| # | Title | Artist | Length |
|---|
| 1 | Woman | John Lennon | 3:33 |
| 2 | No Woman No Cry (live) | Bob Marley & The Wailers | 4:03 |
| 3 | Life on Mars?- recording engineer:
- Ken Scott (on 1971-08-06)
- assistant producer:
- the actor
- producer:
- Ken Scott
- bass guitar:
- Trevor Bolder (on 1971-08-06)
- drums (drum set):
- Mick Woodmansey (on 1971-08-06)
- electric guitar [Gibson Les Paul electric guitar] and mellotron:
- Mick Ronson (on 1971-08-06)
- piano:
- Rick Wakeman (on 1971-08-06)
- lead vocals:
- David Bowie (on 1971-08-06)
- orchestra:
- BBC Symphony Orchestra (on 1971-08-06)
- conductor:
- Mick Ronson (on 1971-08-06)
- remixer:
- Ken Scott
- strings arranger:
- Mick Ronson
- phonographic copyright (℗) by:
- Jones/Tintoretto Entertainment Company LLC
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (on 1971-08-06)
- music videos:
- Life on Mars? by David Bowie
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 8) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 105)
- recording of:
- Life on Mars? (on 1971-08-06)
- written in:
- London, England, United Kingdom (in 1971)
- lyricist and composer:
- David Bowie (in 1971)
- publisher:
- Chrysalis Music Ltd., EMI Music Publishing Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 3:52 |
| 4 | Don't Look Back in Anger | Oasis | 4:48 |
| 5 | Paranoid Android- recorded in:
- United Kingdom (from 1996-07 until 1997-03)
- recording engineer and producer:
- Nigel Godrich and Radiohead
- programming:
- Thom Yorke
- assistant engineer:
- Jon Bailey, Gerard Navarro and Chris Scard
- mixer and editor:
- Nigel Godrich
- bass guitar and bass synthesizer:
- Colin Greenwood (from 1996-07 until 1997-03)
- drums (drum set):
- Philip Selway (from 1996-07 until 1997-03)
- effects and background vocals:
- Ed O’Brien (from 1996-07 until 1997-03)
- glockenspiel, keyboard, mellotron and organ:
- Jonny Greenwood (from 1996-07 until 1997-03)
- guitar:
- Jonny Greenwood (from 1996-07 until 1997-03), Ed O’Brien (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
- percussion:
- Colin Greenwood (from 1996-07 until 1997-03), Ed O’Brien (from 1996-07 until 1997-03) and Philip Selway (from 1996-07 until 1997-03)
- piano:
- Jonny Greenwood (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
- vocals:
- Thom Yorke (from 1996-07 until 1997-03)
- conductor:
- Nick Ingman (from 1996-07 until 1997-03)
- strings arranger:
- Radiohead
- phonographic copyright (℗) by:
- XL Recordings Ltd. (in 2017)
- music videos:
- Paranoid Android by Radiohead
- part of:
- Triple J’s Hottest 100: Twenty Years (number: 13), Indie 88: Top 500 Indie Rock Songs (number: 20), NME: 50 Greatest Guitar Riffs of All Time (number: 38) and Rolling Stone: 500 Greatest Songs of All Time (number: 256)
- recording of:
- Paranoid Android (from 1996-07 until 1997-03)
- writer:
- Colin Greenwood, Jonny Greenwood, Ed O’Brien, Philip Selway and Thom Yorke
| Radiohead | 6:26 |
| 6 | How Soon Is Now? | The Smiths | 3:38 |
| 7 | London Calling | The Clash | 3:20 |
| 8 | Venus in Furs | The Velvet Underground | 5:11 |
| 9 | Waterloo Sunset- recording of:
- Waterloo Sunset
- lyricist and composer:
- Ray Davies
- publisher:
- ABKCO Music, Inc., Carlin Music Corporation, Davray Music Ltd., Hi-Count Music, Noma Music, Noma Music Inc., Unichappell Music, Inc., Carlin (in 1967), Davray (in 1967) and And Son Music Ltd. (from 1980 to present)
| The Kinks | 3:15 |
| 10 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 3:36 |
| 11 | Got to Be There | Michael Jackson | 3:24 |
| 12 | Good Golly Miss Molly | Little Richard | 2:10 |
| 13 | The Young Ones | Cliff Richard & The Shadows | 3:10 |
| 14 | Peggy Sue- producer:
- Norman Petty
- bass:
- Joe B. Mauldin (on 1957-07-01)
- drums (drum set):
- Jerry Allison (on 1957-07-01)
- guitar:
- Buddy Holly (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
- vocals:
- Buddy Holly (on 1957-07-01)
- phonographic copyright (℗) by:
- Geffen Records (in 1957) and MCA Records, Inc. (in 1957)
- recorded at:
- Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
- recording of:
- Peggy Sue (from 1957-06-29 until 1957-07-01)
- writer:
- Jerry Allison, Buddy Holly and Norman Petty
- publisher:
- Copyright Control, McCartney Music, Melody Lane Publications Inc., MPL Communications Inc., Peermusic (UK) Limited, Southern Music and Wren Music Co.
| Buddy Holly | 2:30 |
| 15 | Johnny B. Goode- producer:
- Leonard & Phil Chess
- double bass:
- Willie Dixon (on 1958-01-06)
- drums (drum set):
- Jasper Thomas (on 1958-01-06)
- guitar and lead vocals:
- Chuck Berry (on 1958-01-06)
- piano:
- Johnnie Johnson (on 1958-01-06)
- recorded at:
- Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (number: 1), NME: 50 Greatest Guitar Riffs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 33), Helsingin Sanomat: 100 maailman parasta laulua (number: 53) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Johnny B. Goode (on 1958-01-06)
- lyricist and composer:
- Chuck Berry (in 1955)
- publisher:
- Arc Music, Arc Music Corp., Isalee Music, Jewel Music Publishing Co. Ltd. and ロックンロール ミュージック
- part of:
- Back to the Future: the Musical
| Chuck Berry | 2:38 |
| 16 | Tragedy- assistant engineer:
- John Blanche and Dennis Hetzendorfer
- engineer:
- Karl Richardson
- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- horn:
- Boneroo Horns (from 1978-03 until 1978-11), Peter Graves (from 1978-03 until 1978-11), Kenny Faulk (from 1978-03 until 1978-11), Neil Bonsanti (from 1978-03 until 1978-11), Bill Purse (from 1978-03 until 1978-11), Whit Sidener (from 1978-03 until 1978-11) and Stan Webb (from 1978-03 until 1978-11)
- conductor:
- Albhy Galuten
- phonographic copyright (℗) by:
- Barry Gibb (in 1979), Maurice Gibb (in 1979), Robin Gibb (in 1979) and Yvonne Gibb (in 1979)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1979), PolyGram International Music B.V. (in 1979), PolyGram Records, Inc. (in 1979), RSO Records, Inc. (in 1979) and The Estate of Robin Gibb (in 1979)
- recorded at:
- Criteria Studios in Miami, Florida, United States (from 1978-03 until 1978-11)
- recording of:
- Tragedy (from 1978-03 until 1978-11)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF and Warner/Chappell
| Bee Gees | 5:02 |
| 17 | Take a Chance on Me- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- acoustic guitar:
- Björn Ulvaeus (on 1977-08-15)
- bass guitar:
- Rutger Gunnarsson (on 1977-08-15, on 1977-08-17, on 1977-10-24)
- drums (drum set) and tambourine:
- Roger Palm (on 1977-08-17)
- drums (drum set) and tambourine:
- Roger Palm (on 1977-08-15)
- electric guitar [lead guitar]:
- Lasse Wellander (on 1977-08-15)
- keyboard:
- Benny Andersson (on 1977-08-15)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1977, in 1986) and Polydor Records (in 1978)
- recorded at:
- Marcus Music Ab in Stockholm, Stockholms län, Sweden (on 1977-08-15, on 1977-08-17) and Metronome Studio in Stockholm, Stockholms län, Sweden (on 1977-10-24)
- mixed at:
- [unknown] (on 1977-11-01)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 32) and The Downloader’s Music Source Book (number: 62)
- recording of:
- Take a Chance on Me (in 1977)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., Copyright Control, EMI Music Publishing, Union Songs Music, Universal Music Publishing Group and Universal/Union Songs Musikförlag AB
- part of:
- Mamma Mia!
| ABBA | 4:02 |
| 18 | Wannabe | Spice Girls | 2:53 |
| 19 | Purple Rain | Prince | 4:07 |
