The John Eliot Gardiner Collection

~ Release by Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1CD: Claudio Monteverdi: Vespro della Beata Vergine (nos. 1-10)
2CD: Claudio Monteverdi: Vespro della Beata Vergine (nos. 11-13b)
3CD: Henry Purcell: The Fairy Queen (Acts I-III)
4CD: Henry Purcell: The Fairy Queen (Acts IV-V)
5CD: Johann Sebastian Bach: Matthäus-Passion (Part I)
6CD: Johann Sebastian Bach: Matthäus-Passion (Part II, nos. 30-52)
7CD: Johann Sebastian Bach: Matthäus-Passion (Part II, nos. 53a-68)
8CD: George Frideric Handel: Jephtha (Act I)
9CD: George Frideric Handel: Jephtha (Act II)
10CD: George Frideric Handel: Jephtha (Act III)
11CD: Christoph Willibald Gluck: Iphigénie en Tauride (Acts I-II)
12CD: Christoph Willibald Gluck: Iphigénie en Tauride (Acts III-IV)
13CD: Wolfgang Amadeus Mozart: Idomeneo (Acts I - II beg.)
14CD: Wolfgang Amadeus Mozart: Idomeneo (Acts II cont. - III beg.)
15CD: Wolfgang Amadeus Mozart: Idomeneo (Act III cont.)
16CD: Wolfgang Amadeus Mozart: Piano Concertos nos. 20 & 21
17CD: Joseph Haydn: Die Jahreszeiten (Der Frühling, Der Sommer)
18CD: Joseph Haydn: Die Jahreszeiten (Der Herbst, Der Winter)
19CD: Ludwig van Beethoven: Leonore (Acts I-II beg.)
20CD: Ludwig van Beethoven: Leonore (Acts II cont.-III)
21CD: Ludwig van Beethoven: Missa solemnis
22CD: Hector Berlioz: Symphonie fantastique
23CD: Robert Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Parts I-II)
24CD: Robert Schumann: Das Paradies und die Peri (Part III) / Symphony no. 4 (original version)
25CD: Giuseppe Verdi: Messa da Requiem
26CD: Edward Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
27CD: Franz Lehár: Die lustige Witwe
#TitleArtistLength
1Die lustige Witwe: Erster Akt. 1. Introduktion: "Verehrteste Damen und Herren" (Cascada, Zeta, Valencienne, Sylviane, Olga, Praškowia, Camille, St. Brioche, Kromow, Chor)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
alto vocals [Sylviane]:
Lynette Alcántara (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
choir vocals:
Monteverdi Choir (in 1994-01)
soprano vocals [Olga]:
Constanze Backes (in 1994-01)
soprano vocals [Praškowia]:
Angela Kazimierczuk (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 1 Introduktion „Verehrteste Damen und Herren” / Dialog „Danke, danke, meine Herrschaften” (Cascada, Chor, Zeta, Valencienne, Sylviane, Olga, Praskowia, Camille, St. Brioche, Zeta, Kromow) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár2:53
2Die lustige Witwe: Erster Akt. 1a. Ballmusik: "Camille, ich muss mit Ihnen sprechen!" (Valencienne, Camille, Zeta)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 1a Ballmusik / Dialog: „Camille ich muss mit Ihnen sprechen!” (Valencienne, Camille, Zeta) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár0:44
3Die lustige Witwe: Erster Akt. 2. Duett: "So kommen Sie! 's ist niemand hier!" (Valencienne, Camille)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 2 Duett „So kommen Sie! ’s ist niemand hier!” / Nr. 2b „Ich bin eine anständige Frau” (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár4:06
4Die lustige Witwe: Erster Akt. 2. Duett: "Nun, Njegus, haben Sie meine Botschaft überbracht?" (Zeta, Njegus)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog: „Nun, Njegus, waren Sie beim Grafen Danilo?” / „Frau Glawari darf keinen Pariser heiraten” (Zeta, Njegus) (in 1994-01)
part of:
Die lustige Witwe: Akt I
Franz Lehár0:37
5Die lustige Witwe: Erster Akt. 2. Duett: "Achtung, meine Herren, die Glawari kommt!" / 3. Entrée-Lied und Ensemble: "Was hat das zu bedeuten?" (Zeta, Njegus) / 3. Entrée-Lied und Ensemble: "Bitte, meine Herr'n - Hab' in Paris mich noch nicht ganz so akklimatisiert" (Hanna, Cascada, St. Brioche, Männerchor)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
choir vocals:
Monteverdi Choir (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 3 Entréelied “Bitte, meine Herr'n! Welche Galantrie'n” … “Gar oft hab ich gehört” … “Hab’ in Paris mich noch nicht ganz so akklimatisiert” (Hanna, Cascada, St. Brioche, Herrenchor) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár3:19
6Die lustige Witwe: Erster Akt. 3a. Ballmusik: "Camille! - Ja?" (Valencienne, Camille)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 3a Ballmusik – Dialog „Camille!” – „Ja?” (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár0:35
7Die lustige Witwe: Erster Akt. 4. Auftrittslied: "Also, Njegus, hier bin ich, und wo ist das Vaterland? O Vaterland" (Danilo)Franz Lehár2:14
8Die lustige Witwe: Erster Akt. 4. Auftrittslied: "Ich habe schon die vierte Nacht nicht geschlafen!" (Danilo, Njegus, St. Brioche, Hanna)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Dialog „Ich habe schon die vierte Nacht nicht geschlafen!” (Hanna, Danilo, Njegus, St. Brioche) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár1:29
9Die lustige Witwe: Erster Akt. 4. Auftrittslied: "Ich bitte Sie, lieber Freund, es hat doch keinen Zweck" (Valencienne, Camille) / 5. Duett: "Ja, was? - Ein trautes Zimmerlein" (Camille, Valencienne)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 5 Duett „Ja, was? – Ein trautes Zimmerlein“ / "Das ist der Zauber der stillen Häuslichkeit" (Valencienne, Camille) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár2:27
10Die lustige Witwe: Erster Akt. 5. Duett: "Also, lieber Graf, Sie sind mein Mann" (Zeta, Danilo) / 6. Finale I: "Damenwah! Hört man rufen rings im Saal (Hanna, Danilo, Cascada, St. Brioche, eine Dame, Valencienne, Camille, Chor)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt I. Nr. 6 Finale I „Damenwahl! Hört man rufen rings im Saal!” (Chor, Hanna, Danilo, Sylviane, Cascada, St. Brioche, Valencienne) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt I
Franz Lehár10:05
11Die lustige Witwe: Zweiter Akt. 7. Introduktion, Tanz und Vilja-Lied: "Ich bitte, hier jetzt zu verweilen - Es lebt' eine Vilja" (Hanna, Chor)Franz Lehár9:31
12Die lustige Witwe: Zweiter Akt. 7. Introduktion, Tanz und Vilja-Lied: "Gospodina, dieses vaterländische Fest könnte nicht vaterländischer sein!" (Zeta, Hanna, Danilo)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. Dialog: "Gospodina, dieses vaterländische Fest" (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
Franz Lehár0:50
13Die lustige Witwe: Zweiter Akt. 8. Duett: "Heie, Mädel, aufgeschaut" (Hanna,. Danilo)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
Franz Lehár2:43
14Die lustige Witwe: Zweiter Akt. 8. Duett: "Wir werden noch schlagen um die Witwe!" (St. Brioche, Cascada, Danilo, Zeta) / 9. Marsch-Septett: "Wie die Weiber man behandelt" (Danilo, Zeta, St. Brioche, Cascada, Kromow, Bogdanowitsch, Pritschitsch)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
baritone vocals [Vicomte Cascada]:
Karl-Magnus Fredriksson (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (in 1994-01)
tenor vocals [Raoul de St. Brioche]:
Uwe Peper (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°9. Marsch-Septett: „Wie die Weiber man behandelt” … „Ja, das Studium der Weiber ist schwer” (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch) (Weibermarsch) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
recording of:
Die lustige Witwe: Akt II. N°8. Duett “Heia, Mädel, aufgeschaut” … “Dummer, dummer Reitersmann” (Hanna, Danilo)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
Franz Lehár3:06
15Die lustige Witwe: Zweiter Akt. 9. Marsch-Septett: "Mein tapferer Reitersmann!" (Hanna, Danilo) / 10. Spielszene und Tanzduett: "So, wie die Dinge sich entwickeln" (Hanna, Danilo)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II (in 1994-01)
composer:
Franz Lehár (in 1905)
librettist:
Victor Léon and Leo Stein
version of:
Die lustige Witwe: Akt II, Part 2
part of:
Die lustige Witwe
Franz Lehár5:18
16Die lustige Witwe: Zweiter Akt. 10. Spielszene und Tanzduett: Nein, nein, nein (Valencienne, Camille) / 11. Duett und Romanze: "Mein Freund! Vernunft! - Wie eine Rosenknospe" (Valencienne, Camille)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°11. Duett und Romanze: "Mein Freund, Vernunft ... Wie eine Rosenknospe" (Camille, Valencienne) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
Franz Lehár6:34
17Die lustige Witwe: Zweiter Akt. 11. Duett und Romanze: "Ah, die Baronin und der Herr Rosillon" (Njegus, Zeta, Danilo)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. Dialog: "Ah, die Baronin und Herr Rosillon" (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
Franz Lehár1:08
18Die lustige Witwe: Zweiter Akt. 12. Finale II: "Ha! Ha! - Wir fragen, was man von uns will!" (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus, Sylviane, Olga, Praškowia, Bogdanowitsch, Kromow, Pritschitsch, Chor)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
alto vocals [Sylviane]:
Lynette Alcántara (in 1994-01)
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (in 1994-01)
choir vocals:
Monteverdi Choir (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
soprano vocals [Olga]:
Constanze Backes (in 1994-01)
soprano vocals [Praškowia]:
Angela Kazimierczuk (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Camille de Rosillon]:
Rainer Trost (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt II. N°12. Finale II: “Ha! Ha! Wir fragen” … “Wie eine Rosenknospe” … “Den Herrschaften hab' ich was zu erzählen” (Danilo, Zeta, Hanna, Valencienne, Camille, Njegus) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt II
Franz Lehár11:34
19Die lustige Witwe: Dritter Akt. 12b. Zwischenspiel: "Also, also, also!" (Zeta, Njegus)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 12b Zwischenspiel / Dialog „Also, also, also!” (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
Franz Lehár0:35
20Die lustige Witwe: Dritter Akt. 13. Tanz-Szene
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 13 Tanz-Szene (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
Franz Lehár0:54
21Die lustige Witwe: Dritter Akt. 13. Tanz-Szene: "Graf Danilowitsch..." (Njegus, Danilo) / 14. Chanson: "Ja, wir sind es, die Grisetten" (Valencienne, Lolo, Dodo, Jou-Jou, Frou-Frou, Clo-Clo, Margot, Danilo, Zeta, Bogdanowitsch, Pritschitsch, Kromow, Chor)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
choir vocals:
Monteverdi Choir (in 1994-01)
soprano vocals [Clo-Clo]:
Suzanne Flowers (in 1994-01)
soprano vocals [Dodo]:
Constanze Backes (in 1994-01)
soprano vocals [Frou-Frou]:
Donna Deam (in 1994-01)
soprano vocals [Jou-Jou]:
Angela Kazimierczuk (in 1994-01)
soprano vocals [Lolo]:
Lucinda Houghton (in 1994-01)
soprano vocals [Margot]:
Nicola Jenkin (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 14 Chanson „Ja, wir sind es, die Grisetten” (Valencienne, Grisetten) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
Franz Lehár3:01
22Die lustige Witwe: Dritter Akt. 14. Chanson: "Exzellenz, Exzellenz, Graf, eine Expressdepesche!" (A servant, Danilo, Zeta, Hanna)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!” (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
Franz Lehár1:04
23Die lustige Witwe: Dritter Akt. 15. Duett: "Aber dort bin ich zu Hause..." (Danilo, Hanna) / "Lippen schweigen" (Danilo, Hanna)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
partial recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
Franz Lehár2:59
24Die lustige Witwe: Dritter Akt. 15. Duett: "Exzellenz! Exzellenz! Diesen Fächer hat man im Pavillon gefunden!" (Njegus, Valencienne, Zeta, Hanna, Danilo)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
soprano vocals [Valencienne]:
Barbara Bonney (in 1994-01)
tenor vocals [Njegus]:
Heinz Zednik (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Dialog „Exzellenz, Exzellenz, Graf, eine Expreßdepesche!” (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
partial recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
Franz Lehár1:25
25Die lustige Witwe: Dritter Akt. 16. Schlussgesang: "Ja, das Studium der Weiber ist schwer" (Hanna, Zeta, Danilo, Valencienne, Lolo, Dodo, Jou-Jou, Frou-Frou, Clo-Clo, Margot, Kromow, Bogdanowitsch, Pritschitsch, Chor)
recording engineer:
Ulrich Vette
associate producer:
Ewald Markl
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Karl-August Naegler
baritone vocals [Graf Danilo Danilowitsch]:
Bo Skovhus (in 1994-01)
bass vocals [Bogdanowitsch]:
Richard Savage (in 1994-01)
bass vocals [Pritschitsch]:
Julian Clarkson (in 1994-01)
bass-baritone vocals [Baron Mirko Zeta]:
Bryn Terfel (in 1994-01)
choir vocals:
Monteverdi Choir (in 1994-01)
soprano vocals [Clo-Clo]:
Suzanne Flowers (in 1994-01)
soprano vocals [Dodo]:
Constanze Backes (in 1994-01)
soprano vocals [Frou-Frou]:
Donna Deam (in 1994-01)
soprano vocals [Hanna Glawari]:
Cheryl Studer (in 1994-01)
soprano vocals [Jou-Jou]:
Angela Kazimierczuk (in 1994-01)
soprano vocals [Lolo]:
Lucinda Houghton (in 1994-01)
soprano vocals [Margot]:
Nicola Jenkin (in 1994-01)
tenor vocals [Kromow]:
Philip Salmon (in 1994-01)
orchestra:
Wiener Philharmoniker (in 1994-01)
conductor:
Sir John Eliot Gardiner (in 1994-01)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (in 1994-01)
recording of:
Die lustige Witwe: Akt III. Nr. 16 Schlussgesang: "Ja, das Studium der Weiber ist schwer" (Hanna, Zeta, Danilo, alle) (in 1994-01)
composer:
Franz Lehár
part of:
Die lustige Witwe: Akt III
Franz Lehár0:37
28CD: Percy Grainger: Songs and Dancing Ballads
29CD: Kurt Weill: Speak Low: Songs by Kurt Weill & The Seven Deadly Sins
30CD: Lili Boulanger: Psalms / Vielle Prère bouddhique / Du fond du l'abîme / Igor Stravinsky: Symphony of Psalms