C.P.E. Bach Edition (30 CD 2013 Brilliant compilation)

~ Release by Carl Philipp Emanuel Bach (see all versions of this release, 1 available)

Annotation

Liner notes are available for download on the publisher's web site.

Wrong catalogue numbers

The following list contains cases when tracks printed on CD covers reference wrong catalogue numbers. The right catalogue numbers were found by analyzing the catalogue (movement names etc), and by comparing melodies in tracks on physical CD with several recordings done by other artists available on YouTube. Names of all tracks in this release on MusicBrainz contains already corrected catalogue numbers.

* CD 5, tracks 4-6 are wrongly referenced on the CD cover as "Flute Concerto in D minor, Wq.22 (H.425)". These tracks contain a Flute Concerto in D minor, H.484.1. The referenced Wq.22 (H.425) is a Keyboard Concerto in D minor, of which the Flute Concerto is an arrangement.

* CD 7, track 8 is wrongly referenced on the CD cover as "Fantasia and Fugue in C minor, Wq.119:7 (H.103)". This track indeed contains the Fantasia and Fugue in C minor, Wq.119:7, but the Helm catalogue number is wrong. The correct Helm catalogue number is H.75.5. The referenced H.103 is not used in Helm catalogue.

* CD 10, tracks 1-3 are wrongly referenced on the CD cover as "Concerto in D minor Wq.22 (H.425) for recorder (flute) & strings". Wq.22 (H.425) is a concerto for keyboard (harpsichord) and strings. H.484.1 is an arrangement of H.425 for a flute.

* CD 10, tracks 10-12 are wrongly referenced on the CD cover as "Trio in F Wq.159 (H.588) for bass recorder, viola & b.c." The Trio Sonata in F for bass recorder, viola and continuo is indeed H.588, but it is Wq.163. The referenced work Wq.159 is a Trio Sonata in B-flat major Wq. 159 (H.587) for 2 violins and continuo. The error may be caused by the fact that Wq.163 (H.588) is an arrangement of Wq.159 (H.587).

* CD 15, tracks 17-19 are wrongly referenced as "Sonata in G minor for Keyboard (Harpsichord) and Violin, H.524.5". These tracks contain the Sonata in G minor for Keyboard in Violin, H.542.5. The Helm catalogue does not contain a work H.524.5.

* CD 21, tracks 6-8 are wrongly referenced as "Sonata no. 2 in D minor (H.268)". These tracks indeed contain the Sonata no. 2 in D minor, Wq.57:4, but the Helm catalogue number is H.208. The referenced work H.268 is a Rondo in G major, Wq.59:2.

* CD 22, tracks 2-4 are wrongly referenced as "Sonata no. 2 in E minor (H.288)". These tracks indeed contain the Sonata no. 2 in E minor, Wq.58:4, but the Helm catalogue number is H.188. The referenced work H.288 is a Rondo in E-flat major, Wq.61:1.

* CD 24, tracks 10-12 are wrongly referenced as "Keyboard Symphony in E minor, Wq.122:3 (H.653) (arr. Wq.178)". These tracks indeed contain the Keyboard Symphony in E minor, Wq.122:3, but the Helm catalogue number is H.115. Wq.122:3 (H.115) is an arrangement of the referenced work H.653, which is a Symphony in E minor for orchestra, Wq.178 (H.653).

* CD 28, tracks 1-16 are wrongly referenced as "Gnadig und barmherzig ist der Herr, Wq.250 (H.281)". The right Helm catalogue number is H.821l (note the lower-case "l" at the end). The referenced work H.281 is a Sonata in E minor, Wq.59:1.

Wrong work names

The following list contains cases when tracks printed on CD covers reference correct catalogue numbers, but work names are wrong. The right names were found by consulting catalogues. Names of all tracks in this release on MusicBrainz contains already corrected work names.

* CD 7, tracks 5-7 are wrongly referenced on the CD cover as "Concerto for Organ, Strings and Continuo in B-flat, Wq.35 (H.446)". These tracks indeed contain the Concerto Wq.35 (H.446), but the concerto is in E-flat major, not in B-flat major. The concerto Wq.36 (H.447) is in B-flat major.

* CD 15, tracks 5-7 are wrongly referenced as "Sonata in D for Keyboard (Harpsichord) and Violin, Wq.72 (H.503)". These tracks indeed contain the Sonata for Keyboard and Violin, Wq.72 (H.503), but the sonata is in D minor.

* CD 20, track 11 is wrongly referenced as "Rondo no. 3 in A (H.262)". This track indeed contains the Rondo Wq.56:5 (H.262), but the work is in A minor.

Ambiguous references

* CD 11, tracks 13-15 are ambiguosly referenced on the CD cover as "Sonata in A Wq.146 (H.570/H.542) for traverso, violin, cello & harpsichord". The referenced work Wq.146 (H.570) is a Trio Sonata in A major for flute, violin and b.c. The second referenced work H.542 (not present in the Wotquenne catalogue) is an arrangement of H.570 for violin and keyboard (harpsichord). The performance may be a mix of both, taking into account recording instruments (traverso flute, violin, cello and harpsichord).

Tracklist

1CD: Hamburg Symphonies
2CD: Berlin Symphonies
3CD: Six Symphonies
4CD: Oboe Concertos
5CD: Flute Concertos I
6CD: Flute Concertos II
7CD: Organ Concertos
8CD: Cello Concertos
9CD: Haprsichord Concertos
10CD: Concertos - Chamber Music
11CD: Trios - Duet
12CD: Solo Flute Sonatas I
13CD: Solo Flute Sonatas II
14CD: Viola da Gamba Music
15CD: Sonatas for Keyboard and Violin
16CD: Prussian Sonatas
17CD: Württemberg Sonatas I
18CD: Württemberg Sonatas II
19CD: Sonaten ‘für Kenner und Liebhaber’ I
20CD: Sonaten ‘für Kenner und Liebhaber’ II
21CD: Sonaten ‘für Kenner und Liebhaber’ III
22CD: Sonaten ‘für Kenner und Liebhaber’ IV
23CD: Sonaten ‘für Kenner und Liebhaber’ V
24CD: Keyboard Symphonies
25CD: Sacred Songs
26CD: Symphonies - Magnificat
27CD: Sacred Choral Music I
28CD: Sacred Choral Music II
#TitleLength
1Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 1. Chorus "Gnädig und barmherzig ist der Herr"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, I. Chor "Gnädig und barmherzig ist der Herr" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
2:00
2Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 2. Recitative "So weit der Himmel gehet" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, II. Rezitativ (Bass) "So weit der Himmel geht" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
1:03
3Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 3. Aria "Wenn Menschen dein vergaßen" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, III. Arie (Bass) "Wenn Menschen dein vergaßen" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
3:44
4Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 4. Recitative "Drum sorget nicht: Was wird uns kleiden" (alto)
contralto vocals:
Hilke Helling (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, IV. Rezitativ (Alt) "Drum sorget nicht" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
0:49
5Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 5. Aria "O seht, wie so harmlos" (soprano)
soprano vocals:
Barbara Schlick (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, V. Arie (Sopran) "O seht, wie so harmlos der Morgen" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
2:49
6Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 6. Recitative "Blickt auf die Fluren hin!" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, VI. Rezitativ (Tenor) "Blickt auf die Fluren hin!" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
1:26
7Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 7. Aria "Abgehärmter Wangen Tränen" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, VII. Arie (Tenor) "Abgehärmter Wangen Tränen" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
2:57
8Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 8. Chorus "Trachtet am ersten nach dem Reiche Gottes"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, VIII. Chor "Trachtet am Ersten nach dem Reiche Gottes" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
0:55
9Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 9. Accompagnato "Lagert sich um deine Pfade" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, IX. Accompagnato (Bass) "Lagert sich um deine Pfade" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
0:43
10Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part I, no. 10. Chorale "Ich will mit deinem Willen"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Erster Teil, X. Choral "Ich will mit deinem Willen" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
2:07
11Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part II, no. 11. Recitative "Liebst du mich?" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Zweiter Teil, XIa. Rezitativ (Bass) "Liebst du mich?" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
0:50
12Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part II, no. 12. Arioso "Herr, du weißest alle Dinge" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Zweiter Teil, XIb. Arioso (Tenor) "Herr, du weißest alle Dinge" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
1:09
13Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part II, no. 13. Recitative "Freu dich des Herrn" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Zweiter Teil, XIIa. Rezitativ (Tenor) "Freu dich des Herrn" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
0:22
14Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part II, no. 14. Accompagnato "Hier ruhet er dem Garbentag entgegen" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Zweiter Teil, XIIb. Accompagnato (Bass) "Hier ruhet er dem Garbentag entgegen" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
0:59
15Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part II, no. 15. Arioso "Da geht er schon zur Heil'gen Stätte" (alto)
contralto vocals:
Hilke Helling (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l: Zweiter Teil, XIII. Arioso (Alt) "Da geht er schon zur heil’gen Stätte" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1785)
part of:
Zur Einführung des H. P. Gasie, Wq. 250, H. 821l
1:20
16Gnädig und barmherzig ist der Herr, Wq.250 (H.821l): Part II, no. 16. Chorale "Dir, Gott: Messias, singen wir"2:34
17Wer ist so würdig als du, Wq.222 (H.831)
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
"Wer ist so würdig als du", Wq. 222, H. 831 (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1774)
part of:
Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (number: Wq. 222) and Thematic catalogue of the works of Carl Philipp Emanuel Bach (number: H. 831)
5:02
18Der Herr lebet, Wq.251 (H.821g): Part I, no. 1. Chorus "Der Herr lebet"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, I. Chor "Der Herr lebet, und gelobet sei mein Hort" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
2:03
19Der Herr lebet, Wq.251 (H.821g): Part I, no. 2. Recitative "Von deinen Wundern rings umgeben" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, II. Rezitativ (Tenor) "Von deinen Wundern" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
1:02
20Der Herr lebet, Wq.251 (H.821g): Part I, no. 3. Aria "Erhebe dich in lauten Jubelchören" (soprano)
soprano vocals:
Barbara Schlick (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, III. Arie (Sopran) "Erhebe dich in lauten Jubelchören" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
7:02
21Der Herr lebet, Wq.251 (H.821g): Part I, no. 4. Recitative "Allein, was wärest du" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, IV. Rezitativ (Tenor) "Allein was wärst du" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
1:42
22Der Herr lebet, Wq.251 (H.821g): Part I, no. 5. Aria "Umsonst empören sich die Spötter" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, V. Arie (Bass) "Umsonst empören sich die Spötter" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
2:35
23Der Herr lebet, Wq.251 (H.821g): Part I, no. 6. Recitative "Gesegnet sei uns denn der Mann" (soprano, alto)
contralto vocals:
Hilke Helling (from 1987-04 until 1987-05)
soprano vocals:
Barbara Schlick (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, VI. Rezitativ (Alt) "Gesegnet sei uns denn der Mann" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
2:15
24Der Herr lebet, Wq.251 (H.821g): Part I, no. 7. Aria "Ruhe sanft, verklärter Lehrer" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, VII. Arie (Tenor) "Ruhe sanft, verklärter Lehrer" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
2:57
25Der Herr lebet, Wq.251 (H.821g): Part I, no. 8. Recitative "Dann wollen wir, vereint mit dir" (soprano)
soprano vocals:
Barbara Schlick (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, VIII. Rezitativ (Sopran) "Dann wollen wir, vereint mit dir" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
0:28
26Der Herr lebet, Wq.251 (H.821g): Part I, no. 9. Chorale "Heilig ist unser Gott"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, IX. Choral "Heilig ist unser Gott" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
0:31
27Der Herr lebet, Wq.251 (H.821g): Part I, no. 10. Recitative "Die frohe Hoffnung hemme deine Klage" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, X. Rezitativ (Bass) "Die frohe Hoffnung hemme deine Klage" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
1:14
28Der Herr lebet, Wq.251 (H.821g): Part I, no. 11. Chorale "Es danke Gott und lobe dich"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Erster Teil, XI. Choral "Es danke Gott und lobe dich" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
1:21
29Der Herr lebet, Wq.251 (H.821g): Part II, no. 12. Aria "Dein Wort, o Herr, ist Geist und Leben" (soprano)
soprano vocals:
Barbara Schlick (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Zweiter Teil, XII. Arie (Sopran) "Dein Wort, o Herr, ist Geist und Leben" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
2:19
30Der Herr lebet, Wq.251 (H.821g): Part II, no. 13. Recitative "Wer dieses helle Licht verkennt" (tenor)
tenor vocals:
Wilfried Jochens (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Zweiter Teil, XIII. Rezitativ (Tenor) "Wer dieses helle Licht verkennt" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
1:23
31Der Herr lebet, Wq.251 (H.821g): Part II, no. 14. Aria "Das Wort des Höchsten stärkt" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Zweiter Teil, XIV. Arie (Bass) "Das Wort des Höchsten stärkt" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
1:35
32Der Herr lebet, Wq.251 (H.821g): Part II, no. 15. Chorale "Herr, unser Hort!"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Zweiter Teil, XV. Choral "Herr, unser Hort, lass uns dies Wort" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
0:38
33Der Herr lebet, Wq.251 (H.821g): Part II, no. 16. Recitative "Laß uns dies Wort" (bass)
bass vocals:
Gotthold Schwarz (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Zweiter Teil, XVI. Accompagnato (Bass) "Laß uns dies Wort! So wünschet unsre Seele" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
2:08
34Der Herr lebet, Wq.251 (H.821g): Part II, no. 17. Aria "Nun, so tritt mit heiterm Sinn" (alto)
contralto vocals:
Hilke Helling (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Zweiter Teil, XVII. Arie (Alt) "Nun, so tritt mit heiterm Sinn" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
4:15
35Der Herr lebet, Wq.251 (H.821g): Part II, no. 18. Chorale "Lob, Ehr und Preis sei Gott"
choir vocals:
Rheinische Kantorei (from 1987-04 until 1987-05)
orchestra:
Das Kleine Konzert (from 1987-04 until 1987-05)
conductor:
Hermann Max (from 1987-04 until 1987-05)
recorded at:
Immanuelskirche in Wuppertal, Nordrhein-Westfalen, Germany (from 1987-04 until 1987-05)
recording of:
Der Herr lebet, Wq. 251, H. 821g: Zweiter Teil, XVIII. Choral "Lob, Ehr und Preis sei Gott" (from 1987-04 until 1987-05)
composer:
Carl Philipp Emanuel Bach (in 1775)
part of:
Der Herr lebet, Wq. 251, H. 821g
0:53
29CD: Sacred Choral Music III
30CD: Sacred Choral Music IV