L'œuvre pour piano

~ Release by Heitor Villa‐Lobos; Anna Stella Schic (see all versions of this release, 1 available)

Tracklist

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#TitleArtistLength
1A prole do bebê nº 1 "Bonecas": Branquinha, a boneca de louça
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 1: Branquinha (A boneca de louça) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:32
2A prole do bebê nº 1 "Bonecas": Moreninha, a boneca de massa
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 2: Moreninha (A boneca de massa) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:41
3A prole do bebê nº 1 "Bonecas": Caboclinha, a boneca de barro
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 3: Caboclinha (A boneca de barro) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:51
4A prole do bebê nº 1 "Bonecas": Mulatinha, a boneca de borracha
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 4: Mulatinha (A boneca de borracha) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:41
5A prole do bebê nº 1 "Bonecas": Negrinha, a boneca de pau
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 5: Negrinha (A boneca de pau) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:20
6A prole do bebê nº 1 "Bonecas": A pobrezinha, a boneca de trapo
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 6: A pobrezinha (A boneca de trapo) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:14
7A prole do bebê nº 1 "Bonecas": O polichinelo
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 7: O polichinelo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:28
8A prole do bebê nº 1 "Bonecas": Bruxa, a boneca de pano
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 8: A bruxa (A boneca de pano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:28
9A prole do bebê nº 2 "Os bichinhos": A baratinha de papel
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 1: A baratinha de papel (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos2:25
10A prole do bebê nº 2 "Os bichinhos": A gatinha de papelão
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 2: O gatinho de papelão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos3:11
11A prole do bebê nº 2 "Os bichinhos": O camundongo de massa
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 3: O camundongo de massa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos4:05
12A prole do bebê nº 2 "Os bichinhos": O cachorrinho de borracha
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 4: O cachorrinho de borracha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos2:50
13A prole do bebê nº 2 "Os bichinhos": O cavalinho de pau
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 5: O cavalinho de páu (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos2:56
14A prole do bebê nº 2 "Os bichinhos": O boizinho de chumbo
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 6: O boizinho de chumbo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos5:26
15A prole do bebê nº 2 "Os bichinhos": O passarinho de pano
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 7: O passarinho de pano (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos3:41
16A prole do bebê nº 2 "Os bichinhos": O ursinho de algodão
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 8: O ursinho de algodão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos3:20
17A prole do bebê nº 2 "Os bichinhos": O lobozinho de vidro
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 9: O lobinho de vidro (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos6:07
18A lenda do caboclo
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
A lenda do caboclo, W166 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1920)
dedicated to:
Arthur Iberê Lemos
part of:
Appleby Catalogue (number: W166)
Heitor Villa‐Lobos3:42
19A fiandeira
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
A fiandeira, W176 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (in 1921)
part of:
Appleby Catalogue (number: W176)
Heitor Villa‐Lobos2:59
20Rudepoema
sound engineer:
Serge Rémy and Paul Vavasseur
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Rudepoêma, W184 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (from 1921 until 1926)
part of:
Appleby Catalogue (number: W184)
Heitor Villa‐Lobos21:32
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