| # | Title | Artist | Length |
|---|
| 1 | Mack the Knife | Louis Armstrong | 3:25 |
| 2 | ’s Wonderful | Quincy Jones | 3:14 |
| 3 | Take Five | Dave Brubeck | 5:25 |
| 4 | Summertime- vocals:
- Ella Fitzgerald
- performer:
- Louis Armstrong
- cover recording of:
- Summertime
- lyricist:
- Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
- composer:
- George Gershwin (in 1934)
- publisher:
- Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- version of:
- Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
| Ella Fitzgerald | 4:56 |
| 5 | So What | Miles Davis | 9:23 |
| 6 | Take the “A” Train | Duke Ellington | 3:00 |
| 7 | Stranger on the Shore | Acker Bilk | 3:08 |
| 8 | Mr. Bojangles | Sammy Davis Jr. | 5:45 |
| 9 | Fever- double bass [bass]:
- Joe Mondragon (on 1958-05-19)
- drums (drum set):
- Shelly Manne (on 1958-05-19)
- finger snaps:
- Peggy Lee (on 1958-05-19) and Howard Roberts (on 1958-05-19)
- vocals:
- Peggy Lee (on 1958-05-19)
- conductor:
- Jack Marshall (on 1958-05-19)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1958)
- cover recording of:
- Fever (on 1958-05-19)
- writer:
- Eddie Cooley and John Davenport
- publisher:
- Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music, Trio Music Co., Inc. and Trio Music Company
- part of:
- The Adjustment Bureau
| Peggy Lee | 3:19 |
| 10 | My Funny Valentine | Chet Baker | 2:22 |
| 11 | Jeepers Creepers | Maynard Ferguson | 2:34 |
| 12 | Strange Fruit | Billie Holiday | 3:18 |
| 13 | Ornithology | Charlie Parker | 3:04 |
| 14 | My Baby Just Cares for Me | Nina Simone | 3:32 |
| 15 | Put Off | Milt Jackson | 5:36 |
| 16 | What a Difference a Day Makes | Dinah Washington | 2:32 |
| 17 | So Long Eric | Charles Mingus | 4:34 |
| 18 | Autumn in New York | Dexter Gordon | 6:33 |
| 19 | The Entertainer | Chris Barber’s Jazz Band | 3:51 |
| 20 | Baby, It’s Cold Outside | Dinah Shore | 2:21 |
| 21 | Greenbacks | Ray Charles | 2:55 |
| 22 | As Time Goes By | Tony Bennett | 3:15 |
| 23 | Stairway to the Stars | Bill Evans | 4:50 |
| 24 | Fly Me to the Moon (In Other Words) | Nancy Wilson with The Billy May Orchestra | 2:54 |
| 25 | Honeysuckle Rose | Count Basie | 3:02 |
| 26 | I Wanna Be Loved by You- cover recording of:
- I Wanna Be Loved by You
- lyricist:
- Bert Kalmar
- composer:
- Harry Ruby and Herbert Stothart
- publisher:
- BMG Firefly, Edwin H. Morris & Co., Inc., Harry Ruby Music Co., Warner Bros., Inc., WB Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- recording of:
- I Wanna Be Loved by You
- lyricist:
- Bert Kalmar
- composer:
- Harry Ruby and Herbert Stothart
- publisher:
- BMG Firefly, Edwin H. Morris & Co., Inc., Harry Ruby Music Co., Warner Bros., Inc., WB Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Marilyn Monroe | 2:59 |
| 27 | Cry Me a River- engineer:
- John Kraus (in 1955-08)
- producer:
- Bobby Troup
- double bass [bass]:
- Ray Leatherwood
- guitar:
- Barney Kessel
- vocals:
- Julie London (in 1955-08)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1957)
- recorded at and mixed at:
- AIR Studios in Hampstead, Camden, London, England, United Kingdom
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
- recording of:
- Cry Me a River (in 1955-08)
- lyricist and composer:
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc., Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd., Warner/Chappell North America Limited, Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Julie London | 2:50 |
| 28 | A Quiet Gass- double bass:
- Rolly Bundock and Joe Mondragon
- drums (drum set):
- Shelly Manne and Alvin Stoller
- French horn:
- John Cave, Vincent DeRosa, John Graas and Richard Perissi
- guitar:
- Bob Bain, Al Hendrickson and Barney Kessel
- piano:
- John Williams
- reeds:
- Gene Cipriano, Plas Johnson, Ronnie Lang and Ted Nash
- trombone:
- Hoyt Bohannon, John Halliburton, Karl De Karske, Dick Nash and Jimmy Priddy
- trumpet:
- Frank Beach, Pete Candoli and Conrad Gozzo
- vibraphone:
- Larry Bunker and Victor Feldman
- woodwind:
- Paul Horn, Ted Nash and Ronny Lang
- recording of:
- A Quiet Gass
- composer:
- Henry Mancini
| Henry Mancini | 3:05 |
| 29 | Let Me Off Uptown | Gene Krupa | 3:04 |
| 30 | Sing Sing Sing | Benny Goodman | 5:04 |
| 31 | Lullaby of Birdland | Mel Tormé | 4:50 |
| 32 | A Night in Tunisia | Ronnie Scott | 3:41 |
| 33 | Patterns | Ahmad Jamal | 6:15 |
| 34 | I’ve Got You Under My Skin | Stan Getz | 3:19 |
| 35 | Embraceable You | Sarah Vaughan | 4:51 |
| 36 | Old Devil Moon | Lena Horne | 2:34 |
| 37 | In the Mood | Glenn Miller | 3:35 |
| 38 | Smoke Gets in Your Eyes | Lawrence Welk | 2:19 |
| 39 | Lullaby in Rhythm | June Christy | 2:36 |
| 40 | Tuxedo Junction | Al Hirt | 2:42 |
| 41 | Begin the Beguine- recorded in:
- New York, New York, United States (on 1938-07-24)
- alto saxophone:
- Hank Freeman (on 1938-07-24) and Les Robinson (on 1938-07-24)
- clarinet:
- Artie Shaw (on 1938-07-24)
- double bass:
- Sid Weiss (on 1938-07-24)
- drums (drum set):
- Cliff Leeman (on 1938-07-24)
- guitar:
- Al Avola (on 1938-07-24)
- piano:
- Les Burness (on 1938-07-24)
- tenor saxophone:
- Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
- trombone:
- George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (on 1938-07-24) and Ted Vesely (on 1938-07-24)
- trumpet:
- Claude Bowen (on 1938-07-24), John Best (on 1938-07-24) and Chuck Peterson (on 1938-07-24)
- orchestra:
- Artie Shaw and His Orchestra (on 1938-07-24)
- conductor:
- Artie Shaw (on 1938-07-24)
- engineered at:
- Victor Studio #2 in Manhattan, New York, New York, United States (on 1938-07-24)
- instrumental recording of:
- Begin the Beguine (on 1938-07-24)
- lyricist and composer:
- Cole Porter (in 1935)
- publisher:
- Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jubilee
| Artie Shaw | 3:17 |
| 42 | Buona Sera | Louis Prima | 2:58 |
| 43 | Route 66 | Nat King Cole | 3:02 |
| 44 | Dream a Little Dream of Me- cover recording of:
- Dream a Little Dream of Me
- lyricist:
- Gus Kahn (in 1931)
- composer:
- Fabian André (in 1931) and Wilbur Schwandt (in 1931)
- publisher:
- EMI Music Publishing Ltd., Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. and ティー・アール・オー・エセックス・ジャパン A事業部
- part of:
- The Real Book
| Frankie Laine | 2:49 |
| 45 | Let’s Do It (Let’s Fall in Love) | Eartha Kitt | 3:09 |
| 46 | Toot‐Toot Tootsie | Sonny Rollins | 4:22 |
| 47 | That Old Feeling | Gerry Mulligan | 5:59 |
| 48 | On the Sunnyside of the Street | Dizzy Gillespie | 5:40 |
| 49 | Love for Sale | Cannonball Adderley | 7:08 |
| 50 | Yardbird Suite | Modern Jazz Quartet | 5:14 |
