Mozart Collection

~ Release by Wolfgang Amadeus Mozart; Karl Böhm, Herbert von Karajan & Nikolaus Harnoncourt (see all versions of this release, 1 available)

Annotation

℗ & © «2005 Deutsche Grammophon GmbH, Berlin»
℗ «This Compilation»

Countries excluded (Spotify)

(As of 2024-10-06).

  • Eastern Europe: 🇧🇾 Belarus (by)

Tracklist

1▶CD: Symphonies no. 35, 36 & 40
2▶CD: Symphonies no. 38, 39 & 41
3▶Digital Media
4▶Digital Media
5▶CD: Violin concertos nos. 3-5
6▶Digital Media
7▶Digital Media
8▶Digital Media
9▶Digital Media: Serenade in B flat “Gran Partita”, K. 361 / Serenade in E flat, K. 375
10▶CD
11▶CD: Sinfonia Concertante K. 364 / Concertone K. 190
12▶Digital Media
13▶Digital Media
14▶Digital Media
15▶Digital Media
16▼Digital Media
#TitleArtistLength
1Zaide, K.344 / Act 1: “Ruhe sanft, mein holdes Leben”
recorded in:
London, England, United Kingdom (in 1982-10)
producer:
Michael Bremner
soprano vocals:
Kiri Te Kanawa (in 1982-10)
orchestra:
London Symphony Orchestra (in 1982-10)
conductor:
Sir Colin Davis (in 1982-10)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1982-10)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) (in 1982-10)
composer:
Wolfgang Amadeus Mozart
librettist:
Johann Andreas Schachtner
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart6:38
2Idomeneo, re di Creta, K.366 / Act I: “Quando avran fine omai” - “Padre, germani, addio!”
harpsichord:
David Aronson (in 2003-03)
soprano vocals:
Anna Netrebko (in 2003-03)
orchestra:
Wiener Philharmoniker (in 2003-03)
conductor:
Gianandrea Noseda (in 2003-03)
recording of:
Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act I
Wolfgang Amadeus Mozart7:17
3Idomeneo, re di Creta, K.366 / Act 2: “Qual mi conturba i sensi”
producer:
Christopher Alder
orchestra:
Metropolitan Opera Orchestra (from 1994-03 until 1994-04)
conductor:
James Levine (from 1994-03 until 1994-04)
balance engineer:
Wolfgang Mitlehner (from 1994-03 until 1994-04)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) (from 1994-03 until 1994-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart1:49
4Idomeneo, re di Creta, K.366 / Act 2: “Fuor del mar”
producer:
Christopher Alder
tenor vocals [Idomeneo]:
Plácido Domingo (from 1994-03 until 1994-04)
orchestra:
Metropolitan Opera Orchestra (from 1994-03 until 1994-04)
conductor:
James Levine (from 1994-03 until 1994-04)
balance engineer:
Wolfgang Mitlehner (from 1994-03 until 1994-04)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04) and Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1994-03 until 1994-04)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 1994-03 until 1994-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
Wolfgang Amadeus Mozart5:03
5Idomeneo / Act 3: Oh smanie! - D’Oreste, d’Aiace
engineer:
James Lock and John Pellowe
producer:
Christopher Raeburn and Peter Wadland
soprano vocals [Elettra]:
Edita Gruberová (from 1983-06 until 1983-09)
orchestra:
Wiener Philharmoniker (from 1983-06 until 1983-09)
conductor:
Sir John Pritchard (from 1983-06 until 1983-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1983-06 until 1983-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra) (from 1983-06 until 1983-09)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) (from 1983-06 until 1983-09)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart4:37
6Idomeneo, re di Creta, K.366: Popoli, a voi l’ultima legge…Torna la pace (Act 3)
engineer:
James Lock and John Pellowe
producer:
Christopher Raeburn and Peter Wadland
tenor vocals [Idomeneo]:
Luciano Pavarotti (from 1983-06 until 1983-09)
orchestra:
Wiener Philharmoniker (from 1983-06 until 1983-09)
conductor:
Sir John Pritchard (from 1983-06 until 1983-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1983-06 until 1983-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) (from 1983-06 until 1983-09)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:30
7Idomeneo / Act 3: Torna la pace al core
engineer:
James Lock and John Pellowe
producer:
Christopher Raeburn and Peter Wadland
tenor vocals [Idomeneo]:
Luciano Pavarotti (from 1983-06 until 1983-09)
orchestra:
Wiener Philharmoniker (from 1983-06 until 1983-09)
conductor:
Sir John Pritchard (from 1983-06 until 1983-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1983-06 until 1983-09)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) (from 1983-06 until 1983-09)
composer:
Wolfgang Amadeus Mozart
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
Wolfgang Amadeus Mozart3:19
8Die Entführung aus dem Serail, K. 384 / Act I: “Konstanze, dich wiederzusehen” - “O wie ängstlich, o wie feurig”
tenor vocals:
Fritz Wunderlich (in 1965-12)
orchestra:
Bavarian State Opera Orchestra (in 1965-12)
conductor:
Eugen Jochum (in 1965-12)
recorded at:
Bürgerbräukeller in München, Bayern, Germany (in 1965-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1965-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:12
9Die Entführung aus dem Serail, K.384: Durch Zärtlichkeit und Schmeicheln (excerpt)
orchestra:
Wiener Philharmoniker (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:38
10Die Entführung aus dem Serail / Act 2: “Martern aller Arten”
recording engineer:
James Lock (from 1984-11 until 1985-12) and John Pellowe (from 1984-11 until 1985-12)
soprano vocals [Konstanze]:
Edita Gruberová (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (from 1984-11 until 1985-12)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:05
11Die Entführung aus dem Serail, K.384: Vivat Bacchus! Bacchus lebe! (excerpt)
recording engineer:
James Lock (from 1984-11 until 1985-12) and John Pellowe (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:01
12Die Entführung aus dem Serail, K.384: Ha, wie will ich triumphieren (excerpt)
recording engineer:
James Lock (from 1984-11 until 1985-12) and John Pellowe (from 1984-11 until 1985-12)
orchestra:
Wiener Philharmoniker (from 1984-11 until 1985-12)
conductor:
Sir Georg Solti (from 1984-11 until 1985-12)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1984-11 until 1985-12)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
composer:
Wolfgang Amadeus Mozart
additional librettist:
Johann Gottlieb Stephanie
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:27
13Die Zauberflöte, K.620 / Act 1: “Der Vogelfänger bin ich ja”
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Georg Solti (in 1969-10)
balance engineer:
James Lock (in 1969-10) and Gordon Parry (in 1969-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
recording of:
Die Zauberflöte: "Der Vogelfänger bin ich ja" (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (in 1791)
arrangement of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
Wolfgang Amadeus Mozart2:55
14Die Zauberflöte, K. 620 / Erster Aufzug: “Dies Bildnis ist bezaubernd schön”
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker
balance engineer:
Günter Hermanns
recorded at:
Hochschule für Musik und Theater München in München, Bayern, Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:40
15Die Zauberflöte, K.620: O zittre nicht (Act I) - excerpt
recording engineer:
John Pellowe (from 1994-05 until 1994-12)
producer:
Michael Haas (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (from 1990-05 until 1990-12)
orchestra:
Wiener Philharmoniker (from 1990-05 until 1990-12)
conductor:
Sir Georg Solti (from 1990-05 until 1990-12)
balance engineer:
John Pellowe (from 1990-05 until 1990-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1990-05 until 1990-12)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1990-05 until 1990-12)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:39
16Die Zauberflöte, K.620 / Act 2: “O Isis und Osiris”
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (in 1969-10)
chorus master:
Norbert Balatsch (in 1969-10)
balance engineer:
James Lock (in 1969-10) and Gordon Parry (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1970) and The Decca Record Company Limited (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:23
17Die Zauberflöte, K.620 / Act 2: “Der Hölle Rache kocht in meinem Herzen”
recording engineer:
John Pellowe (from 1994-05 until 1994-12)
producer:
Michael Haas (from 1994-05 until 1994-12)
soprano vocals [Königin der Nacht]:
Sumi Jo (from 1994-05 until 1994-12)
orchestra:
Wiener Philharmoniker (from 1994-05 until 1994-12)
conductor:
Sir Georg Solti (from 1994-05 until 1994-12)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1994-05 until 1994-12)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1994-05 until 1994-12)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
18Die Zauberflöte, K.620 / Act 2: “Pa‐Pa‐Pa‐Pa‐Pa‐Pa‐Papagena!”
producer:
Evans Mirageas and Christopher Raeburn
baritone vocals [Papageno]:
Bryn Terfel (from 1998-06-06 until 1998-06-10)
bass-baritone vocals:
Bryn Terfel
mezzo-soprano vocals [Papagena]:
Cecilia Bartoli (from 1998-06-06 until 1998-06-10)
soprano vocals:
Cecilia Bartoli
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:26
17▶Digital Media
18▶CD: Great Mass in C minor / Adagio and Fugue for Strings
19▶CD: Requiem in D minor
20▶Digital Media