| # | Title | Artist | Length |
|---|
| 1 | Gee Whiz (Look at His Eyes) | Carla Thomas | 2:21 |
| 2 | Last Night | The Mar‐Keys | 2:41 |
| 3 | Green Onions | Booker T. & the MG’s | 2:55 |
| 4 | Walking the Dog | Rufus Thomas | 2:34 |
| 5 | Respect- recorded in:
- Memphis, Tennessee, United States (on 1965-07-09)
- recording engineer:
- Tom Dowd
- producer:
- Steve Cropper and Jim Stewart
- baritone saxophone:
- Floyd Newman (on 1965-07-09)
- bass guitar:
- Donald “Duck” Dunn (on 1965-07-09)
- drums (drum set):
- Al Jackson, Jr. (on 1965-07-09)
- guitar:
- Steve Cropper (on 1965-07-09)
- keyboard:
- Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
- tenor saxophone:
- Andrew Love (on 1965-07-09)
- trumpet:
- Gene “Bowlegs” Miller (in 1965-07) and Wayne Jackson (on 1965-07-09)
- background vocals:
- Earl Sims (on 1965-07-09)
- recorded at:
- Stax Studios in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
- recording of:
- Respect (in 1965-07)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Otis Redding | 2:09 |
| 6 | Hold On I’m Comin’- recorded in:
- Memphis, Tennessee, United States (on 1966-03-08)
- producer:
- Jim Stewart
- vocals:
- Sam & Dave (on 1966-03-08)
- recording of:
- Hold On, I’m Comin’ (on 1966-03-08)
- writer:
- Isaac Hayes and David Porter
- publisher:
- Cotillion Music Inc., East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
- sub-publisher:
- ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Sam & Dave | 2:30 |
| 7 | B‐A‐B‐Y | Carla Thomas | 2:55 |
| 8 | Knock on Wood- recorded in:
- Memphis, Tennessee, United States (on 1966-07-13)
- producer:
- Steve Cropper
- baritone saxophone:
- probably Floyd Newman
- bass guitar [bass]:
- Duck Dunn (on 1966-07-13)
- drums (drum set) [drums]:
- Al Jackson (on 1966-07-13)
- guitar:
- Steve Cropper (on 1966-07-13)
- organ:
- Booker T. Jones (on 1966-07-13)
- piano:
- Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
- tenor saxophone:
- probably Andrew Love (on 1966-07-13)
- trumpet:
- Wayne Jackson (on 1966-07-13)
- vocals:
- Eddie Floyd (on 1966-07-13)
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967)
- recording of:
- Knock on Wood (on 1966-07-13)
- writer:
- Steve Cropper and Eddie Floyd
- publisher:
- East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd. and Warner Chappell North America
| Eddie Floyd | 3:04 |
| 9 | Soul Finger | The Bar‐Kays | 2:21 |
| 10 | Tramp | Otis Redding & Carla Thomas | 3:01 |
| 11 | Born Under a Bad Sign | Albert King | 2:49 |
| 12 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing, Rondor Music (London) Ltd., Rondor Music Ltd., Walden Music, Inc., Warner Chappell Music Ltd., Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 2:40 |
| 13 | (Sittin’ on) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 2:42 |
| 14 | Private Number | Judy Clay & William Bell | 2:41 |
| 15 | Who’s Making Love | Johnnie Taylor | 2:49 |
| 16 | Time Is Tight | Booker T. & the MG’s | 3:18 |
| 17 | Do the Funky Chicken | Rufus Thomas | 3:17 |
| 18 | Mr. Big Stuff | Jean Knight | 2:34 |
| 19 | Whatcha See Is Whatcha Get | The Dramatics | 3:35 |
| 20 | Respect Yourself | The Staple Singers | 3:32 |
| 21 | Theme From “Shaft” | Isaac Hayes | 3:18 |
| 22 | I’ve Been Lonely (For So Long) | Frederick Knight | 3:22 |
| 23 | I’ll Take You There | The Staple Singers | 3:14 |
| 24 | Starting All Over Again | Mel & Tim | 3:31 |
| 25 | I’ll Be the Other Woman | The Soul Children | 3:36 |
| 26 | Woman to Woman | Shirley Brown | 3:55 |
