Undiluted / It's All Right

~ Release by The Wynton Kelly Trio (see all versions of this release, 1 available)

Annotation

Undiluted - Tracks 3-9, 18
It's All Right - Tracks 1-2, 10-17

Wynton Kelly, piano
Paul Chambers, bass
Jimmy Cobb, drums

Tracklist

1▼CD
#TitleLength
1Not a Tear
engineer:
Bob Simpson (on 1964-03-10) and Val Valentin (on 1964-03-10)
congas:
Cándido Camero (on 1964-03-10)
double bass:
Paul Chambers (on 1964-03-10)
drums (drum set):
Jimmy Cobb (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
Not A Tear (on 1964-03-10)
composer:
Rudy Stevenson
6:00
2Portrait of Jennie
engineer:
Bob Simpson (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (on 1964-03-19)
double bass:
Paul Chambers (on 1964-03-19)
drums (drum set):
Jimmy Cobb (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
instrumental recording of:
Portrait of Jennie (on 1964-03-19)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
4:36
3Swinging 'til the Girls Come Home
double bass [bass]:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
instrumental recording of:
Swingin' Till the Girls Come Home (on 1965-02-05)
composer:
Jon Hendricks and Oscar Pettiford
6:33
4My Ship
double bass [bass]:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
instrumental recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context) (on 1965-02-05)
lyricist:
Ira Gershwin
composer:
Kurt Weill
version of:
Lady in the Dark: My Ship
3:51
5Out Front
double bass [bass]:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
4:01
6Never
double bass [bass]:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
4:04
7Blues on Purpose
bass:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
recording of:
Blues on Purpose (on 1965-02-05)
composer:
Rudy Stevenson
4:53
8If You Could See Me Now
double bass [bass]:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
instrumental recording of:
If You Could See Me Now (jazz standard) (on 1965-02-05)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc., Music Sales Corporation and Robbins Music
3:48
9Six-Eight
double bass [bass]:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
4:59
10It's All Right
engineer:
Bob Simpson (on 1964-03-11) and Val Valentin (on 1964-03-11)
congas:
Cándido Camero (on 1964-03-11)
double bass:
Paul Chambers (on 1964-03-11)
drums (drum set):
Jimmy Cobb (on 1964-03-11)
guitar:
Kenny Burrell (on 1964-03-11)
piano:
Wynton Kelly (on 1964-03-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-11)
instrumental cover recording of:
It’s All Right (on 1964-03-11)
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. and Curtom Publishing Co Inc (from 1963 to ????)
2:52
11South Seas
engineer:
Bob Simpson (on 1964-03-10) and Val Valentin (on 1964-03-10)
congas:
Cándido Camero (on 1964-03-10)
double bass:
Paul Chambers (on 1964-03-10)
drums (drum set):
Jimmy Cobb (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
South Seas (on 1964-03-10)
composer:
Rudy Stevenson
5:29
12Kelly Roll
engineer:
Bob Simpson (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (on 1964-03-19)
double bass:
Paul Chambers (on 1964-03-19)
drums (drum set):
Jimmy Cobb (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:51
13Moving Up
engineer:
Bob Simpson (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (on 1964-03-19)
double bass:
Paul Chambers (on 1964-03-19)
drums (drum set):
Jimmy Cobb (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:54
14On the Trail [From 'The Grand Canyon Suite']
engineer:
Bob Simpson (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (on 1964-03-19)
double bass:
Paul Chambers (on 1964-03-19)
drums (drum set):
Jimmy Cobb (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
instrumental recording of:
On the Trail (on 1964-03-19)
lyricist:
Harold Adamson
composer:
Ferde Grofé
4:31
15Escapade
engineer:
Bob Simpson (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (on 1964-03-19)
double bass:
Paul Chambers (on 1964-03-19)
drums (drum set):
Jimmy Cobb (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
recording of:
Escapade (on 1964-03-19)
writer:
Andy Badale and Morty Wax
2:58
16One For Joan
engineer:
Bob Simpson (on 1964-03-19) and Val Valentin (on 1964-03-19)
congas:
Cándido Camero (on 1964-03-19)
double bass:
Paul Chambers (on 1964-03-19)
drums (drum set):
Jimmy Cobb (on 1964-03-19)
guitar:
Kenny Burrell (on 1964-03-19)
piano:
Wynton Kelly (on 1964-03-19)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-19)
3:13
17The Fall of Love [From the Motion Picture 'The Fall Of The Roman Empire']
engineer:
Bob Simpson (on 1964-03-10) and Val Valentin (on 1964-03-10)
double bass:
Paul Chambers (on 1964-03-10)
drums (drum set):
Jimmy Cobb (on 1964-03-10)
guitar:
Kenny Burrell (on 1964-03-10)
maracas:
Donald Usher (on 1964-03-10)
piano:
Wynton Kelly (on 1964-03-10)
steelpan [steel percussion]:
Ralph Cowley (on 1964-03-10), Hiram Delgado (on 1964-03-10), Malcolm Evans (on 1964-03-10), Tom Reynolds (on 1964-03-10) and Norman Symonds (on 1964-03-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-03-10)
recording of:
Fall of Love (on 1964-03-10)
composer:
Dimitri Tiomkin and Ned Washington
is based on:
The Fall of Love (The Fall of the Roman Empire)
2:05
18Bobo
double bass [bass]:
Paul Chambers (on 1965-02-05)
drums (drum set):
Jimmy Cobb (on 1965-02-05)
piano:
Wynton Kelly (on 1965-02-05)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-02-05)
4:00