| # | Title | Artist | Length |
|---|
| 1 | Baby Can I Hold You | Tracy Chapman | 3:13 |
| 2 | Last Request | Paolo Nutini | 3:40 |
| 3 | You’re Beautiful | James Blunt | 3:32 |
| 4 | I’m Yours | Jason Mraz | 4:02 |
| 5 | Crazy Love (single version) | Van Morrison | 2:36 |
| 6 | Iris | The Goo Goo Dolls | 4:49 |
| 7 | Make It With You | Bread | 3:13 |
| 8 | Suzanne | Judy Collins | 4:26 |
| 9 | All Our Love | Daryl Hall & John Oates | 2:43 |
| 10 | The Rose | Bette Midler | 3:33 |
| 11 | Slow | Rumer | 3:34 |
| 12 | The Power of Love | Gabrielle Aplin | 4:05 |
| 13 | I’ll Stand by You | Pretenders | 4:00 |
| 14 | Kiss From a Rose | Seal | 4:48 |
| 15 | Love You Lately (2008 version) | Daniel Powter | 3:02 |
| 16 | Everglow | Coldplay | 3:47 |
| 17 | I Say a Little Prayer- recording engineer:
- Tom Dowd (on 1968-04-17)
- producer:
- Jerry Wexler
- bass:
- Jerry Jemmott (on 1968-04-17)
- drums (drum set):
- Roger Hawkins (on 1968-04-17)
- guitar:
- Tommy Cogbill (on 1968-04-17)
- piano and lead vocals:
- Aretha Franklin (on 1968-04-17)
- background vocals:
- The Sweet Inspirations (on 1968-04-17)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Warner Music UK Ltd., Atlantic Recording Corporation (in 1968) and WEA International Inc. (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
- cover recording of:
- I Say a Little Prayer (on 1968-04-17)
- lyricist:
- Hal David
- composer:
- Burt Bacharach
- publisher:
- Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. and Windswept Pacific Music Ltd.
- part of:
- Baby It’s You!
| Aretha Franklin | 3:32 |
| 18 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 2:54 |
| 19 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 2:51 |
| 20 | (You Make Me Feel Like) A Natural Woman | Aretha Franklin | 2:43 |
| 21 | I’m Every Woman | Chaka Khan | 4:07 |
| 22 | Loving Days- recording engineer and engineer:
- Niall Acott and Alvin Sweeney
- programming:
- Julian Gallagher and Alvin Sweeney
- producer:
- Julian Gallagher and Richard “Biff” Stannard
- mixer:
- Alvin Sweeney
- guitar:
- Dave Morgan
- keyboard:
- Julian Gallagher, Dave Morgan and Richard “Biff” Stannard
- background vocals:
- Kylie Minogue and Richard “Biff” Stannard
- lead vocals:
- Kylie Minogue
- orchestra:
- The London Session Orchestra
- conductor:
- Simon Hale
- strings arranger:
- Simon Hale
- concertmaster:
- Gavyn Wright
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2003)
- produced for:
- Biffco Productions
- recorded at:
- Angel Studios in Islington, London, England, United Kingdom and Biffco Studios in Dublin, County Dublin, Leinster, Ireland
- mixed at:
- Biffco Studios in Dublin, County Dublin, Leinster, Ireland
- recording of:
- Loving Days
- writer:
- Julian Gallagher, Kylie Minogue, Dave Morgan and Richard “Biff” Stannard
- publisher:
- Biffco Music Publishing Ltd., EMI Music Publishing Ltd., Mushroom Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd.
| Kylie Minogue | 4:26 |
| 23 | Angel of Mine | Eternal | 4:18 |
| 24 | All the Man I Need | Sister Sledge | 4:41 |
| 25 | Come Over | Faith Evans | 5:36 |
| 26 | You Put a Move on My Heart- vocals and performer:
- Tamia
| Tamia | 6:12 |
| 27 | I Love You Always Forever | Donna Lewis | 3:59 |
| 28 | It Started With a Kiss | Hot Chocolate | 4:02 |
| 29 | True (single edit) | Spandau Ballet | 5:28 |
| 30 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd., シンコーミュージック・エンタテイメント, ピアーミュージック, ユニバーサル・ミュージック・パブリッシング Synch事業部, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2)
| Peter Cetera | 4:18 |
| 31 | Arthur’s Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen, Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing, Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 3:53 |
| 32 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:54 |
| 33 | Let’s Stay Together (2015 remaster)- drum machine programming:
- Martyn Ware
- sampler programming:
- Greg Walsh
- engineer:
- Walter Samuel and Greg Walsh
- producer:
- Greg Walsh and Martyn Ware
- guitar:
- Ray Russell
- percussion:
- Frank Ricotti
- piano and synthesizer:
- Nick Plytas
- saxophone:
- Gary Barnacle
- background vocals:
- Glenn Gregory and Martyn Ware
- lead vocals:
- Tina Turner
- arranger:
- Greg Walsh and Martyn Ware
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2004)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom and CBS Studios in London, England, United Kingdom
- cover recording of:
- Let’s Stay Together
- writer:
- Al Jackson, Jr., Al Green and Willie Mitchell
- publisher:
- Al Green Music Inc., Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
| Tina Turner | 5:16 |
| 34 | The Air That I Breathe | Simply Red | 4:22 |
| 35 | You’re the Inspiration (2006 remaster)- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- instruments arranger:
- Jeremy Lubbock
- arranger:
- Peter Cetera and David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records, Warner Bros. Records Inc. (in 1984, in 2010) and WEA International Inc. (in 1984)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- You’re the Inspiration (in 1984)
- writer:
- Peter Cetera (in 1984) and David Foster (in 1984)
- publisher:
- BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd., Warner/Chappell North America Limited, Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
| Chicago | 3:49 |
| 36 | Nothing’s Gonna Change My Love for You- producer:
- Michael Masser
- mixer:
- Bill Schnee
- bass guitar:
- Nathan East
- drums (drum set):
- Carlos Vega
- guitar:
- Dann Huff and Paul Jackson
- keyboard:
- Robbie Buchanan
- solo guitar and lead vocals:
- George Benson
- background vocals:
- Richard Marx and Deborah Thomas
- arranger:
- Robbie Buchanan
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1985) and WEA International Inc. (in 1985)
- mixed at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Nothing’s Gonna Change My Love for You
- lyricist:
- Gerald Goffin and Michael Masser
- composer:
- Michael Masser
- publisher:
- Almo Music Corp., EMI Music Publishing Germany, Lauren Wesley Music, Prince Street Music, Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc., Universal‐MCA Music Publishing, Universal/MCA Music Ltd., シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| George Benson | 4:02 |
| 37 | (Everything I Do) I Do It for You- cover recording of:
- (Everything I Do) I Do It for You
- writer:
- Bryan Adams (on 1991-04-10), Michael Kamen (on 1991-04-10) and Robert John “Mutt” Lange (on 1991-04-10)
- publisher:
- 2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (in 1991)
- part of:
- The 64th Academy Award for Best Original Song (number: 2)
| Brandy | 4:10 |
| 38 | All the Times | LSG feat. Faith Evans, Coko & Missy Elliott | 4:51 |
| 39 | All I Do Is Think of You | Troop | 3:49 |
| 40 | Nobody | Keith Sweat feat. Athena Cage | 4:24 |
| 41 | Cupid- recording engineer and mixer:
- Michael Patterson
- additional engineer:
- Doug A. Wilson
- producer:
- Arnold Hennings and Daron Jones
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1996)
- produced for:
- Darp, Inc.
- recorded at and mixed at:
- Daddy’s House Recording Studios in New York, New York, United States and Purple Dragon Recordings in Atlanta, Georgia, United States
- music videos:
- Cupid by 112
- recording of:
- Cupid
- writer:
- Arnold Hennings, Daron Jones, Michael Keith, Marvin Scandrick, Quinnes Parker and Courtney Sills
- publisher:
- Arn Music, Beane Tribe Music, C. Sills Publishing, Da 12 Music, EMI-April Music, Inc., Hitco South, Justin Combs Publishing, Kevin Wales Music and Music of Windswept
| 112 | 4:12 |
| 42 | Warm on a Cold Night | HONNE | 4:21 |
