Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Juni/Oktober 1983 (BWV 188); Dezember 1977/Januar 1978 (BWV 190); Februar/Mai 1971 (BWV 191); Januar/Februar 1974 (BWV 192)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Juni/Juli/Oktober 1983 (BWV 193); Januar 1977 (BWV 194)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Oktober 1983/Februar 1984 (BWV 195); Januar 1976 (BWV 196); Februar/März 1984 (BWV 197)
CD4 Aufnahme: Gedächtniskirche Stuttgart. September/Oktober 1983 (BWV 198); April 1976 (BWV 199); Februar 1984 (BWV 200)

Tracklist

1CD: BWV 188,190-192
#TitleArtistLength
1Kantate, BWV 188 "Ich habe meine Zuversicht": I. SinfoniaJohann Sebastian Bach7:39
2Kantate, BWV 188 "Ich habe meine Zuversicht": II. Aria (Tenor) "Ich habe meine Zuversicht"Johann Sebastian Bach6:17
3Kantate, BWV 188 "Ich habe meine Zuversicht": III. Recitativo (Bass) "Gott meint es gut mit jedermann"Johann Sebastian Bach2:16
4Kantate, BWV 188 "Ich habe meine Zuversicht": IV. Aria (Alt) "Unerforschlich ist die Weise"Johann Sebastian Bach5:37
5Kantate, BWV 188 "Ich habe meine Zuversicht": V. Recitativo (Sopran) "Die Macht der Welt verlieret sich"Johann Sebastian Bach0:58
6Kantate, BWV 188 "Ich habe meine Zuversicht": VI. Choral "Auf meinen lieben Gott"Johann Sebastian Bach1:01
7Kantate, BWV 190 "Singet dem Herrn ein neues Lied": I. Coro "Singet dem Herrn ein neues Lied"Johann Sebastian Bach5:21
8Kantate, BWV 190 "Singet dem Herrn ein neues Lied": II. Choral e Recitativo (Bass, Tenor, Alt) "Herr Gott, dich loben wir"Johann Sebastian Bach1:46
9Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott"
alto vocals:
Helen Watts
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach3:11
10Kantate, BWV 190 "Singet dem Herrn ein neues Lied": IV. Recitativo (Bass) "Es wünsche sich die Welt"Johann Sebastian Bach1:27
11Kantate, BWV 190 "Singet dem Herrn ein neues Lied": V. Duetto (Tenor, Bass) "Jesus soll mein alles sein"Johann Sebastian Bach2:57
12Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe"
tenor vocals:
Kurt Equiluz
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1988-01)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VI. Recitativo (Tenor) "Nun, Jesus, gebe" (from 1977-12 until 1988-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
Johann Sebastian Bach1:23
13Kantate, BWV 190 "Singet dem Herrn ein neues Lied": VII. Choral "Laß uns das Jahr vollbringen"Johann Sebastian Bach1:52
14Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:40
15Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto"
soprano vocals:
Nobuko Gamo-Yamamoto
tenor vocals:
Adalbert Kraus
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach5:33
16Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1971-02 until 1971-05)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1974-01 until 1974-02)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach4:29
17Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott" (from 1974-01 until 1974-02)
composed in:
Leipzig, Sachsen, Germany (in 1730)
composer:
Johann Sebastian Bach (in 1730)
librettist:
Martin Rinckart (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach6:55
18Kantate, BWV 192 "Nun danket alle Gott": II. Duetto (Sopran, Bass) "Der ewig reiche Gott"
bass vocals:
Niklaus Tuller
soprano vocals:
Helen Donath
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": II. Duetto (Sopran, Bass) "Der ewig reiche Gott" (from 1974-01 until 1974-02)
composed in:
Leipzig, Sachsen, Germany (in 1730)
composer:
Johann Sebastian Bach (in 1730)
librettist:
Martin Rinckart (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach3:47
19Kantate, BWV 192 "Nun danket alle Gott": III. Coro "Lob, Ehr und Preis sei Gott"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1974-01 until 1974-02)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": III. Coro "Lob, Ehr und Preis sei Gott" (from 1974-01 until 1974-02)
composed in:
Leipzig, Sachsen, Germany (in 1730)
composer:
Johann Sebastian Bach (in 1730)
librettist:
Martin Rinckart (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
Johann Sebastian Bach4:05
2CD: BWV 193-194
3CD: BWV 195-197
4CD: BWV 198-200