Milestones of a Legend

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

1CD: Harvest of Hits / Unforgettable / Nat King Cole Sings for Two in Love
2CD: Nat King Cole Sings for Two in Love - Continued / Nat King Cole’s 8 Top Pop’s / Nat King Cole At The Piano - Penthouse Serenade / Nat King Cole 10th Anniversary
3CD: The Piano Style of Nat King Cole / Ballads of the Day
#TitleLength
1Love Walked In
bass:
Charlie Harris (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Love Walked In (on 1955-08-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:27
2My Heart Stood Still
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
My Heart Stood Still (on 1955-06-07)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros., Warner Bros., Inc. and Warner Chappell Music Ltd.
part of:
One Dam Thing After Another
1:41
3Imagination
bass:
Charlie Harris (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (on 1955-08-18), Eudice Shapiro (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Imagination (on 1955-08-18)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Dorsey Brothers Music and Music Sales Corporation
3:27
4I Never Knew
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1955-06-07)
recording of:
I Never Knew (on 1955-06-07)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. and Gilbert Keyes Music Company
2:34
5Stella by Starlight
bass:
Charlie Harris (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Stella by Starlight (on 1955-08-18)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young
composer:
Victor Young (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
3:48
6What Can I Say After I Say I’m Sorry
piano:
Nat King Cole (on 1955-06-11)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-11)
conductor:
Nelson Riddle (on 1955-06-11)
arranger:
Nelson Riddle
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1955-06-11)
instrumental cover recording of:
What Can I Say After I Say I’m Sorry? (on 1955-06-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:26
7I Didn’t Know What Time It Was
bass:
Charlie Harris (on 1955-08-23)
bass trombone:
George Roberts (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (on 1955-08-23)
drums (drum set):
Lee Young (on 1955-08-23)
guitar:
John Collins (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (on 1955-08-23)
trombone:
Joe Howard (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-23) and Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1955-08-23)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:09
8Taking a Chance on Love
2:05
9April in Paris
bass:
Charlie Harris (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
April in Paris (on 1955-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:51
10I Want to Be Happy
recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
1:26
11I See Your Face Before Me
bass:
Charlie Harris (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (on 1955-08-18)
drums (drum set):
Lee Young (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
I See Your Face Before Me (on 1955-08-18)
lyricist and composer:
Howard Dietz and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
2:34
12Just One of Those Things
alto saxophone:
Wilbur Schwartz (on 1955-08-27) and Willie Smith (on 1955-08-27)
baritone saxophone:
Chuck Gentry (on 1955-08-27)
bass:
Charlie Harris (on 1955-08-27)
bass trombone:
George Roberts (on 1955-08-27)
drums (drum set):
Lee Young (on 1955-08-27)
guitar:
John Collins (on 1955-08-27)
piano:
Nat King Cole (on 1955-08-27) and Bill Miller (on 1955-08-27)
tenor saxophone:
Ted Nash (on 1955-08-27) and Buck Skalak (on 1955-08-27)
trombone:
Murray McEachern (on 1955-08-27) and Dick Noel (on 1955-08-27)
trumpet:
Frank Beach (on 1955-08-27), Manny Klein (on 1955-08-27), Ray Linn (on 1955-08-27) and Vito N. Mangano (on 1955-08-27)
valve trombone:
Juan Tizol (on 1955-08-27)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-27)
conductor:
Nelson Riddle (on 1955-08-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-27)
instrumental cover recording of:
Just One of Those Things (on 1955-08-27)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:08
13I Get a Kick Out of You
bass:
Charlie Harris (on 1955-08-23)
bass trombone:
George Roberts (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (on 1955-08-23)
drums (drum set):
Lee Young (on 1955-08-23)
guitar:
John Collins (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (on 1955-08-23)
trombone:
Joe Howard (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
I Get a Kick Out of You (on 1955-08-23)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3:22
14If I Could Be With You (One Hour Tonight)
bass:
Charlie Harris (on 1955-08-23)
bass trombone:
George Roberts (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (on 1955-08-23)
drums (drum set):
Lee Young (on 1955-08-23)
guitar:
John Collins (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (on 1955-08-23)
trombone:
Joe Howard (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
If I Could Be With You (One Hour Tonight) (on 1955-08-23)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
instrumental recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
2:40
15I Hear Music
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
I Hear Music (Dancing on a Dime) (on 1955-06-07)
lyricist:
Frank Loesser
composer:
Burton Lane
3:05
16Tea for Two
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
Tea for Two (No, No, Nanette) (on 1955-06-07)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc., Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc., Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
No, No, Nanette
instrumental recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc., Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
No, No, Nanette
2:32
17A Blossom Fell
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (on 1954-12-20)
trombone:
Joe Howard (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
A Blossom Fell (on 1954-12-20)
writer and composer:
Howard Barnes, Harold Cornelius and Dominic John
2:32
18Unbelievable
3:02
19Blue Gardenia
bass:
Charlie Harris (on 1953-01-20)
celesta and piano:
Buddy Cole (on 1953-01-20)
cello:
James Arkatov (on 1953-01-20) and Armand Kaproff (on 1953-01-20)
drums (drum set):
Lee Young (on 1953-01-20)
flute:
Harry Klee (on 1953-01-20), Ted Nash (on 1953-01-20) and James Williamson (on 1953-01-20)
French horn:
John Cave (on 1953-01-20) and Vincent DeRosa (on 1953-01-20)
guitar:
John Collins (on 1953-01-20)
harp:
Katherina Julyie (on 1953-01-20)
trombone:
Milt Bernhart (on 1953-01-20) and Paul Tanner (on 1953-01-20)
viola:
Albert Barr (on 1953-01-20) and Stanley Harris (on 1953-01-20)
violin:
Victor Bay (on 1953-01-20), Alex Beller (on 1953-01-20), Harry Bluestone (on 1953-01-20), Walter Edelstein (on 1953-01-20), Anatol Kaminsky (on 1953-01-20), Nathan Ross (on 1953-01-20), Mischa Russell (on 1953-01-20), Olcott Vail (on 1953-01-20) and Gerald Vinci (on 1953-01-20)
vocals:
Nat King Cole (on 1953-01-20)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-20)
conductor:
Nelson Riddle (on 1953-01-20)
arranger:
Nelson Riddle
recording of:
Blue Gardenia (on 1953-01-20)
writer:
Lester Lee and Bob Russell
publisher:
Harrison Music Corp., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:55
20Angel Eyes
alto saxophone:
Willie Smith (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (on 1953-01-14)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd., Music Sales Corporation, Onyx Music Corporation and ミュージック・セールス
3:14
21It Happens to Be Me
3:08
22Smile
producer:
Lee Gillette
bass:
Charlie Harris (on 1954-07-27)
bass trombone:
George Roberts (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
drums (drum set):
Lee Young (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (on 1954-07-27)
guitar:
John Collins (on 1954-07-27)
percussion:
Louis Singer (on 1954-07-27)
piano:
Bill Miller (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (on 1954-07-27)
viola:
Stanley Harris (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (on 1954-07-27), Eudice Shapiro (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (on 1954-07-27)
lyricist:
Geoffrey Parsons and John Turner
composer:
Charlie Chaplin
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
2:53
23Darling, Je Vous Aime Beaucoup
bass:
Charlie Harris (on 1953-08-24)
bass trombone:
George Roberts (on 1953-08-24)
cello:
Cy Bernard (on 1953-08-24), Armand Kaproff (on 1953-08-24) and Eleanor Slatkin (on 1953-08-24)
drums (drum set):
Lee Young (on 1953-08-24)
flute:
Jules Kinsler (on 1953-08-24), Ted Nash (on 1953-08-24) and Harry Steinfeld (on 1953-08-24)
French horn:
Vincent DeRosa (on 1953-08-24) and John Graas (on 1953-08-24)
guitar:
John Collins (on 1953-08-24)
harp:
Ann Mason Stockton (on 1953-08-24)
piano:
Buddy Cole (on 1953-08-24)
trombone:
Milt Bernhart (on 1953-08-24) and Joe Howard (on 1953-08-24)
viola:
Lou Kievman (on 1953-08-24), Stanley Spiegelman (on 1953-08-24) and Dave Sterkin (on 1953-08-24)
violin:
Victor Bay (on 1953-08-24), Alex Beller (on 1953-08-24), Harry Bluestone (on 1953-08-24), Walter Edelstein (on 1953-08-24), Henry Hill (on 1953-08-24), Paul Nero (on 1953-08-24), Mischa Russell (on 1953-08-24), Paul Shure (on 1953-08-24), Felix Slatkin (on 1953-08-24) and Gerald Vinci (on 1953-08-24)
vocals:
Nat King Cole (on 1953-08-24)
orchestra:
Nelson Riddle Orchestra & Chorus (on 1953-08-24)
conductor:
Nelson Riddle (on 1953-08-24)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-08-24)
cover recording of:
Darling, je vous aime beaucoup (on 1953-08-24)
lyricist and composer:
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. and Francis Day S.A.
medley of:
La Vie en rose (French original)
2:50
24Alone Too Young2:55
25My One Sin (In Life)
2:58
26Return to Paradise
vocals:
Nat King Cole (in 1953)
performer:
Nelson Riddle and His Orchestra (in 1953)
recording of:
Return to Paradise (in 1953)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
2:56
27If Love Is Good to Me
recording of:
If Love Is Good to Me
lyricist:
Redd Evans
composer:
Fred Spielman
2:46
28The Sand and the Sea
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (on 1954-12-20)
trombone:
Joe Howard (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
The Sand and the Sea (on 1954-12-20)
writer:
Hal Hester and Barry Parker
publisher:
Barry Parker Music (on 1955-02-10)
2:32
4CD: Love Is the Thing / Just One of Those Things
5CD: St. Louis Blues / To Whom It May Concern
6CD: Welcome to the Club / A Mis Amigos
7CD: Everytime I Feel the Spirit / Tell Me All About Yourself
8CD: The Touch of Your Lips / Dear Lonely Hearts
9CD: Nat King Cole Sings - George Shearing Plays / Ramblin’ Rose
10CD: Cole Espanol / More Cole Espanol