50 Best Romantic Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

© «2010 EMI Records Ltd.»
℗ «This compilation 2010 EMI Records Ltd.»

Tracklist

1▶Digital Media
2▶Digital Media
3▼Digital Media
#TitleArtistLength
1Cavalleria rusticana: Intermezzo
orchestra:
Philharmonia Orchestra (in 1979)
conductor:
Riccardo Muti (in 1979)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
composer:
Pietro Mascagni (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:45
2Gianni Schicchi: “O mio babbino caro” (Lauretta)
engineer:
Simon Rhodes (from 1997-08-12 until 1997-08-15)
producer:
David Groves
editor:
Caroline Haigh, Simon Kiln and Jørn Pedersen
soprano vocals:
Angela Gheorghiu (in 1999)
soprano vocals [Lauretta]:
Angela Gheorghiu (from 1997-08-12 until 1997-08-15)
vocals:
Angela Gheorghiu
orchestra:
London Symphony Orchestra (from 1997-08-12 until 1997-08-15, in 1999)
conductor:
Antonio Pappano (from 1997-08-12 until 1997-08-15, in 1999)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1999) and Parlophone Records Ltd. (in 1999)
recorded at:
AIR Studios in Hampstead, Camden, London, England, United Kingdom (from 1997-08-12 until 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1997-08-12 until 1997-08-15)
composer:
Giacomo Puccini
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:08
3España, op. 165: No. 2, Tango
piano:
Leif Ove Andsnes
recording of:
España, seis hojas de álbum, op. 165: II. Tango
composer:
Isaac Albéniz (in 1890)
part of:
España, seis hojas de álbum, op. 165
Isaac Albéniz2:30
4La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
soprano vocals:
Montserrat Caballé
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
Giacomo Puccini3:09
5The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 “Spring”: I. Allegro
harpsichord:
Paul Crocker (in 1979-12)
violin:
Yehudi Menuhin (in 1979-12)
orchestra:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1979-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (in 1979-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:43
6L’incoronazione di Poppea: Atto III. “Pur ti miro”
countertenor vocals:
Fernando Lima
soprano vocals:
Natasha Marsh
orchestra:
London Symphony Orchestra
conductor:
Craig Leon
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone)
composer:
Claudio Monteverdi
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi3:45
7String Quintet in E Major, Op. 13 No. 6, G. 282: III. Minuetto – Trio
engineer:
Stuart Eltham
producer:
John Fraser
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (in 1986)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse
composer:
Luigi Boccherini (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
composer:
Luigi Boccherini
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:57
8L’amico Fritz: Atto III, scena 3. “O amore, o bella luce del core” (Fritz)
tenor vocals and tenor vocals [Fritz]:
Luciano Pavarotti
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Gianandrea Gavazzeni
recording of:
L’amico Fritz: Atto III: “O amore, o bella luce del core” (Fritz)
composer:
Pietro Mascagni
part of:
L’amico Fritz: Atto III
Pietro Mascagni2:33
9Recuerdos de la Alhambra
guitar:
Christopher Parkening
partial recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega
Francisco Tárrega3:58
10Ai giochi addio
soprano vocals:
Natasha Marsh
orchestra:
London Symphony Orchestra
conductor:
François‐Xavier Roth
recording of:
Ai giochi addio
lyricist:
Elsa Morante
composer:
Nino Rota
version of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
lyricist:
Eugene Walter
composer:
Nino Rota
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部
Nino Rota3:23
11Concierto de Aranjuez: II. Adagio (Excerpt, Opening)
classical guitar and guitar:
Julian Bream
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo4:47
12Madama Butterfly, Act 1: “Vogliatemi bene” (Love Duet) “Vieni, vieni” [Butterfly, Pinkerton]
choir vocals:
Coro del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
soprano vocals [Butterfly]:
Renata Scotto (from 1966-08-16 until 1966-08-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
John Barbirolli (from 1966-08-16 until 1966-08-27)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-08-16 until 1966-08-27)
compilation of:
Madama Butterfly: Atto I. “Vieni, vieni… Via dall’anima in pena” (Butterfly, Pinkerton) by Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli and Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) by Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:56
13Guitar Concerto in D Major, RV 93: II. Largo (Arr. Pujol)
classical guitar and guitar:
Sharon Isbin
orchestra:
Orchestre de Chambre de Lausanne
conductor:
Lawrence Foster
recording of:
Concerto for Lute in D major, RV 93: II. Largo
composer:
Antonio Vivaldi
part of:
Concerto for Lute in D major, RV 93
recording of:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements)
composer:
Antonio Vivaldi
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and strings, arr. Emilio Pujol)
composer:
Antonio Vivaldi
arranger:
Emilio Pujol
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute in D major, RV 93 (arr. for guitar and strings Emilio Pujol)
Antonio Vivaldi6:08
14Zigeunerweisen, Op. 20
violin:
Anne‐Sophie Mutter (in 1985)
orchestra:
Orchestre national de France
conductor:
Seiji Ozawa
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1984-05-29 until 1984-05-30)
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra)
composer:
Pablo de Sarasate (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate7:50
15Time to Say Goodbye (Con te partiro)
vocals:
Amy Nuttall and Julian Kershaw
conductor:
Andrew Brown
recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l.
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Francesco Sartori3:54
16Suite española No. 1, Op. 47: III. Sevilla (Arr. Byzantine)
classical guitar:
Julian Byzantine
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements)
composer:
Isaac Albéniz
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz5:22
17Turandot, Act 3: “Nessun dorma!” (Calaf, Chorus)
choir vocals:
Chœur de l'Opéra national du Rhin
tenor vocals [Calaf]:
José Carreras
orchestra:
Orchestre philharmonique de Strasbourg
conductor:
Alain Lombard
phonographic copyright (℗) by:
EMI Records Ltd. (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:11