| # | Title | Artist | Length |
|---|
| 1 | Walk Like an Egyptian | Bangles | 3:14 |
| 2 | Fame | Irene Cara | 3:42 |
| 3 | Relax | Frankie Goes to Hollywood | 3:53 |
| 4 | Kids in America- recording engineer:
- Jeo (from 1980 until 1981)
- programming:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- engineer:
- Steve Stewart
- producer:
- Ricky Wilde
- additional keyboard:
- Nick Priessnitz (from 1980 until 1981)
- bass guitar:
- Martin Russell (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
- drums (drum set):
- Bernhard Hahn (from 1980 until 1981), Chris North (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
- guitar:
- Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- keyboard:
- Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (from 1980 until 1981), Calvin Hayes (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- background vocals:
- D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
- lead vocals:
- Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
- vocals:
- Kim Wilde (from 1980 until 1981)
- phonographic copyright (℗) by:
- Cherry Red Records Ltd., EMI Records Ltd. (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (in 2006)
- recorded at:
- Amira Studio (from 1980 until 1981), RAK Studios in London, England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
- mixed at:
- Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London, England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 55)
- recording of:
- Kids in America (from 1980 until 1981)
- writer:
- Marty Wilde and Ricky Wilde
- publisher:
- All Nations Music, EMI Music Publishing, Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
| Kim Wilde | 3:24 |
| 5 | The Look | Roxette | 3:51 |
| 6 | Smalltown Boy- recording of:
- Smalltown Boy
- writer:
- Steve Bronski, Jimmy Somerville and Larry Steinbachek
- publisher:
- BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd., Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd., Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Gotcha!
| Bronski Beat | 3:53 |
| 7 | Nightshift- associate producer:
- Peter Wolfe and Jeremy Smith
- producer:
- Dennis Lambert
- arranger:
- Peter Wolfe
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1984)
- edit of:
- Nightshift by Commodores
- recording of:
- Nightshift
- writer:
- Franne Golde, Dennis Lambert and Walter Orange
- publisher:
- BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. and Zomba Enterprises, Inc.
| Commodores | 4:15 |
| 8 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks, Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards, Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 3:21 |
| 9 | Baby Makes Her Blue Jeans Talk | Dr. Hook | 3:43 |
| 10 | State of Independence | Donna Summer | 4:22 |
| 11 | Down Under | Men at Work | 3:25 |
| 12 | I’ve Seen That Face Before (Libertango) | Grace Jones | 4:27 |
| 13 | Don’t Dream It’s Over | Crowded House | 3:49 |
| 14 | Live Is Life | Opus | 4:04 |
| 15 | Lessons in Love | Level 42 | 3:54 |
| 16 | An Englishman in New York | Godley & Creme | 4:41 |
| 17 | Upside Down | Diana Ross | 4:00 |
| 18 | Total Eclipse of the Heart | Bonnie Tyler | 4:25 |
| 19 | I Want to Know What Love Is | Foreigner | 4:32 |
| 20 | Gimme All Your Lovin’ | ZZ Top | 3:59 |
