| # | Title | Artist | Length |
|---|
| 1 | All the Way From Memphis | Mott the Hoople | 3:28 |
| 2 | Virginia Plain- engineer:
- Andy Hendriksen (in 1972-03)
- producer:
- Peter Sinfield
- bass:
- Rik Kenton (in 1972-03)
- arranger:
- Roxy Music
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (in 1999) and Virgin Records Ltd. (in 1999)
- recorded at:
- Command Studios in London, England, United Kingdom (in 1972-03)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348)
- recording of:
- Virginia Plain (in 1972-03)
- lyricist and composer:
- Bryan Ferry
- arranger:
- Roxy Music
- publisher:
- BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd., TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
| Roxy Music | 3:00 |
| 3 | Showdown- engineer:
- Denny Bridges and John Middleton
- producer:
- Jeff Lynne
- bass and background vocals:
- Michael d’Albuquerque (in 1973-04)
- cello:
- Mike Edwards (in 1973-04) and Colin Walker (in 1973-04)
- drums (drum set) and percussion:
- Bev Bevan (in 1973-04)
- guitar and lead vocals:
- Jeff Lynne (in 1973-04)
- Moog and piano:
- Richard Tandy (in 1973-04)
- violin:
- Wilfred Gibson (in 1973-04)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (in 1973) and Sony Music Entertainment Inc. (in 1973)
- recorded at:
- Air Studios in London, England, United Kingdom (in 1973-04)
- recording of:
- Showdown (in 1973-04)
- written in:
- Birmingham, West Midlands, England, United Kingdom
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc., Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Electric Light Orchestra | 4:13 |
| 4 | Wig Wam Bam | The Sweet | 3:03 |
| 5 | The Cat Crept In | Mud | 4:05 |
| 6 | Shang‐A‐Lang | Bay City Rollers | 3:06 |
| 7 | Living Next Door to Alice | Smokie | 3:29 |
| 8 | California Man | The Move | 3:38 |
| 9 | A Touch Too Much | The Arrows | 3:04 |
| 10 | My Sharona- bass:
- Prescott Niles (in 1979-04)
- drums (drum set):
- Bruce Gary (in 1979-04)
- guitar [lead guitar]:
- Berton Averre (in 1979-04)
- guitar [rhythm guitar] and lead vocals:
- Doug Fieger (in 1979-04)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2002) and Capitol Records, LLC (in 1979)
- recording of:
- My Sharona (in 1979-04)
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control, Eighties Music, Music Sales Corporation, Small Hill Music, Universal Music Publishing, Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4:02 |
| 11 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London, England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control, EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3:00 |
| 12 | Can the Can | Suzi Quatro | 3:36 |
| 13 | Fancy Pants | Kenny | 3:29 |
| 14 | See My Baby Jive | Wizzard | 5:00 |
| 15 | Some Girls | Racey | 3:27 |
| 16 | All Around My Hat | Steeleye Span | 4:10 |
| 17 | Forever | Roy Wood | 4:21 |
| 18 | Spanish Stroll | Mink De Ville | 3:42 |
| 19 | Make Me Smile (Come Up and See Me) | Steve Harley & Cockney Rebel | 3:56 |
| 20 | Oh You Pretty Things | Peter Noone | 3:07 |
