Bach 333: Sacred Cantatas II

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 105, 46, 179, 50, 69a (1723)
2▶CD: Cantatas 77, 25, 119, 138 (1723)
3▶CD: Cantatas 95, 148, 48, 109 (1723)
4▼CD: Cantatas 89, 60, 90, 70, 40 (1723)
#TitleLength
1Was soll ich aus dir machen, Ephraim, BWV 89: 1. Aria: Was soll ich aus dir machen, Ephraim?
bass vocals:
Peter Harvey (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints Church in London, England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (on 2000-11-17)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
3:56
2Was soll ich aus dir machen, Ephraim, BWV 89: 2. Recitative: Ja, freilich sollte Gott
alto vocals:
Robin Tyson (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints Church in London, England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (on 2000-11-17)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:45
3Was soll ich aus dir machen, Ephraim, BWV 89: 3. Aria: Ein unbarmherziges Gerichte
alto vocals:
Robin Tyson (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints Church in London, England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (on 2000-11-17)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
2:28
4Was soll ich aus dir machen, Ephraim, BWV 89: 4. Recitative: Wohlan! mein Herze legt Zorn, Zank und
soprano vocals:
Joanne Lunn (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints Church in London, England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (on 2000-11-17)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
1:07
5Was soll ich aus dir machen, Ephraim, BWV 89: 5. Aria: Gerechter Gott, ach rechnest du?
soprano vocals:
Joanne Lunn (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints Church in London, England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (on 2000-11-17)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
2:14
6Was soll ich aus dir machen, Ephraim, BWV 89: 6. Chorale: Mir mangelt zwar sehr viel
choir vocals:
Monteverdi Choir (on 2000-11-17)
orchestra:
English Baroque Soloists (on 2000-11-17)
conductor:
Sir John Eliot Gardiner (on 2000-11-17)
recorded at:
All Saints Church in London, England, United Kingdom (on 2000-11-17)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (on 2000-11-17)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:55
7O Ewigkeit, du Donnerwort, BWV 60: 1. Aria [& Chorale]: O Ewigkeit, du Donnerwort
producer:
Uli Schneider
countertenor vocals:
Robin Blaze (from 2000-09-16 until 2000-09-20)
tenor vocals:
Gerd Türk (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
4:19
8O Ewigkeit, du Donnerwort, BWV 60: 2. Recitative: O schwerer Gang zum letzten Kampf und Streite!
producer:
Uli Schneider
countertenor vocals:
Robin Blaze (from 2000-09-16 until 2000-09-20)
tenor vocals:
Gerd Türk (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
2:04
9O Ewigkeit, du Donnerwort, BWV 60: 3. Aria: Mein letztes Lager will mich schrecken
producer:
Uli Schneider
countertenor vocals:
Robin Blaze (from 2000-09-16 until 2000-09-20)
tenor vocals:
Gerd Türk (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
3:02
10O Ewigkeit, du Donnerwort, BWV 60: 4. Recitative: Der Tod bleibt doch der menschlichen Natur verhasst
producer:
Uli Schneider
bass vocals:
Peter Kooij (from 2000-09-16 until 2000-09-20)
countertenor vocals:
Robin Blaze (from 2000-09-16 until 2000-09-20)
conductor:
Masaaki Suzuki (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (from 2000-09-16 until 2000-09-20)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
4:20
11O Ewigkeit, du Donnerwort, BWV 60: 5. Chorale: Es ist genung
producer:
Uli Schneider
conductor:
Masaaki Suzuki (from 2000-09-16 until 2000-09-20)
performer:
Bach Collegium Japan (from 2000-09-16 until 2000-09-20)
balance engineer:
Dirk Lüdemann (from 2000-09-16 until 2000-09-20)
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2000-09-16 until 2000-09-20)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (from 2000-09-16 until 2000-09-20)
lyricist:
Franz Joachim Burmeister
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
1:25
12Es reißet euch ein schrecklich Ende, BWV 90: 1. Aria: Es reißet euch ein schrecklich Ende
tenor vocals:
James Gilchrist (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (on 2000-10-29)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
6:07
13Es reißet euch ein schrecklich Ende, BWV 90: 2. Recitative: Des Höchsten Güte wird von Tag zu Tage neu
alto vocals:
William Towers (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (on 2000-10-29)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
1:25
14Es reißet euch ein schrecklich Ende, BWV 90: 3. Aria: So löschet im Eifer der rächende Richter
bass vocals:
Peter Harvey (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (on 2000-10-29)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
3:22
15Es reißet euch ein schrecklich Ende, BWV 90: 4. Recitative: Doch Gottes Auge sieht auf uns als Auserwählte
tenor vocals:
James Gilchrist (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (on 2000-10-29)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
0:48
16Es reißet euch ein schrecklich Ende, BWV 90: 5. Chorale: Leit uns mit deiner rechten Hand
choir vocals:
Monteverdi Choir (on 2000-10-29)
orchestra:
English Baroque Soloists (on 2000-10-29)
conductor:
Sir John Eliot Gardiner (on 2000-10-29)
recorded at:
Erlöserkirche in Potsdam, Brandenburg, Germany (on 2000-10-29)
live recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (on 2000-10-29)
lyricist:
Martin Moller
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
1:11
17Wachet! betet! betet! wachet!, BWV 70: 1. Chorus: Wachet! betet! betet! wachet!
choir vocals:
Amsterdam Baroque Choir (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
3:34
18Wachet! betet! betet! wachet!, BWV 70: 2. Recitative: Erschrecket, ihr verstockten Sünder
bass vocals:
Klaus Mertens (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
1:13
19Wachet! betet! betet! wachet!, BWV 70: 3. Aria: Wenn kömmt der Tag, an dem wir ziehen
alto vocals:
Bernhard Landauer (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
3:44
20Wachet! betet! betet! wachet!, BWV 70: 4. Recitative: Auch bei dem himmlischen Verlangen
tenor vocals:
Christoph Prégardien (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
0:41
21Wachet! betet! betet! wachet!, BWV 70: 5. Aria: Lasst der Spötter Zungen schmähen
soprano vocals:
Sibylla Rubens (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
2:44
22Wachet! betet! betet! wachet!, BWV 70: 6. Recitative: Jedoch bei dem unartigen Geschlechte
tenor vocals:
Christoph Prégardien (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
0:32
23Wachet! betet! betet! wachet!, BWV 70: 7. Chorale: Freu dich sehr, o meine Seele
choir vocals:
Amsterdam Baroque Choir (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
1:07
24Wachet! betet! betet! wachet!, BWV 70: 8. Aria: Hebt euer Haupt empor
tenor vocals:
Christoph Prégardien (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
3:06
25Wachet! betet! betet! wachet!, BWV 70: 9. Recitative: Ach, soll nicht dieser große Tag
bass vocals:
Klaus Mertens (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
1:48
26Wachet! betet! betet! wachet!, BWV 70: 10. Aria: Seligster Erquickungstag
bass vocals:
Klaus Mertens (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" (in 1998-10)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
2:40
27Wachet! betet! betet! wachet!, BWV 70: 11. Chorale: Nicht nach Welt, nach Himmel nicht
choir vocals:
Amsterdam Baroque Choir (in 1998-10)
orchestra:
Amsterdam Baroque Orchestra (in 1998-10)
conductor:
Ton Koopman (in 1998-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1998-10)
recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht" (in 1998-10)
lyricist:
Christian Keymann
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
0:51
28Darzu ist erschienen der Sohn Gottes, BWV 40: 1. Chorus: Darzu ist erschienen der Sohn Gottes
producer:
Isabella de Sabata
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes" (on 2000-12-25)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
4:00
29Darzu ist erschienen der Sohn Gottes, BWV 40: 2. Recitative: Das Wort ward Fleisch
tenor vocals:
James Gilchrist (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": II. Recitativo (Tenore) "Das Wort ward Fleisch" (on 2000-12-25)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:22
30Darzu ist erschienen der Sohn Gottes, BWV 40: 3. Chorale: Die Sünd macht Leid
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": III. Choral "Die Sünd macht Leid" (on 2000-12-25)
lyricist:
Kaspar Füger
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 379)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
0:47
31Darzu ist erschienen der Sohn Gottes, BWV 40: 4. Aria: Höllische Schlange, wird dir nicht bange?
bass vocals:
Peter Harvey (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": IV. Aria (Basso) "Höllische Schlange" (on 2000-12-25)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:55
32Darzu ist erschienen der Sohn Gottes, BWV 40: 5. Recitative: Die Schlange, so im Paradies
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": V. Recitativo (Alto) "Die Schlange, so im Paradies" (on 2000-12-25)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:10
33Darzu ist erschienen der Sohn Gottes, BWV 40: 6. Chorale: Schüttle deinen Kopf und sprich
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VI. Choral "Schüttle deinen Kopf und sprich" (on 2000-12-25)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 305)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
0:48
34Darzu ist erschienen der Sohn Gottes, BWV 40: 7. Aria: Christenkinder, freuet euch
tenor vocals:
James Gilchrist (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VII. Aria (Tenore) "Christenkinder, freuet euch!" (on 2000-12-25)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
3:26
35Darzu ist erschienen der Sohn Gottes, BWV 40: 8. Chorale: Jesu, nimm dich deiner Glieder
choir vocals:
Monteverdi Choir (on 2000-12-25)
orchestra:
English Baroque Soloists (on 2000-12-25)
conductor:
Sir John Eliot Gardiner (on 2000-12-25)
recorded at:
St. Bartholomew’s Church in New York, New York, United States (on 2000-12-25)
live recording of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": VIII. Choral "Jesu, nimm dich deiner Glieder" (on 2000-12-25)
lyricist:
Christian Keymann
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 105)
part of:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes"
1:11
5▶CD: Cantatas 64, 190, 153, 65, 154 (1723-1724)
6▶CD: Cantatas 73, 81, 83, 144, 181 (1724)
7▶CD: Cantatas 18, 66, 134, 67 (1724)
8▶CD: Cantatas 104, 166, 86, 37, 44 (1724)
9▶CD: Cantatas 173, 184, 194 (1724)