) / Recitativo: “Andiamo, andiam, bel paggio” (Barbarina, Cherubino)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Cherubino]:
Christa Ludwig (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Marcellina]:
Ira Malaniuk (from 1956-04-13 until 1956-04-22)
soprano vocals [Barbarina]:
Rosl Schwaiger (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:32
9Le nozze di Figaro, K. 492: Atto terzo. No. 20 Recitativo ed Aria: “E Susanna non vien!” (Contessa)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:58
10Le nozze di Figaro, K. 492: Atto terzo. No. 20 Recitativo ed Aria: “Dove sono i bei momenti” (Contessa)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:30
11Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “Io vi dico, signor, che Cherubino è ancora nel castello” (Antonio, Conte) / Recitativo: “Cosa mi narri! e che ne disse il Conte?” (Contessa, Susanna)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Antonio]:
Karl Dönch (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Cherubino]:
Christa Ludwig (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:51
12Le nozze di Figaro, K. 492: Atto terzo. No. 21 Duettino: “Che soave zeffiretto” (Contessa, Susanna) / Recitativo: “Piegato è il foglio” (Susanna, Contessa)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:43
13Le nozze di Figaro, K. 492: Atto terzo. No. 22 Coro: “Ricevete, oh padroncina, queste rose e questi fior” (Contadinelle)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
choir vocals [Contadinelle]:
Wiener Staatsopernchor (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:12
14Le nozze di Figaro, K. 492: Atto terzo. Recitativo: “Queste sono, Madama, le ragazze del loco” … “Eh cospettaccio! è questi l’uffiziale” … “Signor, Signor… se trattenete tutte queste ragazze, addio feste” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Antonio]:
Karl Dönch (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Cherubino]:
Christa Ludwig (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
soprano vocals [Barbarina]:
Rosl Schwaiger (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XII-XIII. Recitativo “Questo sono, Madama” (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:47
15Le nozze di Figaro, K. 492: Atto terzo. No. 23 Finale: “Ecco la marcia, andiamo” … “Amanti costanti, seguaci d’onor” (Figaro, Susanna, Conte, Contessa, 2 contadine, contadini e contadine)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
choir vocals [Contadini e contadine]:
Wiener Staatsopernchor (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
soprano vocals [Contadine]:
Dorothea Frass (from 1956-04-13 until 1956-04-22) and Liselotte Maikl (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:11
16Le nozze di Figaro, K. 492: Atto terzo. No. 23 Finale: Fandango / “Eh già, solita usanza, le donne ficcan gli aghi in ogni loco” (Conte, Figaro) / “Andate amici!” (Conte) / “Amanti costanti seguaci d’onor” (Contadini e contadine)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
choir vocals [Contadini e contadine]:
Wiener Staatsopernchor (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XIV. (no. 23) Finale. Fandango “Eh già solita usanza” (Il Conte, Figaro) / (no. 23) Finale. Allegretto “Amanti costanti seguaci d’onor” (Barbarina, Coro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:08
17Le nozze di Figaro, K. 492: Atto quarto. No. 24 Cavatina: “L’ho perduta... me meschina!” (Barbarina)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
soprano vocals [Barbarina]:
Rosl Schwaiger (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:41
18Le nozze di Figaro, K. 492: Atto quarto. Recitativo: “Barbarina, cos’hai?” (Figaro, Barbarina) / Recitativo: “Nel padiglione a manca,” ei così disse” … “È Barbarina. Chi va là?” … “Hai i diavoli nel corpo” (Barbarina, Figaro, Basilio, Bartolo)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
bass vocals [Bartolo]:
Oskar Czerwenka (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
soprano vocals [Barbarina]:
Rosl Schwaiger (from 1956-04-13 until 1956-04-22)
tenor vocals [Basilio]:
Erich Majkut (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena V. Recitativo “Nel padiglione a manca” (Barbarina) / Scena VI. Recitativo “È Barbarina…” (Figaro, Basilio, Bartolo) / Scena VII. Recitativo “Ha I diavoli nel corpo” (Basilio, Bartolo) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:20
19Le nozze di Figaro, K. 492: Atto quarto. No. 27 Recitativo ed Aria: “Tutto è disposto” (Figaro)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:33
20Le nozze di Figaro, K. 492: Atto quarto. No. 27 Recitativo ed Aria: “Aprite un po’ quegli occhi” (Figaro)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:36
21Le nozze di Figaro, K. 492: Atto quarto. Recitativo: “Signora, ella mi disse che Figaro verravvi” (Susanna, Marcellina, Contessa, Figaro)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Marcellina]:
Ira Malaniuk (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le Nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (La Contessa, Susanna, Marcellina, Figaro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:43
22Le nozze di Figaro, K. 492: Atto quarto. No. 28 Recitativo ed Aria: “Giunse alfin il momento” (Susanna)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:24
23Le nozze di Figaro, K. 492: Atto quarto. No. 28 Recitativo ed Aria: “Deh vieni, non tardar” (Susanna)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:44
24Le nozze di Figaro, K. 492: Atto quarto. Recitativo: “Perfida! e in quella forma meco mentia?” (Figaro, Cherubino, Contessa)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Cherubino]:
Christa Ludwig (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scenas XI-XIV. Recitativo “Perfida, e in quella forma meco mentia?” (Cherubino, Figaro, La Contessa) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:28
25Le nozze di Figaro, K. 492: Atto quarto. No. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, Contessa, Conte, Susanna, Figaro)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Cherubino]:
Christa Ludwig (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:49
26Le nozze di Figaro, K. 492: Atto quarto. No. 29 Finale: “Tutto è tranquillo e placido” … “Pace, pace mio dolce tesoro” (Figaro, Susanna, Conte)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Il Conte, Tutti) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:41
27Le nozze di Figaro, K. 492: Atto quarto. No. 29 Finale: “Gente, gente, all’armi” … “Questo giorno di tormenti, di capricci e di follia” (Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, Marcellina, Contessa)
engineer:
Herbert Schack
producer:
Marius van der Meulen
harpsichord:
Karl Pilss (from 1956-04-13 until 1956-04-22)
baritone vocals [Il Conte di Almaviva]:
Paul Schöffler (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Antonio]:
Karl Dönch (from 1956-04-13 until 1956-04-22)
bass-baritone vocals [Figaro]:
Walter Berry (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Cherubino]:
Christa Ludwig (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [La Contessa di Almaviva]:
Sena Jurinac (from 1956-04-13 until 1956-04-22)
mezzo-soprano vocals [Marcellina]:
Ira Malaniuk (from 1956-04-13 until 1956-04-22)
soprano vocals [Barbarina]:
Rosl Schwaiger (from 1956-04-13 until 1956-04-22)
soprano vocals [Susanna]:
Rita Streich (from 1956-04-13 until 1956-04-22)
tenor vocals [Basilio]:
Erich Majkut (from 1956-04-13 until 1956-04-22)
orchestra:
Wiener Symphoniker (from 1956-04-13 until 1956-04-22)
conductor:
Karl Böhm (from 1956-04-13 until 1956-04-22)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (from 1956-04-13 until 1956-04-22)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (from 1956-04-13 until 1956-04-22)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:28
20CD: Mozart: Così fan tutte (Overture, Act One beginning)
21CD: Mozart: Così fan tutte (Act One conclusion, Act Two)
22CD: J. Strauss II: Die Fledermaus (Overture, Act One)
23CD: J. Strauss II: Die Fledermaus (Act Two, Act Three)
24CD: R. Strauss: Die Frau ohne Schatten (Act One)
25CD: R. Strauss: Die Frau ohne Schatten (Act Two)
26CD: R. Strauss: Die Frau ohne Schatten (Act Three)
27CD: Wagner: Das Rheingold (Scene 1, Scene 2, Scene 3 beginning) - Live in Bayreuth (1966)
28CD: Wagner: Das Rheingold (Scene 3 conclusion, Scene 4) - Live in Bayreuth (1966)
29CD: Wagner: Die Walküre (Act One) - Live in Bayreuth (1967)
30CD: Wagner: Die Walküre (Act Two) - Live in Bayreuth (1967)
31CD: Wagner: Die Walküre (Act Three) - Live in Bayreuth (1967)
32CD: Wagner: Siegfried (Act One) - Live in Bayreuth (1966)
33CD: Wagner: Siegfried (Act Two) - Live in Bayreuth (1966)
34CD: Wagner: Siegfried (Act Three) - Live in Bayreuth (1966)
35CD: Götterdammerung (Prologue, Orchestral Interlude, Siegfried's Rhine Journey) - Live in Bayreuth (1967)
36CD: Götterdammerung (Act One) - Live in Bayreuth (1967)
37CD: Götterdammerung (Act Two) - Live in Bayreuth (1967)
38CD: Götterdammerung (Act Three) - Live in Bayreuth (1967)
39Blu-ray: Wagner: Der Ring des Nibelungen

Credits