Cantatas BWV 80, 140, 147, 227

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1CD
2CD
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1Cantata No. 140: I. Chorus "Wachet auf, ruft uns die Stimme"
choir vocals:
Süddeutscher Madrigalchor (in 1967-07)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1967-07)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
8:10
2Cantata No. 140: II. Recitative "Er kommt, der Bräut'gam kommt!"
tenor vocals:
Theo Altmeyer (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1967-07)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:11
3Cantata No. 140: III. Duet "Wann kommst du, mein Heil?"
bass vocals:
Hans Sotin (in 1967)
soprano vocals:
Elly Ameling (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1967-07)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:53
4Cantata No. 140: IV. Chorale "Zion hört die Wächter singen"
choir vocals:
South German Madrigal Choir
tenor vocals:
Theo Altmeyer (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
phonographic copyright (℗) by:
EMI Electrola GmbH (in 1967)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1967-07)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
4:46
5Cantata No. 140: V. Recitative "So geh herein zu mir"
bass vocals:
Hans Sotin (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (in 1967-07)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:22
6Cantata No. 140: VI. Duet "Mein Frend ist mein!"
bass vocals:
Hans Sotin (in 1967)
soprano vocals:
Elly Ameling (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (in 1967-07)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:54
7Cantata No. 140: VI. Chorus "Gloria sei dir gesungen"
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (in 1967-07)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
2:06
8Cantata No. 80: I. Chorus "Ein' feste Burg ist unser Gott"
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (in 1967-07)
composer:
Johann Sebastian Bach (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
7:26
9Cantata No. 80: II. Duet "Mit unsrer Macht"
bass vocals:
Hans Sotin (in 1967)
soprano vocals:
Elly Ameling (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (in 1967-07)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:12
10Cantata No. 80: III. Recitative "Erwäge doch, Kind Gottes"
bass vocals:
Hans Sotin (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (in 1967-07)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
2:21
11Cantata No. 80: IV. Aria "Komm in mein Herzenshaus"
soprano vocals:
Elly Ameling (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (in 1967-07)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
3:50
12Cantata No. 80: V. Chorus "Und wenn die Welt voll Teufel wär'"
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (in 1967-07)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:17
13Cantata No. 80: VI. Recitative "So stehe denn bei Christi blutgefärbter Fahne"
tenor vocals:
Theo Altmeyer (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (in 1967-07)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:34
14Cantata No. 80: VII. Duet "Wie selig sind doch sie"
alto vocals:
Dame Janet Baker (in 1967)
tenor vocals:
Theo Altmeyer (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (in 1967-07)
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
4:26
15Cantata No. 80: VIII. Chorus "Das Wort sie sollen lassen stahn"
instruments:
Consortium Musicum
choir vocals:
Süddeutscher Madrigalchor (in 1967)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (from 1967-07-15 until 1967-07-20)
recorded at:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Germany (from 1967-07-15 until 1967-07-20)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (in 1967-07)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
1:18

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ASIN:UK: B000B668WM [info]