| # | Title | Length |
|---|
| 1 | All Through the Night | 3:18 |
| 2 | Anything Goes | 3:23 |
| 3 | Miss Otis Regrets (She’s Unable to Lunch Today) | 3:03 |
| 4 | Too Darn Hot | 3:50 |
| 5 | In the Still of the Night | 2:41 |
| 6 | I Get a Kick Out of You | 4:02 |
| 7 | Do I Love You? | 3:52 |
| 8 | I’m Always True to You in My Fashion | 2:49 |
| 9 | Let’s Do It (Let’s Fall in Love) | 3:34 |
| 10 | Just One of Those Things | 3:34 |
| 11 | Ev’ry Time We Say Good‐Bye | 3:34 |
| 12 | All of You | 1:44 |
| 13 | Begin the Beguine- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
- baritone saxophone:
- Chuck Gentry (on 1956-02-08)
- bass trombone:
- George Roberts (on 1956-02-08)
- cello:
- Robert La Marchina (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
- double bass:
- Joe Mondragon (on 1956-02-08)
- drums (drum set):
- Alvin Stoller (on 1956-02-08)
- guitar:
- Barney Kessel (on 1956-02-08)
- harp:
- Corky Hale (on 1956-02-08)
- piano:
- Paul Smith (on 1956-02-08)
- tenor saxophone:
- Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
- trombone:
- Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
- trumpet:
- Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
- lead vocals:
- Ella Fitzgerald (on 1956-02-08)
- conductor:
- Buddy Bregman (on 1956-02-08)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
- cover recording of:
- Begin the Beguine (on 1956-02-08)
- lyricist and composer:
- Cole Porter (in 1935)
- publisher:
- Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jubilee
| 3:39 |
| 14 | Get Out of Town | 3:24 |
| 15 | I Am in Love | 4:08 |
| 16 | From This Moment On | 3:22 |
| 17 | I Love Paris- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
- baritone saxophone:
- Chuck Gentry (on 1956-02-07)
- bass trombone:
- George Roberts (on 1956-02-07)
- cello:
- Robert La Marchina (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
- double bass:
- Joe Mondragon (on 1956-02-07)
- drums (drum set):
- Alvin Stoller (on 1956-02-07)
- flute:
- Ted Nash (on 1956-02-07)
- guitar:
- Barney Kessel (on 1956-02-07)
- harp:
- Corky Hale (on 1956-02-07)
- oboe:
- Bob Cooper (on 1956-02-07)
- piano:
- Paul Smith (on 1956-02-07)
- tenor saxophone:
- Bob Cooper (on 1956-02-07) and Ted Nash (on 1956-02-07)
- trombone:
- Milt Bernhart (on 1956-02-07), Joe Howard (on 1956-02-07) and Lloyd Ulyate (on 1956-02-07)
- trumpet:
- Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
- lead vocals:
- Ella Fitzgerald (in 1956, on 1956-02-07)
- conductor:
- Buddy Bregman (in 1956, on 1956-02-07)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
- recording of:
- I Love Paris (on 1956-02-07)
- lyricist and composer:
- Cole Porter (in 1953)
- publisher:
- Chappell, Chappell & Co., Inc. and Warner/Chappell North America Limited
- part of:
- Can‐Can
- part of:
- Can‐Can
- part of:
- High Society
| 5:02 |
| 18 | You Do Something to Me | 2:26 |
| 19 | Ridin’ High | 3:26 |
| 20 | Easy to Love | 3:29 |
| 21 | It’s All Right With Me | 3:12 |
| 22 | Why Can’t You Behave? | 5:09 |
| 23 | What Is This Thing Called Love?- engineer:
- Val Valentin
- producer:
- Norman Granz
- bass trombone:
- George Roberts (on 1956-02-09)
- double bass:
- Joe Mondragon (on 1956-02-09)
- drums (drum set):
- Alvin Stoller (on 1956-02-09)
- guitar:
- Barney Kessel (on 1956-02-09)
- piano:
- Paul Smith (on 1956-02-09)
- trombone:
- Milt Bernhart (on 1956-02-09), Joe Howard (on 1956-02-09) and Lloyd Ulyate (on 1956-02-09)
- lead vocals:
- Ella Fitzgerald (in 1956, on 1956-02-09)
- conductor:
- Buddy Bregman (in 1956, on 1956-02-09)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-09)
- cover recording of:
- What Is This Thing Called Love? (on 1956-02-09)
- lyricist and composer:
- Cole Porter (in 1929)
- publisher:
- Harms, Inc., Warner Bros., Inc. and Warner/Chappell
- part of:
- Wake Up and Dream
- cover recording of:
- What Is This Thing Called Love? (in 1956)
- lyricist and composer:
- Cole Porter (in 1929)
- publisher:
- Harms, Inc., Warner Bros., Inc. and Warner/Chappell
- part of:
- Wake Up and Dream
| 2:07 |
| 24 | You’re the Top | 3:37 |
| 25 | Love for Sale- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
- baritone saxophone:
- Chuck Gentry (on 1956-02-08)
- bass trombone:
- George Roberts (on 1956-02-08)
- cello:
- Robert La Marchina (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
- double bass:
- Joe Mondragon (on 1956-02-08)
- drums (drum set):
- Alvin Stoller (on 1956-02-08)
- guitar:
- Barney Kessel (on 1956-02-08)
- harp:
- Corky Hale (on 1956-02-08)
- piano:
- Paul Smith (on 1956-02-08)
- tenor saxophone:
- Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
- trombone:
- Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
- trumpet:
- Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
- lead vocals:
- Ella Fitzgerald (in 1956, on 1956-02-08)
- conductor:
- Buddy Bregman (in 1956, on 1956-02-08)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
- cover recording of:
- Love for Sale (on 1956-02-08)
- lyricist and composer:
- Cole Porter (in 1930)
- publisher:
- Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
- cover recording of:
- Love for Sale (in 1956)
- lyricist and composer:
- Cole Porter (in 1930)
- publisher:
- Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc.
| 5:57 |
| 26 | It’s Delovely | 2:46 |
| 27 | Night and Day- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
- baritone saxophone:
- Chuck Gentry (on 1956-03-27)
- bass trombone:
- George Roberts (on 1956-03-27)
- cello:
- Robert La Marchina (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
- double bass:
- Joe Mondragon (on 1956-03-27)
- drums (drum set):
- Alvin Stoller (on 1956-03-27)
- guitar:
- Barney Kessel (on 1956-03-27)
- harp:
- Corky Hale (on 1956-03-27)
- piano:
- Paul Smith (on 1956-03-27)
- tenor saxophone:
- Bob Cooper (on 1956-03-27) and Ted Nash (on 1956-03-27)
- trombone:
- Milt Bernhart (on 1956-03-27), Joe Howard (on 1956-03-27) and Lloyd Ulyate (on 1956-03-27)
- trumpet:
- Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
- lead vocals:
- Ella Fitzgerald (on 1956-03-27)
- conductor:
- Buddy Bregman (in 1956)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-03-27)
- cover recording of:
- Night and Day (on 1956-03-27)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| 3:08 |
| 28 | Ace in the Hole | 2:02 |
| 29 | So in Love | 3:55 |
| 30 | I’ve Got You Under My Skin | 2:47 |
| 31 | I Concentrate on You | 3:17 |
| 32 | Don’t Fence Me In | 3:22 |
