Four Classic Albums

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

1▼CD: Miles Ahead / Sketches of Spain
#TitleLength
1Springsville
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
recording of:
Springsville (on 1957-05-23)
composer:
John Carisi
3:26
2The Maidz of Cadiz
alto saxophone:
Lee Konitz (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (on 1957-05-06)
clarinet and flute:
Sid Cooper (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (on 1957-05-06), Jimmy Cleveland (on 1957-05-06) and Frank Rehak (on 1957-05-06)
trumpet:
John Carisi (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements) (on 1957-05-06)
lyricist:
Alfred de Musset
composer:
Léo Delibes
arrangement of:
Les Filles de Cadix (Chanson espagnole)
3:55
3The Duke
alto saxophone:
Lee Konitz (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (on 1957-05-06)
clarinet and flute:
Sid Cooper (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (on 1957-05-06), Jimmy Cleveland (on 1957-05-06) and Frank Rehak (on 1957-05-06)
trumpet:
John Carisi (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
The Duke (on 1957-05-06)
composer:
Dave Brubeck
dedicated to:
Duke Ellington
publisher:
Derry Music Company
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington
publisher:
Derry Music Company
3:35
4My Ship
alto saxophone:
Lee Konitz (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (on 1957-05-10)
clarinet and flute:
Sid Cooper (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (on 1957-05-10), Jimmy Cleveland (on 1957-05-10) and Frank Rehak (on 1957-05-10)
trumpet:
John Carisi (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill
version of:
Lady in the Dark: My Ship
4:28
5Miles Ahead
alto saxophone:
Lee Konitz (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (on 1957-05-10)
clarinet and flute:
Sid Cooper (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (on 1957-05-10), Jimmy Cleveland (on 1957-05-10) and Frank Rehak (on 1957-05-10)
trumpet:
John Carisi (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
remasters:
Miles Ahead by Miles Davis & Gil Evans
recording of:
Miles Ahead (on 1957-05-10)
composer:
Miles Davis and Gil Evans
3:30
6Blues for Pablo
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
orchestra:
The Gil Evans Orchestra
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
Blues for Pablo (on 1957-05-23)
composer:
Gil Evans
5:20
7New Rhumba
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
New Rhumba (on 1957-05-23)
composer:
Ahmad Jamal
recording of:
New Rhumba
composer:
Ahmad Jamal
4:35
8The Meaning of the Blues
alto saxophone:
Lee Konitz (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (on 1957-05-27)
clarinet and flute:
Sid Cooper (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
instrumental recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
2:50
9Lament
alto saxophone:
Lee Konitz (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (on 1957-05-27)
clarinet and flute:
Sid Cooper (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
remasters:
Lament (master) by Miles Davis + 19
cover recording of:
Lament (on 1957-05-27)
composer:
J.J. Johnson
publisher:
Screen Gems–EMI Music, Inc.
recording of:
Lament
composer:
Marcus Miller
2:16
10I Don't Wanna Be Kissed (By Anyone but You)
alto saxophone:
Lee Konitz (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (on 1957-05-27)
clarinet and flute:
Sid Cooper (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You) (on 1957-05-27)
composer:
John Elliot and Harold Spina
recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot and Harold Spina
3:13
11Concierto de Aranjuez (Adagio)
bass clarinet:
Danny Bank (on 1959-11-20)
clarinet and oboe:
Harold Feldman (on 1959-11-20)
double bass [bass]:
Paul Chambers (on 1959-11-20)
drums (drum set):
Jimmy Cobb (on 1959-11-20)
flugelhorn:
Miles Davis (on 1959-11-20)
flute:
Albert Block (on 1959-11-20) and Eddie Caine (on 1959-11-20)
French horn:
John Barrows (on 1959-11-20), Earl Chapin (on 1959-11-20) and Jim Buffington (on 1959-11-20)
harp:
Janet Putnam (on 1959-11-20)
percussion:
Elvin Jones (on 1959-11-20)
trombone:
Dick Hixson (on 1959-11-20) and Frank Rehak (on 1959-11-20)
trumpet:
Miles Davis (on 1959-11-20), Bernie Glow (on 1959-11-20), Taft Jordan (on 1959-11-20), Louis Mucci (on 1959-11-20) and Ernie Royal (on 1959-11-20)
tuba:
Jimmy McAllister (on 1959-11-20)
conductor:
Gil Evans (on 1959-11-20)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1959-11-20)
remasters:
Concierto de Aranjuez (adagio) by Miles Davis
partial recording of:
Concierto de Aranjuez (on 1959-11-20)
composer:
Joaquín Rodrigo (in 1939)
16:22
12Will o' the Wisp
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
Elvin Jones (on 1960-03-11) and José Mangual (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
instrumental recording of:
El amor brujo: X. Canción del fuego fatuo (on 1960-03-11)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla
part of:
El amor brujo (for symphony orchestra)
3:50
13The Pan Piper
bass clarinet:
Danny Bank (on 1960-03-10)
bassoon:
Jack Knitzer (on 1960-03-10)
brass:
Miles Davis (on 1960-03-10)
double bass [bass]:
Paul Chambers (on 1960-03-10)
drums (drum set):
Jimmy Cobb (on 1960-03-10)
flute:
Albert Block (on 1960-03-10) and Harold Feldman (on 1960-03-10)
French horn:
Jim Buffington (on 1960-03-10), Joe Singer (on 1960-03-10) and Tony Miranda (on 1960-03-10)
harp:
Janet Putnam (on 1960-03-10)
oboe:
Romeo Penque (on 1960-03-10)
percussion:
José Mangual and Elvin Jones (on 1960-03-10)
trombone:
Dick Hixson (on 1960-03-10) and Frank Rehak (on 1960-03-10)
trumpet:
Johnny Coles (on 1960-03-10), Bernie Glow (on 1960-03-10) and Ernie Royal (on 1960-03-10)
tuba:
Bill Barber (on 1960-03-10)
conductor:
Gil Evans (on 1960-03-10)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-10)
recording of:
The Pan Piper (on 1960-03-10)
composer:
Gil Evans
3:56
14Saeta
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Saeta (on 1960-03-11)
composer:
Gil Evans
5:10
15Solea
bass clarinet:
Danny Bank (on 1960-03-11)
bassoon:
Jack Knitzer (on 1960-03-11)
brass:
Miles Davis (on 1960-03-11)
double bass [bass]:
Paul Chambers (on 1960-03-11)
drums (drum set):
Jimmy Cobb (on 1960-03-11)
flute:
Albert Block (on 1960-03-11) and Harold Feldman (on 1960-03-11)
French horn:
Jim Buffington (on 1960-03-11), Joe Singer (on 1960-03-11) and Tony Miranda (on 1960-03-11)
harp:
Janet Putnam (on 1960-03-11)
oboe:
Romeo Penque (on 1960-03-11)
percussion:
José Mangual and Elvin Jones (on 1960-03-11)
trombone:
Dick Hixson (on 1960-03-11) and Frank Rehak (on 1960-03-11)
trumpet:
Johnny Coles (on 1960-03-11), Bernie Glow (on 1960-03-11) and Ernie Royal (on 1960-03-11)
tuba:
Bill Barber (on 1960-03-11)
conductor:
Gil Evans (on 1960-03-11)
arranger:
Gil Evans
recorded at:
Columbia Studios in New York, New York, United States (on 1960-03-11)
recording of:
Solea (on 1960-03-11)
composer:
Gil Evans
12:20
2▶CD: Porgy & Bess / Ascenseur pour l'echafaud

Credits

Release

ASIN:UK: B00BWU1S2Q [info]