The Radiant Voice of Barbara Bonney

~ Release by Barbara Bonney (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Come Again: Sweet Love Doth Now Invite
producer:
Chris Sayers
lute:
Jacob Heringman (from 1998-10-03 until 1998-10-05)
soprano vocals:
Barbara Bonney (from 1998-10-03 until 1998-10-05)
balance engineer:
Jonathan Stokes
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1998-10-03 until 1998-10-05)
recording of:
The First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite" (from 1998-10-03 until 1998-10-05)
composer:
John Dowland (in 1597)
part of:
The First Booke of Songs or Ayres
Henry Purcell2:41
2Dido and Aeneas: Thy Hand, Belinda / When I Am Laid in Earth
soprano vocals:
Barbara Bonney (in 2001)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (in 2001)
performer:
Academy of Ancient Music (in 2001)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 2001)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:37
3Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Heute Noch, Lieber Vater
soprano vocals:
Barbara Bonney
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Gustav Leonhardt
recorded at:
Henry Wood Hall in London, England, United Kingdom
recording of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht": VIII. Aria (Sopran) "Heute noch, lieber Vater, tut es doch" (in 1994-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (from 1734 until 1735)
librettist:
Christian Friedrich Henrici
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 211 "Schweigt stille, plaudert nicht"
Johann Sebastian Bach6:44
4Stabat Mater
instruments:
Les Talens Lyriques
countertenor vocals:
Andreas Scholl (from 1999-02-24 until 1999-02-26)
soprano vocals:
Barbara Bonney (from 1999-02-24 until 1999-02-26)
orchestra:
Les Talens Lyriques (from 1999-02-24 until 1999-02-26)
conductor:
Christophe Rousset (from 1999-02-24 until 1999-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1999)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-24 until 1999-02-26)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:11
5Exsultate, Jubilate, KV 165: Alleluia
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Hans-Bernhard Bätzing
organ:
Roger Hamilton (in 1993-09)
soprano vocals:
Barbara Bonney (in 1993-09)
balance engineer:
Hans‐Peter Schweigmann (in 1993-09)
concertmaster:
Peter Hanson (in 1993-09)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1993-09)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (Salzburg revision) (in 1993-09)
composer:
Wolfgang Amadeus Mozart
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
Wolfgang Amadeus Mozart2:36
6Vespers, KV 339: Laudate Dominum
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Hans-Bernhard Bätzing
organ:
Paul Nicholson (in 1993-09)
choir vocals:
The English Concert Choir (in 1993-09)
soprano vocals:
Barbara Bonney (in 1993-09)
orchestra:
The English Concert (in 1993-09)
conductor:
Trevor Pinnock (in 1993-09)
balance engineer:
Hans‐Peter Schweigmann (in 1993-09)
concertmaster:
Peter Hanson (in 1993-09)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1993-09)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1993-09)
composer:
Wolfgang Amadeus Mozart (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:56
7Le Nozze di Figaro: Deh! vieni, non tardar
soprano vocals:
Barbara Bonney
orchestra:
Drottningholm Court Theatre Orchestra
conductor:
Arnold Östman
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:45
8Die Zauberflöte: Ach, ich fühl's
soprano vocals:
Barbara Bonney
orchestra:
Drottningholm Court Theatre Orchestra
conductor:
Arnold Östman
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:28
9L'elisir d'amore: Chiedi all'aura lusinghiera
soprano vocals:
Barbara Bonney
Gaetano Donizetti6:52
10Liederkreis, Op. 39: Mondnacht
producer:
Michael Haas
piano:
Vladimir Ashkenazy (from 1996-02-20 until 1996-02-22)
soprano vocals:
Barbara Bonney (from 1996-02-20 until 1996-02-22)
balance engineer:
Graham Meek and Philip Siney
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1996-02-20 until 1996-02-22)
recording of:
Liederkreis, op. 39: Nr. 5. Mondnacht (from 1996-02-20 until 1996-02-22)
lyricist:
Joseph von Eichendorff
composer:
Robert Schumann (in 1840)
part of:
Liederkreis, op. 39
Robert Schumann3:46
11Peer Gynt: Solveigs sang
soprano vocals:
Barbara Bonney (in 1987-06)
orchestra:
Göteborgs Symfoniker (in 1987-06)
conductor:
Neeme Järvi (in 1987-06)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1987-06)
composer:
Edvard Grieg (in 1875)
revised by:
Edvard Grieg (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:58
12Var det en dröm?, Op. 37 No. 4
piano:
Antonio Pappano (in 1999-08)
soprano vocals:
Barbara Bonney (in 1999-08)
recorded at:
Reitstadel in Neumarkt in der Oberpfalz, Bayern, Germany (from 1999-08-09 until 1999-08-12)
recording of:
Var det en dröm?, op. 37 no. 4 (for voice and piano) (in 1999-08)
lyricist:
Josef Julius Wecksell
composer:
Jean Sibelius (in 1902)
publisher:
Breitkopf & Härtel
part of:
5 Songs, op. 37 (for voice and piano)
Jean Sibelius1:49
13Flickan kom ifrån sin älsklings möte, Op. 37 No. 5
piano:
Antonio Pappano (in 1999-08)
soprano vocals:
Barbara Bonney (in 1999-08)
recording of:
Flickan kom ifrån sin älsklings möte, op. 37 no. 5 (for voice and piano) (in 1999-08)
lyricist:
Johan Ludvig Runeberg
composer:
Jean Sibelius (in 1901)
part of:
5 Songs, op. 37 (for voice and piano)
Jean Sibelius2:41
14Morgen, Op. 27 No. 4
producer:
Michael Haas
piano:
Malcolm Martineau (from 1998-06-07 until 1998-06-21)
soprano vocals:
Barbara Bonney (from 1998-06-07 until 1998-06-21)
balance engineer:
James Lock
recorded at:
Studio 1, The Warehouse, London in London, England, United Kingdom (from 1998-06-07 until 1998-06-21)
recording of:
Morgen!, op. 27 no. 4 (for voice and piano) (from 1998-06-07 until 1998-06-21)
lyricist:
John Henry Mackay
composer:
Richard Strauss (in 1894)
publisher:
Boosey & Hawkes
part of:
4 Lieder, op. 27
Richard Strauss4:01
15Der rosenkavalier: Mir ist die Ehre widerfahren
soprano vocals:
Barbara Bonney
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
composer:
Richard Strauss (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:20
16Die Nachtigall
producer:
Andrew Cornall
soprano vocals:
Barbara Bonney (from 1999-09-16 until 1999-09-24)
orchestra:
Royal Concertgebouw Orchestra (from 1999-09-16 until 1999-09-24)
conductor:
Riccardo Chailly (from 1999-09-16 until 1999-09-24)
balance engineer:
Jonathan Stokes (from 1999-09-16 until 1999-09-24)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1999-09-16 until 1999-09-24)
recording of:
Sieben frühe Lieder: III. Die Nachtigall (from 1999-09-16 until 1999-09-24)
lyricist:
Theodor Storm
composer:
Alban Berg
part of:
Sieben frühe Lieder
Alban Berg2:13
17Carmina Burana: In Trutina
recording engineer:
Jürgen Bulgrin and Jobst Eberhardt
producer:
Christopher Alder
editor:
Ingmar Haas
soprano vocals:
Barbara Bonney (in 1993-10)
orchestra:
Wiener Philharmoniker (in 1993-10)
conductor:
André Previn (in 1993-10)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1993-10)
live recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1993-10)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:30
18Requiem: Pie Jesu
pipe organ:
Daniel Philips
choir vocals:
Choir of Uppingham School
soprano vocals:
Barbara Bonney
treble vocals:
Anthony Way
orchestra:
English Sinfonia
conductor:
Neil Page
recorded at:
Uppingham School Chapel in Uppingham, Rutland, England, United Kingdom (from 1997-01 to ????)
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd.
part of:
Requiem
Andrew Lloyd Webber2:59
19Vocalise
soprano vocals:
Barbara Bonney
André Previn4:44