Opera Arias

~ Release by Ileana Cotrubas, Kiri Te Kanawa, Renata Scotto, Placido Domingo (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	L’elisir d’amore: “Una furtiva lagrima” choir vocals: Chorus of the Royal Opera House, Covent Garden tenor vocals: Placido Domingo orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: John Pritchard recorded at: EMI Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1977-01 until 1977-05) recording of: L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) composer: Gaetano Donizetti (in 1832) librettist: Felice Romani part of: L’elisir d’amore: Atto II	Gaetano Donizetti	4:33
2	Norma: “Casta diva” producer: Roy Emerson and Paul Myers soprano vocals: Renata Scotto orchestra: National Philharmonic Orchestra conductor: James Levine recorded at: Henry Wood Hall in London, England, United Kingdom (from 1979-06 until 1979-07) recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) composer: Vincenzo Bellini (until 1831) librettist: Felice Romani (until 1831) part of: Norma: Atto I	Vincenzo Bellini	5:29
3	Otello: “Ave Maria” soprano vocals: Renata Scotto orchestra: National Philharmonic Orchestra conductor: Gianandrea Gavazzeni recorded at: St. Peter’s Church in Morden, Merton, London, England, United Kingdom (in 1974-01) recording of: Otello: Atto IV. “Ave Maria” (Desdemona) composer: Giuseppe Verdi (from 1884 until 1886-11-01, in 1887) librettist: Arrigo Boito part of: Otello: Atto IV	Giuseppe Verdi	4:11
4	Madama Butterfly: “Un bel dì, vedremo” soprano vocals: Renata Scotto orchestra: Philharmonia Orchestra conductor: Lorin Maazel recording of: Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini	5:05
5	Madama Butterfly: “Bimba dagli occhi” soprano vocals: Renata Scotto tenor vocals: Placido Domingo orchestra: Philharmonia Orchestra conductor: Lorin Maazel recording of: Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto I (Madame Butterfly: Act I)	Giacomo Puccini	10:53
6	Le nozze di Figaro: “Deh vieni, non tardar” soprano vocals: Ileana Cotrubas orchestra: New Philharmonia Orchestra conductor: John Pritchard recorded at: Henry Wood Hall in London, England, United Kingdom (on 1976-02-24) recording of: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte arrangement of: Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements) part of: Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)	Wolfgang Amadeus Mozart	3:51
7	Rigoletto: “Caro nome che il mio cor” soprano vocals: Ileana Cotrubas orchestra: New Philharmonia Orchestra conductor: John Pritchard recorded at: Henry Wood Hall in London, England, United Kingdom (on 1976-11-09) recording of: Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) lyricist and librettist: Francesco Maria Piave composer: Giuseppe Verdi part of: Rigoletto: Atto I	Giuseppe Verdi	5:13
8	Gianni Schicchi: “Oh! mio babbino caro” producer: Roy Emerson and Paul Myers soprano vocals [Lauretta]: Kiri Te Kanawa orchestra: London Philharmonic Orchestra conductor: John Pritchard recorded at: EMI Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1981-09) recording of: Gianni Schicchi: “O mio babbino caro” (Lauretta) composer: Giacomo Puccini librettist: Giovacchino Forzano publisher: Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. part of: Gianni Schicchi	Giacomo Puccini	2:29
9	La bohème: “Sì. Mi chiamano Mimì” soprano vocals: Ileana Cotrubas orchestra: New Philharmonia Orchestra conductor: John Pritchard recorded at: Henry Wood Hall in London, England, United Kingdom (on 1976-12-04) recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	5:22
10	Madama Butterfly: “Addio fiorito asil” baritone vocals: Ingvar Wixell tenor vocals: Placido Domingo orchestra: Philharmonia Orchestra conductor: Lorin Maazel recording of: Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)	Giacomo Puccini	2:03
11	Tosca: “Vissi d’arte” producer: Roy Emerson and Paul Myers soprano vocals: Kiri Te Kanawa orchestra: London Philharmonic Orchestra conductor: John Pritchard recorded at: EMI Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1981-09) recording of: Tosca: Atto II. “Vissi d’arte” (Tosca) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Tosca: Atto II (Tosca: Act II)	Giacomo Puccini	3:32
12	La bohème: “Quando me’n vo’ soletta per la via” producer: Roy Emerson and Paul Myers soprano vocals: Kiri Te Kanawa orchestra: London Philharmonic Orchestra conductor: John Pritchard recorded at: EMI Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1981-09) recording of: La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)	Giacomo Puccini	2:34
13	Don Giovanni: “Ah, fuggi il traditor” soprano vocals: Kiri Te Kanawa orchestra: Orchestre de l’Opéra national de Paris conductor: Lorin Maazel recorded at: Église de Liban in Paris, Île-de-France, France (in 1978-06) recording of: Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart	1:09
14	Don Giovanni: “Mi tradì quell’ alma ingrata” soprano vocals [Donna Elvira]: Kiri Te Kanawa (from 1978-06 until 1978-07) orchestra: Orchestre de l’Opéra national de Paris (from 1978-06 until 1978-07) conductor: Lorin Maazel (from 1978-06 until 1978-07) recorded at: Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1978-06 until 1978-07) recording of: Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (from 1978-06 until 1978-07) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto II part of: Don Giovanni: Recitative and Aria, K. 540c	Wolfgang Amadeus Mozart	4:12
15	L’elisir d’amore: “Venti scudi” baritone vocals: Ingvar Wixell tenor vocals: Placido Domingo orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: John Pritchard recording of: L’elisir d’amore: Atto II. Scena e Duetto “La donna è un animale stravagante” … “Venti scudi!” (Belcore, Nemorino) composer: Gaetano Donizetti part of: L’elisir d’amore: Atto II	Gaetano Donizetti	7:05

Credits

Release

manufactured in:	Austria
printed in:	Holland, Kingdom of the Netherlands

graphic design:	C.C. Garbers B. Kruck
engineer:	John A. Johnson
producer:	Roy Emerson Paul Myers
mastering:	Howard H. Scott
illustration:	René Reinicke

manufactured by:	DADC Austria
distributed by:	Sony Music
copyrighted (©) by:	Sony Classical GmbH (from 1991 to present)
phonographic copyright (℗) by:	Sony Music Entertainment Inc. (from 1975 to present, from 1977 to present, from 1978 to present, from 1980 to present, from 1983 to present, from 1986 to present)

Discogs:	https://www.discogs.com/release/7954774 [info]

Discogs