Dido and Aeneas

~ Release by Purcell; Oriana Concert Choir and Orchestra, Harold Lester, Alfred Deller (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistLength
1Overture
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Overture (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:46
2Shake the cloud from off your brow (Belinda, Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:08
3Ah ! Ah ! Ah ! Belinda, I am press'd with torment (Dido)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:06
4Grief increase by concealing ... (Belinda, Dido)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:25
5When monarchs unite, how happy their state (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:27
6Whence could so much virtue spring? (Dido, Belinda)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:02
7Fear no danger to ensue (Belinda, second woman, Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
soprano vocals [Second Attendant Woman]:
Ellen Dales (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:46
8See, see, your royal guest appears (Belinda, Aeneas)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:58
9Cupid only throws the dart (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:44
10If not or mine, for empire's sake (Aeneas)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:31
11Pursue thy conquest, love, her eyes (Belinda)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:49
12To the hills and the vales (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:26
13The triumphing dance
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:16
14Prelude for the witches (Sorceress)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:16
15Wayward sisters, you that fright (First witch, Sorceress)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:18
16Harm's your delight (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:21
17The Queen of Carthage, whom we hate (Sorceress)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:55
18Ho ! Ho ! Ho ! (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:14
19Ruin'd ere the set of sun? (First witch, Sorceress)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:19
20Ho ! Ho ! Ho ! (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:12
21But ere we this perform (First and second sorceress)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
soprano vocals [Second Witch]:
Ellen Dales (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:26
22In our deep vaulted cell (Chorus, in the manner of an echo)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:00
23Echo Dance of Furies
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:59
24Ritornelle (Orchestra)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales" (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
Henry Purcell0:36
25Thank to these lonesome vales (Belinda, chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:14
26Oft she visits this lov'd mountain (Second woman)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
soprano vocals [Second Attendant Woman]:
Ellen Dales (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:10
27Behold upon my bleeding spear (Aeneas, Dido)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:35
28Haste, haste to town (Belinda, Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:56
29Stay, Prince, and hear Jove's command (Spirit, Aeneas)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (from 1963-05-02 until 1963-05-09)
tenor vocals [Spirit]:
Robert Tear (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:58
30Praeludium for the sailors
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:40
31Come away, felow sailors (First sailor, Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
tenor vocals [First Sailor]:
Robert Tear (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:20
32The Sailor's Dance
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:52
33See, the flags and streamers curling (Sorceress, first witch)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (from 1963-05-02 until 1963-05-09)
soprano vocals [First Witch]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:59
34Our next motion (Sorceress)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
contralto vocals [The Sorceress]:
Helen Watts (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:43
35Destruction's our delight (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:37
36The Witches' Dance
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
publisher:
Public Domain
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:21
37Your counsel all is urg'd in vain (Dido, Belinda, Aeneas)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
baritone vocals [Aeneas]:
Maurice Bevan (from 1963-05-02 until 1963-05-09)
soprano vocals [Belinda]:
Honor Sheppard (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:21
38Great minds against themselves conspire (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:16
39Thy hand, Belinda (Dido - recitative)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:52
40When I am laid in earth (Dido)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
harpsichord:
Harold Lester (from 1963-05-02 until 1963-05-09)
soprano vocals [Dido]:
Mary Thomas (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:07
41With drooping wings ye Cupids come (Chorus)
engineer:
Mario Mizzaro
producer:
Seymour Solomon
choir vocals:
Oriana Concert Choir (from 1963-05-02 until 1963-05-09)
orchestra:
Oriana Concert Orchestra (from 1963-05-02 until 1963-05-09)
conductor:
Alfred Deller (from 1963-05-02 until 1963-05-09)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (from 1963-05-02 until 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 1963-05-02 until 1963-05-09)
composer:
Henry Purcell (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:31

Credits

Release

liner notes:Wilfrid Mellers
executive producer:Seymour Solomon
manufactured by and phonographic copyright (℗) by:Vanguard Recording Society, Inc.
Discogs:https://www.discogs.com/release/15073453 [info]