Harmony : Le Chant des rêves

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Adagio pour cordes, op. 11a
orchestra:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (in 1938)
composer:
Samuel Barber (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (on 1938-11-05)
premiered at:
[radio broadcast]
publisher:
Chappell and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
partial recording of:
Adagio for Strings
orchestrator:
Samuel Barber (in 1938)
composer:
Samuel Barber (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (on 1938-11-05)
premiered at:
[radio broadcast]
publisher:
Chappell and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber6:22
2Jésus que ma joie demeure
producer:
Christopher Bishop
choir vocals:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields
conductor:
Sir Neville Marriner and Sir David Willcocks
balance engineer:
Neville Boyling
phonographic copyright (℗) by:
EMI Records Ltd. (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Jesu, Joy of Man’s Desiring (orch. Stokowski)
orchestrator:
Leopold Stokowski
lyricist:
Robert Bridges
composer:
Johann Sebastian Bach
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (in 1665)
composer:
Johann Sebastian Bach (in 1723)
part of:
Classic 100: Piano (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:30
3Le Beau Danube bleu, op. 314 (extrait)
orchestra:
Berlin Philharmonic Orchestra
conductor:
Herbert von Karajan
partial recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss3:47
4Concerto pour piano no. 21 en ut majeur « Elvira Madigan », K. 467 : 2ème mouvement (extrait)
piano:
Stephen Hough
orchestra:
Hallé Orchestra
conductor:
Bryden Thomson
phonographic copyright (℗) by:
EMI Records Ltd. (in 1987)
partial recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:19
5Nocturne no. 2 en mi bémol majeur, op. 9 no. 2
piano:
John Ogdon
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1968-06-14 until 1968-06-16)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (from 1830 until 1832)
part of:
Classic 100: Piano (number: 3) and Classic 100: Piano (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:17
6Symphonie no. 9 en mi mineur, op. 95 « Du nouveau monde »
orchestra:
Oslo Philharmonic Orchestra
conductor:
Mariss Jansons
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Anton Dvořák4:45
7Suite pour violoncelle no. 1 en sol majeur, BWV 1007 : 1er mouvement Prélude
producer:
John Fraser
cello:
Paul Tortelier (in 1982-04, from 1982-04-14 until 1982-04-26)
balance engineer:
Neville Boyling (from 1982-04-14 until 1982-04-26)
recorded at:
Temple Church in London, England, United Kingdom (from 1982-04-14 until 1982-04-26)
engineered at:
Temple Church in London, England, United Kingdom (in 1982-04)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (from 1982-04-14 until 1982-04-26)
composer:
Johann Sebastian Bach
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:26
8Ave Maria
organ:
Philip Ledger
mezzo-soprano vocals:
Dame Janet Baker
phonographic copyright (℗) by:
EMI Records Ltd. (in 1981)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous]
composer:
Johann Sebastian Bach and Charles Gounod (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach, Charles Gounod3:11
9Sarabande (extrait de la suite pour clavecin no. 11 en ré mineur - début)
piano:
Andrei Gavrilov
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Haendel3:01
10Concierto de Aranjuez : 2ème mouvement (extrait)
classical guitar and guitar:
Julian Bream
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle
phonographic copyright (℗) by:
EMI Records Ltd. (in 1993)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo4:43
11Pavane
flute:
Gareth Morris
orchestra:
Orchestre national de l’ORTF
conductor:
Sir Thomas Beecham
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
composer:
Gabriel Fauré
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:07
12Le Cygne (extrait du « Carnaval des animaux »)
producer:
Ronald Kinloch Anderson
cello:
Jacqueline du Pré (on 1962-07-21)
harp:
Osian Ellis (on 1962-07-21)
balance engineer:
Neville Boyling (on 1962-07-21)
phonographic copyright (℗) by:
Warner Classics (in 1995) and Warner Music UK Ltd. (in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1962-07-21)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (on 1962-07-21)
composer:
Camille Saint‐Saëns
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:50
13Concerto pour clarinette en la majeur, K 622 : 2ème mouvement (extrait)
clarinet:
Karl Leister
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart4:28
14Danses Polovtsiennes (extrait du « Le Prince Igor »)
choir vocals:
Beecham Choral Society
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин
arranger:
Александр Константинович Глазунов and Николай Андреевич Римский‐Корсаков
Alexander Borodin3:52
15Rêverie (scènes d’enfants no. 7)
piano:
Moura Lympany
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (in 1838)
part of:
Classic 100: Piano (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:38
16La Liste de Schindler (Thème)
violin:
Tasmin Little (in 1994)
orchestra:
New World Symphony and New World Philharmonic (in 1994)
conductor:
Iain Sutherland (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams5:04
17Lacrimosa (extrait du Requiem en ré mineur, K 626)
recording engineer:
Mike Clements (in 1989-04)
producer:
Andrew Keener
organ:
David Bell (in 1989-04)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (in 1989-04)
conductor:
Franz Welser‐Möst (in 1989-04)
arranger:
Franz Beyer
phonographic copyright (℗) by:
EMI Records Ltd. (in 1990)
recorded at:
St. Augustine’s Church in London, England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:56
18Fantasia on « Greensleeves » (« extrait de Sir John in Love »)
producer:
Victor Olof
orchestra:
Sinfonia of London and Sinfonia of London (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:39
19Time to Say Goodbye
conductor:
David Abel
instrumental recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”)
additional lyricist:
Frank Peterson
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar Music MV and Sugar S.r.l.
translated version of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Lucio Quarantotto, Francesco Sartori3:58