| # | Title | Length |
|---|
| 1 | Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: I. Coro „Wie schön leuchtet der Morgenstern“ | 7:40 |
| 2 | Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: II. Recitativo (Tenore) „Du wahrer Gottes und Marien Sohn“ | 1:08 |
| 3 | Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: III. Aria (Soprano) „Erfüllet, ihr himmlischen göttlichen Flammen“ | 4:40 |
| 4 | Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: IV. Recitativo (Basso) „Ein irdscher Glanz, ein leiblich Licht“ | 0:59 |
| 5 | Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: V. Aria (Tenore) „Unser Mund und Ton der Saiten“ | 6:56 |
| 6 | Kantate, BWV 1 „Wie schön leuchtet der Morgenstern“: VI. Choral „Wie bin ich doch so herzlich froh“ | 1:36 |
| 7 | Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: I. Coro „Ach Gott, vom Himmel sieh darein“- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
- recording of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1980-02 until 1980-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-06-18)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- Martin Luther (in 1524)
- part of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
| 4:06 |
| 8 | Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: II. Recitativo (Tenore) „Sie lehren eitel falsche List“- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- tenor vocals:
- Aldo Baldin
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
- recording of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1980-02 until 1980-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-06-18)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
| 1:20 |
| 9 | Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: III. Aria (Alto) „Tilg, o Gott, die Lehren“- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- alto vocals:
- Helen Watts
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
- recording of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1980-02 until 1980-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-06-18)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
| 3:40 |
| 10 | Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: IV. Recitativo (Basso) „Die Armen sind verstört“- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- bass vocals:
- Walter Heldwein
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
- recording of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1980-02 until 1980-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-06-18)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
| 1:46 |
| 11 | Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: V. Aria (Tenore) „Durchs Feuer wird das Silber rein“- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- tenor vocals:
- Aldo Baldin
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
- recording of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1980-02 until 1980-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-06-18)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
| 6:16 |
| 12 | Kantate, BWV 2 „Ach Gott, vom Himmel sieh darein“: VI. Choral „Das wollst du, Gott, bewahren rein“- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- choir vocals:
- Gächinger Kantorei Stuttgart
- orchestra:
- Bach‐Collegium Stuttgart
- conductor:
- Helmuth Rilling
- recorded at:
- Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
- recording of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (from 1980-02 until 1980-04)
- premiered in:
- Leipzig, Sachsen, Germany (on 1724-06-18)
- composed in:
- Leipzig, Sachsen, Germany (in 1724)
- composer:
- Johann Sebastian Bach (in 1724)
- librettist:
- Martin Luther (in 1524)
- part of:
- Breitkopf 389 Choralgesänge (number: 7)
- part of:
- Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
| 1:01 |
| 13 | Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: I. Coro „Ach Gott, wie manches Herzeleid“ | 5:31 |
| 14 | Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: II. Recitativo e choral (Tenore, Alto, Soprano, Basso) „Wie schwerlich lässt sich Fleisch und Blut“ | 2:53 |
| 15 | Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: III. Aria (Basso) „Empfind ich Höllenangst und Pein“ | 6:38 |
| 16 | Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: IV. Recitativo (Tenore) „Es mag mir Leib und Geist verschmachten“ | 1:16 |
| 17 | Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: V. Aria (Duetto: Soprano, Alto) „Wenn Sorgen auf mich dringen“ | 7:48 |
| 18 | Kantate, BWV 3 „Ach Gott, wie manches Herzeleid“: VI. Choral „Erhalt mein Herz im Glauben“- recording engineer:
- Teije van Geest
- producer:
- Richard Hauck (task: recording supervisor)
- choir vocals:
- Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- orchestra:
- Concentus Musicus Wien (from 1970-12 until 1971-04)
- conductor:
- Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- chorus master:
- Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recorded at:
- Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
- recording of:
- Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
- lyricist:
- Martin Moller (in 1587)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Breitkopf 389 Choralgesänge (number: 8)
- part of:
- Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
| 0:42 |
