Atlantic Rhythm & Blues 1947–1974

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

112" Vinyl: Volume 1: 1947–1952
212" Vinyl: Volume 1: 1947–1952
312" Vinyl: Volume 2: 1952–1955
412" Vinyl: Volume 2: 1952–1955
512" Vinyl: Volume 3: 1955–1958
612" Vinyl: Volume 3: 1955–1958
712" Vinyl: Volume 4: 1958–1962
812" Vinyl: Volume 4: 1958–1962
912" Vinyl: Volume 5: 1962–1966
1012" Vinyl: Volume 5: 1962–1966
#TitleArtistLength
S1And I Love Him
recorded in:
New York, New York, United States (on 1964-10-01)
engineer:
Tom Dowd
producer:
Bert Berns and Ahmet Ertegun
double bass [bass]:
Milt Hinton (on 1964-10-01)
drums (drum set) [drums]:
Mel Lewis (on 1964-10-01)
flute:
Hubert Laws (on 1964-10-01)
guitar:
Mundell Lowe (on 1964-10-01)
piano:
Dave McKenna (on 1964-10-01)
strings [ten strings]:
[unknown] (on 1964-10-01)
trombone:
Billy Byers (on 1964-10-01), Buddy Morrow (on 1964-10-01), Santo Russo (on 1964-10-01) and Bart Varsalona (on 1964-10-01)
vocals:
Esther Phillips (on 1964-10-01)
conductor:
Ray Ellis (on 1964-10-01)
arranger:
Ray Ellis
cover recording of:
And I Love Her (on 1964-10-01)
writer:
John Lennon and Paul McCartney
publisher:
Blackwood Music Inc., Maclen Music, Inc., Northern Songs, Sony/ATV Music Publishing LLC, Sony/ATV Songs LLC, Unart Music Corp. and ソニー・ミュージックパブリッシング A事業部
Esther Phillips2:42
S2Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (on 1964-11-06)
bass:
Warren Jones (on 1964-11-06)
drums (drum set):
Clyde Williams (on 1964-11-06)
electric bass guitar [electric bass]:
Clarence Hadley (on 1964-11-06)
guitar:
Lee Royal Hadley (on 1964-11-06)
tenor saxophone:
Eddie Williams (on 1964-11-06)
vocals:
Joe Tex (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 26)
recording of:
Hold What You’ve Got (from 1964 until 1964-11-06)
lyricist and composer:
Joe Tex
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:06
S3Mr. Pitiful
recorded in:
Memphis, Tennessee, United States (on 1964-12-28)
producer:
Jim Stewart
baritone saxophone:
Floyd Newman (on 1964-12-28)
bass guitar [bass]:
Duck Dunn (on 1964-12-28)
drums (drum set) [drums]:
Al Jackson (on 1964-12-28)
guitar:
Steve Cropper (on 1964-12-28)
piano:
Booker T. Jones (on 1964-12-28)
tenor saxophone:
Charles “Packy” Axton (on 1964-12-28)
trumpet:
Sammy Coleman (on 1964-12-28)
vocals:
Otis Redding (on 1964-12-28)
recording of:
Mr. Pitiful (on 1964-12-28)
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:43
S4Baby I’m Yours
producer:
Bert Berns and Ollie McLaughlin
baritone saxophone:
Haywood Henry (on 1965-01-08)
double bass [bass]:
Jimmy Lewis (on 1965-01-08)
drums (drum set) [drums]:
Gary Chester (on 1965-01-08)
guitar:
Bill Suyker (on 1965-01-08)
piano:
Paul Griffin (on 1965-01-08)
strings:
[unknown] (on 1965-01-08)
tenor saxophone:
Charlie Brown (on 1965-01-08)
trombone:
Jimmy Cleveland (on 1965-01-08) and Tony Studd (on 1965-01-08)
trumpet:
Dud Bascomb (on 1965-01-08) and Clark Terry (on 1965-01-08)
background vocals:
vocal group (on 1965-01-08)
vocals:
Barbara Lewis (on 1965-01-08)
conductor:
Teacho Wiltshire (on 1965-01-08)
arranger:
Teacho Wiltshire
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours (on 1965-01-08)
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. and Van McCoy Music
Barbara Lewis2:31
S5Teasin’ You
recorded in:
New Orleans, Louisiana, United States (in 1964)
producer:
Wardell Quezergue
vocals:
Willie Tee (in 1964)
conductor:
Wardell Quezergue (in 1964)
arranger:
Wardell Quezergue
Willie Tee2:47
S6I’ve Been Loving You Too Long
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
producer:
Steve Cropper and Jim Stewart
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar [bass]:
Duck Dunn (on 1965-07-09)
drums (drum set) [drums]:
Al Jackson (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Isaac Hayes (on 1965-07-09) and Booker T. Jones (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Wayne Jackson (on 1965-07-09) and Gene “Bowlegs” Miller (on 1965-07-09)
vocals:
Otis Redding (on 1965-07-09)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (in 1965) and Otis Redding (in 1965)
publisher:
East, Time and Wildwood Music Ltd.
Otis Redding3:15
S7In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (in 1965)
recorded at:
Stax Studios in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc., East Publishing Inc. and Irving Music, Inc.
Wilson Pickett2:40
T1See-Saw
Don Covay3:02
T2Respect
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
recording engineer:
Tom Dowd
producer:
Steve Cropper and Jim Stewart
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar:
Donald “Duck” Dunn (on 1965-07-09)
drums (drum set):
Al Jackson, Jr. (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Gene “Bowlegs” Miller (in 1965-07) and Wayne Jackson (on 1965-07-09)
background vocals:
Earl Sims (on 1965-07-09)
recorded at:
Stax Studios in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Otis Redding2:08
T3You Don’t Know Like I Know
recorded in:
Memphis, Tennessee, United States (on 1965-10-25)
producer:
Jim Stewart
vocals:
Sam & Dave (on 1965-10-25)
recording of:
You Don’t Know Like I Know (on 1965-10-25)
writer:
Isaac Hayes and David Porter
publisher:
Rondor Music and Warner Chappell
Sam & Dave2:32
T4When a Man Loves a Woman
producer:
Marlin Greene and Quin Ivy
double bass:
Albert Lowe Jr. (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
Percy Sledge2:53
T5Hold On, I’m Comin’Sam & Dave2:33
T6Cool Jerk
recorded in:
Detroit, Michigan, United States (on 1966-03-11)
vocals:
The Capitols (on 1966-03-11)
arranger:
Riley Hampton
recording of:
Cool Jerk (on 1966-03-11)
lyricist and composer:
Donald Storball
publisher:
Trio Music Company and Aberbach (in 1967)
The Capitols2:36
T7Neighbor, NeighborJimmy Hughes2:41
1112" Vinyl: Volume 6: 1966–1969
1212" Vinyl: Volume 6: 1966–1969
1312" Vinyl: Volume 7: 1969–1974
1412" Vinyl: Volume 7: 1969–1974