Ayres and Songs from Orpheus Britannicus

~ Release by Henry Purcell, Jill Feldman, Nigel North & Sarah Cunningham (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Dido and Aeneas, Z 626: Ah! Belinda, I am Prest
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:22
2Don Quixote, Z 578: From Rosie Bow’rs
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
The Comical History of Don Quixote, Z. 578: Part III. "From rosy bow'rs" (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
The Comical History of Don Quixote, Z. 578
Henry Purcell6:08
3Œdipus, Z 583: Music for a While
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Oedipus, King of Thebes, Z. 583: II. "Music for a While" (from 1992-02-13 until 1992-02-15)
lyricist:
John Dryden
composer:
Henry Purcell
part of:
Oedipus, King of Thebes, Z. 583
Henry Purcell3:51
4Fly Swift, ye Hours, Z 369
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Fly swift, ye hours, Z. 369 (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 369)
Henry Purcell5:49
5Strike the Viol, Touch the Lute, Z 323
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol (from 1992-02-13 until 1992-02-15)
lyricist and librettist:
Nahum Tate
composer:
Henry Purcell (in 1694)
part of:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell2:23
6Pausanias, Z 585: Sweeter Than Roses
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Pausanias, the Betrayer of his Country, Z. 585: I. "Sweeter than roses" (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
Pausanias, the Betrayer of his Country, Z. 585
Henry Purcell3:08
7The Indian Queen, Z 630: I Attempt from Love’s Sickness to Fly in Vain
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
The Indian Queen, Z. 630: Act III: 17h. "I Attempt From Love's Sickness to Fly" (from 1992-02-13 until 1992-02-15)
lyricist:
John Dryden
composer:
Henry Purcell
part of:
The Indian Queen, Z. 630: Act III
Henry Purcell1:49
8Bess of Bedlam, Z 370: From Silent Shades
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Mad Bess of Bedlam, Z. 370 "From Silent Shades and the Elysian Groves" (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell (in 1683)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 370)
Henry Purcell4:12
9The Spanish Friar, Z 610: Whilst I With Grief Did on You Look
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
Henry Purcell3:03
10What a Sad Fate is Mine, Z 428
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
What a sad fate is mine, Z. 428 (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 428)
Henry Purcell3:11
11Tyrannic Love, Z 613: Ah! How Sweet It Is to Love
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Tyrannic Love, or The Royal Martyr, Z. 613: Act IV "Ah! How Sweet It Is to Love" (from 1992-02-13 until 1992-02-15)
lyricist:
John Dryden
composer:
Henry Purcell
part of:
Tyrannic Love, or The Royal Martyr, Z. 613
Henry Purcell2:12
12Dioclesian, Z 627: Since From My Dear Astrea’s Sight
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5. Song "Since from my dear Astrea's sight" (Soprano ("sung in the last act", probably alternate number for "Still I'm wishing")) (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 5
Henry Purcell3:16
13The Fairy Queen, Z 629: Ye Gentle Spirits of the Air
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
The Fairy Queen, Z. 629: Act III, no. 24. Song: "Ye Gentle Spirits of the Air, Appear" (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
The Fairy Queen, Z. 629
Henry Purcell5:49
14The Fairy Queen, Z 629: Thrice Happy Lovers
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": "Thrice Happy Lovers" (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:53
15The Fairy Queen, Z 629: Hark! How All Things
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
The Fairy Queen, Z. 629: Act V, no. 50. Song: "Hark, How All Things" (1st Woman) (from 1992-02-13 until 1992-02-15)
lyricist:
Elkanah Settle
composer:
Henry Purcell
part of:
The Fairy Queen, Z. 629
Henry Purcell2:00
16’Tis Nature’s Voice, Z 328
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
librettist:
Nicholas Brady
part of:
“Hail! Bright Cecilia”, Z. 328
Henry Purcell3:49
17King Arthur, Z 628: Fairest Isle
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
librettist:
John Dryden
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:27
18The Tempest, Z 631: Dear, Pritty Youth
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
Henry Purcell2:10
19Bonduca, Z 574: Oh! Lead Me to Some Peacefull Gloom
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Bonduca, or the British Heroine, Z. 574: “Oh! Lead me to some peaceful gloom” (Bonvica) (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
Bonduca, or the British Heroine, Z. 574
Henry Purcell2:49
20Timon of Athens, Z 632: The Cares of Lovers
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (from 1992-02-13 until 1992-02-15)
composer:
Henry Purcell
part of:
Timon of Athens (semi-opera)
Henry Purcell2:00
21If Musick Be the Food of Love, Z 379
sound engineer:
Michel Bernstein and Charlotte Gilart de Kéranflec'h
producer:
Michel Bernstein
editor:
Charlotte Gilart de Kéranflec'h
archlute:
Nigel North (from 1992-02-13 until 1992-02-15)
bass viol:
Sarah Cunningham (from 1992-02-13 until 1992-02-15)
soprano vocals:
Jill Feldman (from 1992-02-13 until 1992-02-15)
recorded at:
Église Notre-Dame de la Nativité in Habloville, Orne, Normandie, France (from 1992-02-13 until 1992-02-15)
recording of:
If Music Be the Food of Love, Z. 379 (from 1992-02-13 until 1992-02-15)
lyricist:
Col. Henry Heveningham
composer:
Henry Purcell (in 1692)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 379)
Henry Purcell3:55