| # | Title | Length |
|---|
| 1 | Begin the Beguine- recorded in:
- New York, New York, United States (on 1938-07-24)
- alto saxophone:
- Hank Freeman (on 1938-07-24) and Les Robinson (on 1938-07-24)
- clarinet:
- Artie Shaw (on 1938-07-24)
- double bass:
- Sid Weiss (on 1938-07-24)
- drums (drum set):
- Cliff Leeman (on 1938-07-24)
- guitar:
- Al Avola (on 1938-07-24)
- piano:
- Les Burness (on 1938-07-24)
- tenor saxophone:
- Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
- trombone:
- George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (on 1938-07-24) and Ted Vesely (on 1938-07-24)
- trumpet:
- Claude Bowen (on 1938-07-24), John Best (on 1938-07-24) and Chuck Peterson (on 1938-07-24)
- orchestra:
- Artie Shaw and His Orchestra (on 1938-07-24)
- conductor:
- Artie Shaw (on 1938-07-24)
- engineered at:
- Victor Studio #2 in Manhattan, New York, New York, United States (on 1938-07-24)
- instrumental recording of:
- Begin the Beguine (on 1938-07-24)
- lyricist and composer:
- Cole Porter (in 1935)
- publisher:
- Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jubilee
| 3:16 |
| 2 | Indian Love Call- recorded in:
- New York, New York, United States (on 1938-07-24)
- alto saxophone:
- Hank Freeman (on 1938-07-24) and Les Robinson (on 1938-07-24)
- clarinet:
- Artie Shaw (on 1938-07-24)
- double bass:
- Sid Weiss (on 1938-07-24)
- drums (drum set):
- Cliff Leeman (on 1938-07-24)
- guitar:
- Al Avola (on 1938-07-24)
- piano:
- Les Burness (on 1938-07-24)
- tenor saxophone:
- Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
- trombone:
- George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (on 1938-07-24) and Ted Vesely (on 1938-07-24)
- trumpet:
- Johnny Best (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (on 1938-07-24)
- lead vocals [vocal refrain]:
- Tony Pastor and chorus
- vocals:
- Tony Pastor (on 1938-07-24)
- orchestra:
- Artie Shaw and His Orchestra (on 1938-07-24)
- conductor:
- Artie Shaw (on 1938-07-24)
- engineered at:
- Victor Studio #2 in Manhattan, New York, New York, United States (on 1938-07-24)
- recording of:
- Indian Love Call (on 1938-07-24)
- lyricist:
- Oscar Hammerstein II and Otto Harbach
- composer:
- Rudolf Friml and Herbert Stothart
- publisher:
- Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
- part of:
- Rose-Marie
- part of:
- Rose-Marie
| 3:12 |
| 3 | Comin' On | 2:49 |
| 4 | Back Bay Shuffle | 3:16 |
| 5 | Any Old Time | 3:11 |
| 6 | I Can't Believe That You're in Love With Me | 3:10 |
| 7 | Nightmare | 2:51 |
| 8 | Non-Stop Flight | 2:48 |
| 9 | Yesterdays | 3:20 |
| 10 | What Is This Thing Called Love? | 3:15 |
| 11 | Softly, as in a Morning Sunrise- recorded in:
- New York, New York, United States (on 1938-11-17)
- alto saxophone:
- Les Robinson (on 1938-11-17)
- bass:
- Sid Weiss (on 1938-11-17)
- clarinet:
- Artie Shaw (on 1938-11-17)
- drums (drum set):
- Cliff Leeman (on 1938-11-17)
- guitar:
- Al Avola (on 1938-11-17)
- piano:
- Les Burness (on 1938-11-17)
- reeds:
- Hank Freeman (on 1938-11-17), Tony Pastor (on 1938-11-17) and Ronnie Perry (on 1938-11-17)
- trombone:
- George Arus (on 1938-11-17), Russell Brown (on 1938-11-17) and Harry Rodgers (on 1938-11-17)
- trumpet:
- Johnny Best (on 1938-11-17), Claude Bowen (on 1938-11-17) and Chuck Peterson (on 1938-11-17)
- orchestra:
- Artie Shaw and His Orchestra (on 1938-11-17)
- recording of:
- Softly, as in a Morning Sunrise (on 1938-11-17)
- lyricist:
- Oscar Hammerstein II (in 1928)
- composer:
- Sigmund Romberg (in 1928)
- publisher:
- Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. and Warner Bros., Inc.
- part of:
- The New Moon: Act I
| 3:15 |
| 12 | Copenhagen | 2:39 |
| 13 | Jungle Drums | 3:33 |
| 14 | It Had to Be You | 2:31 |
| 15 | Lover, Come Back to Me- recorded in:
- New York, New York, United States (on 1939-01-17)
- alto saxophone:
- Hank Freeman (on 1939-01-17) and Les Robinson (on 1939-01-17)
- bass:
- Sid Weiss (on 1939-01-17)
- clarinet:
- Artie Shaw (on 1939-01-17)
- drums (drum set):
- Buddy Rich (on 1939-01-17)
- guitar:
- Al Avola (on 1939-01-17) and Bob Kitsis (on 1939-01-17)
- tenor saxophone:
- Georgie Auld (on 1939-01-17) and Tony Pastor (on 1939-01-17)
- trombone:
- George Arus (on 1939-01-17), Les Jenkins (on 1939-01-17) and Harry Rodgers (on 1939-01-17)
- trumpet:
- Johnny Best (on 1939-01-17), Chuck Peterson (on 1939-01-17) and Bernie Privin (on 1939-01-17)
- orchestra:
- Artie Shaw and His Orchestra (on 1939-01-17)
- recording of:
- Lover, Come Back to Me (on 1939-01-17)
- lyricist:
- Oscar Hammerstein II (in 1928)
- writer:
- Sigmund Romberg
- composer:
- Sigmund Romberg (in 1928)
- publisher:
- Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
- sub-publisher:
- ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- part of:
- The New Moon: Act II
| 3:29 |
| 16 | My Heart Stood Still- recorded in:
- New York, New York, United States (on 1939-01-17)
- alto saxophone:
- Hank Freeman (on 1939-01-17) and Les Robinson (on 1939-01-17)
- bass:
- Sid Weiss (on 1939-01-17)
- clarinet:
- Artie Shaw (on 1939-01-17)
- drums (drum set):
- Buddy Rich (on 1939-01-17)
- guitar:
- Al Avola (on 1939-01-17) and Bob Kitsis (on 1939-01-17)
- tenor saxophone:
- Georgie Auld (on 1939-01-17) and Tony Pastor (on 1939-01-17)
- trombone:
- George Arus (on 1939-01-17), Les Jenkins (on 1939-01-17) and Harry Rodgers (on 1939-01-17)
- trumpet:
- Johnny Best (on 1939-01-17), Chuck Peterson (on 1939-01-17) and Bernie Privin (on 1939-01-17)
- orchestra:
- Artie Shaw and His Orchestra (on 1939-01-17)
- recording of:
- My Heart Stood Still (on 1939-01-17)
- lyricist:
- Lorenz Hart (in 1927)
- composer:
- Richard Rodgers (in 1927)
- publisher:
- Harms, Inc., Laurence Harms, Inc., Warner Bros., Warner Bros., Inc. and Warner Chappell Music Ltd.
- part of:
- One Dam Thing After Another
| 2:48 |
| 17 | Rosalie | 2:44 |
| 18 | Vilia | 3:06 |
| 19 | The Man I Love- recorded in:
- New York, New York, United States (on 1939-01-23)
- alto saxophone:
- Hank Freeman (on 1939-01-23) and Les Robinson (on 1939-01-23)
- bass:
- Sid Weiss (on 1939-01-23)
- clarinet:
- Artie Shaw (on 1939-01-23)
- drums (drum set):
- Buddy Rich (on 1939-01-23)
- guitar:
- Al Avola (on 1939-01-23)
- piano:
- Bob Kitsis (on 1939-01-23)
- tenor saxophone:
- Georgie Auld (on 1939-01-23) and Tony Pastor (on 1939-01-23)
- trombone:
- George Arus (on 1939-01-23), Les Jenkins (on 1939-01-23) and Harry Rodgers (on 1939-01-23)
- trumpet:
- Johnny Best (on 1939-01-23), Chuck Peterson (on 1939-01-23) and Bernie Privin (on 1939-01-23)
- orchestra:
- Artie Shaw and His Orchestra (on 1939-01-23)
- recording of:
- The Man I Love (on 1939-01-23)
- lyricist:
- Ira Gershwin (in 1924)
- composer:
- George Gershwin (in 1924)
- publisher:
- New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- part of:
- An American in Paris
- part of:
- Lady, Be Good
- part of:
- New York, New York
| 3:13 |
| 20 | The Donkey Serenade | 3:15 |
| 21 | Zigeuner | 2:52 |
| 22 | Carioca | 3:09 |
| 23 | I Can't Believe That Your're in Love With Me (ALT TK -2) | 3:07 |
| 24 | Yesterdays (ALT TK -1A) | 3:17 |
