| # | Title | Artist | Length |
|---|
| A1 | The Heat Is On | Glenn Frey | 3:47 |
| A2 | Wild World | Maxi Priest | 3:36 |
| A3 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing, Universal Music Publishing Ltd., Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3:02 |
| A4 | Break My Stride- drums (drum set) programming:
- John Gilston (in 1983)
- producer:
- Peter Bunetta, Rick Chudacoff and Bill Elliott
- analog synthesizer [Prophet-5]:
- Bill Elliott (in 1983) and Matthew Wilder (in 1983)
- drum machine [Oberheim DMX], drums (drum set) and percussion:
- Peter Bunetta (in 1983)
- guitar:
- Dennis Herring (in 1983)
- background vocals:
- Greg Prestopino (in 1983), Joe Turano (in 1983) and Matthew Wilder (in 1983)
- lead vocals:
- Matthew Wilder (in 1983)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983), Epic Records (in 1983), Sony BMG Music Entertainment Inc. (in 1983) and Sony Music Entertainment Inc. (in 1983)
- recorded at:
- Pasha Studios in Hollywood, Los Angeles, California, United States (in 1983)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 39)
- recording of:
- Break My Stride (in 1983)
- writer:
- Greg Prestopino and Matthew Wilder
- publisher:
- Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing, Music of Windswept, Universal Studios, Inc., WB Music Corp., Wilder Kingdom Music, Big Ears Music (in 1983), No Ears Music (in 1983) and Streetwise Music (in 1983)
| Matthew Wilder | 3:02 |
| A5 | Pass the Dutchie | Musical Youth | 3:23 |
| A6 | Dance to the Music | Sly & the Family Stone | 2:59 |
| A7 | Dreadlock Holiday | 10cc | 5:02 |
| A8 | Escape | Rupert Holmes | 4:37 |
| A9 | I Don't Wanna Dance | Eddy Grant | 3:40 |
| B1 | Sunny Days | Lighthouse | 4:14 |
| B2 | Housecall | Shabba Ranks | 3:38 |
| B3 | Good Vibrations- recording engineer:
- Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love (from 1966-02 until 1966-06) and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1966)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06), Sunset Sound in Hollywood, Los Angeles, California, United States (from 1966-02 until 1966-06) and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 6), Billboard: The 500 Best Pop Songs (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 3:36 |
| B4 | Too Late to Turn Back Now | The Sattalites | 5:08 |
| B5 | Follow Your Daughter Home | The Guess Who | 3:39 |
| B6 | Walking On Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper, Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London, England, United Kingdom and Greenhouse Studio in London, England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing, Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3:55 |
| B7 | Walk on the Wild Side- producer:
- David Bowie, Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie, Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4:15 |
| B8 | The Way You Do the Things You Do | UB40 | 3:03 |
| B9 | Don't Let the Sun Go Down on Me | George Michael & Elton John | 5:47 |
