101 Relaxing Classics

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD: Choral I

2▼CD: Choral II
#	Title	Artist	Length
1	Jesu, Joy of Man's Desiring (Jesus bleibet meine Freude), Cantata BWV 147 producer: Harley Usill organ: Peter White (in 1958-10) choir vocals: Choir of St John’s College, Cambridge (in 1958-10) conductor: George Guest (in 1958-10) chorus master: George Guest recorded at: Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1958-10) recording of: Jesu, Joy of Man’s Desiring (orch. Stokowski) (in 1958-10) orchestrator: Leopold Stokowski lyricist: Robert Bridges composer: Johann Sebastian Bach translated version of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (in 1665) composer: Johann Sebastian Bach (in 1723) part of: Classic 100: Piano (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	7:28
2	Crux Fidelis instruments: Capricorn choir vocals: Choir of New College Oxford conductor: Edward Higginbottom recording of: Crux fidelis composer: George Frideric Handel arranger: Edward Higginbottom arrangement of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)	George Frideric Handel	2:31
3	What Sweeter Music choir vocals: Choir of New College Oxford conductor: Edward Higginbottom recording of: What Sweeter Music lyricist: Robert Herrick composer: John Rutter (in 1988) publisher: Oxford University Press	John Rutter	4:08
4	String Quintet in C major, D956: II. Adagio choir vocals: London Voices conductor: Terry Edwards recording of: String Quintet in C major, D. 956: II. Adagio (catch-all for arrangements) composer: Franz Schubert (in 1828) arrangement of: String Quintet in C major, D. 956: II. Adagio	Franz Schubert	6:54
5	Shenandoah choir vocals: The Tabernacle Choir at Temple Square conductor: Jerold Ottley recording of: Shenandoah (arr. Erb) lyricist and composer: [traditional] arranger: James Erb arrangement of: Shenandoah	Traditional	3:53
6	Requiem, op. 48: VII. In paradisum producer: Paul Myers choir vocals: Chœur de l’Orchestre symphonique de Montréal (in 1987-10) orchestra: Orchestre symphonique de Montréal (in 1987-10) conductor: Charles Dutoit (in 1987-10) chorus master: Iwan Edwards (in 1987-10) balance engineer: John Dunkerley (in 1987-10) recorded at: Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1987-10) recording of: Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10) composer: Gabriel Fauré (from 1886 until 1900) publisher: Éditions Durand part of: 28 Days Later part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	3:19
7	String Quartet no. 2 in D major: III. Notturno cello: Christopher van Kampen choir vocals: London Voices conductor: Terry Edwards recording of: String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements) composer: Александр Порфирьевич Бородин arrangement of: String Quartet no. 2 in D major: III. Notturno. Andante	Alexander Borodin	6:13
8	Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I piano: Peter Aronsky choir vocals: London Voices conductor: Terry Edwards recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (catch-all for arrangements) composer: Пётр Ильич Чайковский part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (catch-all for arrangements)	Pyotr Ilyich Tchaikovsky	5:23
9	Vespers (All-Night Vigil), op. 37: III. Blazhen muzh (Blessed is the Man) choir vocals: The Choir of New College, Oxford conductor: Edward Higginbottom recording of: Всенощное бдение, op. 37: 3. Блажен муж (All-Night Vigil, op. 37: III. Blessed is the Man) composer: Сергей Васильевич Рахманинов (in 1915) part of: Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)	Sergey Rachmaninov	6:12
10	Symphony no. 7 in A major, op. 92: II. Allegretto choir vocals: London Voices conductor: Terry Edwards recording of: Symphony no. 7 in A major, op. 92: II. Allegretto (catch‐all for arrangements) composer: Ludwig van Beethoven arrangement of: Symphony no. 7 in A major, op. 92: II. Allegretto part of: Symphony no. 7 in A major, op. 92 (catch‐all for arrangements)	Ludwig van Beethoven	8:22
11	Piano Concerto no. 21 in C major, K467: II. Andante piano: Peter Aronsky choir vocals: London Voices conductor: Terry Edwards recording of: Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (catch-all for arrangements) composer: Wolfgang Amadeus Mozart arrangement of: Concerto for Piano no. 21 in C major, K. 467: II. Andante	Wolfgang Amadeus Mozart	7:22
12	Cantique de Jean Racine, op. 11 producer: James Walker organ: Stephen Cleobury (from 1975-07-28 until 1975-07-29) choir vocals: Choir of St John’s College, Cambridge (from 1975-07-28 until 1975-07-29) conductor: George Guest (from 1975-07-28 until 1975-07-29) recorded at: St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1975-07-28 until 1975-07-29) recording of: Cantique de Jean Racine, op. 11 (for choir and piano or organ) (from 1975-07-28 until 1975-07-29) lyricist: Jean Racine composer: Gabriel Fauré (in 1865) dedicated to: César Franck part of: Works of Gabriel Fauré by opus number (number: op. 11)	Gabriel Fauré	5:50
13	Te Lucis ante Terminum harp: Helen Tunstall choir vocals: Choir of New College Oxford conductor: Edward Higginbottom recording of: Te lucis ante terminum is based on: El cant dels ocells (The Song of the Birds, for cello and piano, Casals)	Traditional	2:25
14	St. Matthew Passion, BWV 244: Wir setzen uns mit Tränen nieder producer: Ray Minshull choir vocals: Stuttgarter Hymnus-Chorknaben orchestra: Stuttgarter Kammerorchester (in 1964-07) conductor: Karl Münchinger (in 1964-07) chorus master: Gerhard Wilhelm recorded at: Evangelisches Schloßkirche in Ludwigsburg, Baden-Württemberg, Germany (in 1964-07) recording of: Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1964-07) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	7:31

3▶CD: Flute and Harp

4▶CD: Guitar

5▶CD: Piano

6▶CD: Orchestral

Credits

Release

Discogs:	https://www.discogs.com/release/31357666 [info]
discography entry:	https://www.deccaclassics.com/de/katalog/produkte/101-relaxing-classics-1937 [info]

Discogs