| # | Title | Length |
|---|
| 1 | Leonore, Hess 109: Act II, no. 12. Finale. Prisoner’s Chorus “O welche Lust, in frier Luft” (2 small cuts from 1806 version)- recording engineer:
- Rainer Maillard
- producer:
- Nicholas Parker
- baritone vocals [Zweiter Gefangener]:
- Colin Campbell (in 1996-09)
- tenor vocals [Erster Gefangener]:
- Robert Burt (in 1996-09)
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- conductor:
- Sir John Eliot Gardiner (in 1996-09)
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1997)
- recorded at:
- Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1996-09)
- composer:
- Ludwig van Beethoven (in 1805, in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt I
- recording of:
- Leonore: Act II. No. 12 Finale "O welche Lust!" (Chorus of the Prisoners) (in 1996-09)
- composer:
- Ludwig van Beethoven (in 1805)
- part of:
- Leonore, Hess 109
| 7:55 |
| 2 | Leonore, Hess 109: Act II, no. 12. Finale. Recitation “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) - “Nun sprecht, wie ging’s?” (Leonore, Rocco) - Duet “Noch heute, noch heute?” (Leonore, Rocco) | 2:41 |
| 3 | Leonore, Hess 109: Act II, no. 12. Finale. Duet “Wir müssen gleich zu werke schreiten” - Quartet “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro) | 3:39 |
| 4 | Leonore, Hess 109: Act II, no. 12. Finale. Aria “Auf euch nur will ich bauen” (Pizarro, choir) (2 cuts in vocal section) | 2:56 |
| 5 | Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit” | 1:21 |
| 6 | Leonore, Hess 109: Act III, no. 13. Recitation and Aria “Gott! Welch Dunkel hier!” - “On des Lebens Frühlingstagen” (Florestan) (1806 version with additions from Prague score and sketches) | 10:09 |
| 7 | Leonore, Hess 109: Act III, no. 14. Melodrama “Wie kalt ist es in diesem unteirdischen Gewölbe!” (Leonore, Rocco) (1814 version with 2 bars cut) - Duet “Nur hurtig fort” (Rocco, Leonore)- recording engineer:
- Rainer Maillard
- producer:
- Nicholas Parker
- baritone vocals [Rocco]:
- Franz Hawlata (in 1996-09)
- soprano vocals [Leonore]:
- Hillevi Martinpelto (in 1996-09)
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- conductor:
- Sir John Eliot Gardiner (in 1996-09)
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1997)
- recorded at:
- Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
- recording of:
- Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (in 1996-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Leonore: Act III. No. 14 Melodrama and Duet "Wie kalt ist es" (Leonore, Rocco) (in 1996-09)
- composer:
- Ludwig van Beethoven (in 1805)
- part of:
- Leonore, Hess 109
| 1:41 |
| 8 | Leonore, Hess 109: Act III. Duet “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore) | 4:00 |
| 9 | Leonore, Hess 109: Act III. “Dort, in der Tiefe” | 0:52 |
| 10 | Leonore, Hess 109: Act III, no. 15. Trio “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) (1 bar of first section from 1814 version, 32 bars of repeat from 1806 version) | 4:51 |
| 11 | Leonore, Hess 109: Act III. “Und Rocco eilt” | 0:21 |
| 12 | Leonore, Hess 109: Act III, no. 16. Quartet “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco) | 4:26 |
| 13 | Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!” | 0:06 |
| 14 | Leonore, Hess 109: Act III, no. 17. Recitation and Duet “Ich kann mich noch nicht fassen” (Florestan, Leonore) (2 cuts and substitute passage of 13 bars from 1806 version, first 2 bars cut in 1805 version restored) | 7:45 |
| 15 | Leonore, Hess 109: Act III, no. 18. Finale. “Zur Rache! Zur Rache!” (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) (small cut with added lines for Jacuino and Marzelline from 1806 version) | 4:20 |
| 16 | Leonore, Hess 109: Act III, no. 18. Finale. “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir)- recording engineer:
- Rainer Maillard
- producer:
- Nicholas Parker
- baritone vocals [Rocco]:
- Franz Hawlata (in 1996-09)
- bass vocals [Don Fernando]:
- Alastair Miles (in 1996-09)
- choir vocals [Chor]:
- Monteverdi Choir (in 1996-09)
- soprano vocals [Leonore]:
- Hillevi Martinpelto (in 1996-09)
- soprano vocals [Marzelline]:
- Christiane Oelze (in 1996-09)
- tenor vocals [Florestan]:
- Kim Begley (in 1996-09)
- tenor vocals [Jaquino]:
- Michael Schade (in 1996-09)
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- conductor:
- Sir John Eliot Gardiner (in 1996-09)
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1997)
- recorded at:
- Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
- recording of:
- Leonore: Act II. No. 8 Aria with Chorus "Ha! Welch ein Augenblick!" (Pizarro, Rocco) (in 1996-09)
- composer:
- Ludwig van Beethoven (in 1805)
- part of:
- Leonore, Hess 109
- recording of:
- Leonore: Act III. "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Don Fernando, Rocco, Chorus) (in 1996-09)
- composer:
- Ludwig van Beethoven (in 1805)
- part of:
- Leonore, Hess 109
| 4:16 |
| 17 | Leonore, Hess 109: Act III, no. 18. Finale. “So müssen endlich Aufgeklärte” | 0:08 |
| 18 | Leonore, Hess 109: Act III, no. 18. Finale. “Doch höre erst, du Bösewicht” (Fernando, choir, Leonore, Florestan) | 0:50 |
| 19 | Leonore, Hess 109: Act III, no. 18. Finale. “Dann herrscht allgemeine Freiheit und Gleichheit der Geister” | 0:04 |
| 20 | Leonore, Hess 109: Act III, no. 18. Finale. “Nein, nein, nein! Erst ist noch zu gering bestraft!” (choir) | 0:13 |
| 21 | Leonore, Hess 109: Act III, no. 18. Finale. “Ein höherer geist, vom Himmel gesandt” | 0:11 |
| 22 | Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir) | 1:10 |
| 23 | Leonore, Hess 109: Act III, no. 18. Finale. “Wer ein holdes Weib errungen” (Marzelline, Jaquino, Rocco, Fernando, choir, Florestan, Leonore) (1 bar cut in 1805 version restored, bridge passage before Florestan’s solo shortened)- recording engineer:
- Rainer Maillard
- producer:
- Nicholas Parker
- baritone vocals [Rocco]:
- Franz Hawlata (in 1996-09)
- bass vocals [Don Fernando]:
- Alastair Miles (in 1996-09)
- choir vocals [Chor]:
- Monteverdi Choir (in 1996-09)
- soprano vocals [Leonore]:
- Hillevi Martinpelto (in 1996-09)
- soprano vocals [Marzelline]:
- Christiane Oelze (in 1996-09)
- tenor vocals [Florestan]:
- Kim Begley (in 1996-09)
- tenor vocals [Jaquino]:
- Michael Schade (in 1996-09)
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1996-09)
- conductor:
- Sir John Eliot Gardiner (in 1996-09)
- recorded at:
- Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (in 1996-09)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1996-09)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| 5:25 |
| 24 | Leonore, Hess 109: Appendix, no. 7a. March (alternative version) in B‐flat major | 1:52 |
