| # | Title | Artist | Length |
|---|
| 1 | Hold On I'm Coming- recorded in:
- Memphis, Tennessee, United States (on 1966-03-08)
- producer:
- Jim Stewart
- vocals:
- Sam & Dave (on 1966-03-08)
- recording of:
- Hold On, I’m Comin’ (on 1966-03-08)
- writer:
- Isaac Hayes and David Porter
- publisher:
- Cotillion Music Inc., East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
- sub-publisher:
- ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Sam & Dave | 2:32 |
| 2 | Knock on Wood- recorded in:
- Memphis, Tennessee, United States (on 1966-07-13)
- producer:
- Steve Cropper
- baritone saxophone:
- probably Floyd Newman
- bass guitar [bass]:
- Duck Dunn (on 1966-07-13)
- drums (drum set) [drums]:
- Al Jackson (on 1966-07-13)
- guitar:
- Steve Cropper (on 1966-07-13)
- organ:
- Booker T. Jones (on 1966-07-13)
- piano:
- Isaac Hayes (on 1966-07-13) and Booker T. Jones (on 1966-07-13)
- tenor saxophone:
- probably Andrew Love (on 1966-07-13)
- trumpet:
- Wayne Jackson (on 1966-07-13)
- vocals:
- Eddie Floyd (on 1966-07-13)
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967)
- recording of:
- Knock on Wood (on 1966-07-13)
- writer:
- Steve Cropper and Eddie Floyd
- publisher:
- East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd. and Warner Chappell North America
| Eddie Floyd | 3:04 |
| 3 | In the Midnight Hour | Wilson Pickett | 2:32 |
| 4 | Chain of Fools- recorded in:
- New York, New York, United States
- recording engineer and mixer:
- Tom Dowd
- producer:
- Jerry Wexler
- bass guitar:
- Tommy Cogbill (on 1967-06-23)
- drums (drum set):
- Roger Hawkins (on 1967-06-23)
- electric piano:
- Spooner Oldham (on 1967-06-23)
- guitar:
- Jimmy Johnson (on 1967-06-23) and Joe South (on 1967-06-23)
- piano:
- Aretha Franklin (on 1967-06-23)
- choir vocals:
- Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
- vocals:
- Aretha Franklin (on 1967-06-23)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
- recording of:
- Chain of Fools (on 1967-06-23)
- lyricist and composer:
- Don Covay
- publisher:
- 14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. and Warner-Tamerlane Publishing Co.
| Aretha Franklin | 2:46 |
| 5 | Slip Away | Clarence Carter | 2:34 |
| 6 | He Will Break Your Heart | Jerry Butler | 2:49 |
| 7 | I've Been Loving You Too Long (To Stop Now) | Otis Redding | 3:13 |
| 8 | 634-5789 | Wilson Pickett | 2:55 |
| 9 | Every Beat of My Heart | The Pips | 2:02 |
| 10 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 2:26 |
| 11 | Soul Man- recorded in:
- Memphis, Tennessee, United States (on 1967-08-10)
- producer:
- Isaac Hayes, David Porter and Jim Stewart
- instruments:
- Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
- lead vocals:
- Sam Moore (in 1967) and David Prater (in 1967)
- phonographic copyright (℗) by:
- HHO Recordings Ltd., WEA International Inc. (in 1966) and Atlantic Recording Corporation (in 1967)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 458)
- recording of:
- Soul Man (on 1967-08-10)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing, Rondor Music (London) Ltd., Rondor Music Ltd., Walden Music, Inc., Warner Chappell Music Ltd., Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Sam & Dave | 2:38 |
| 12 | Blue Moon- producer:
- Danny and Stu
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1961, in 2004)
- cover recording of:
- Blue Moon
- lyricist:
- Lorenz Hart (in 1934)
- composer:
- Richard Rodgers (in 1934)
- publisher:
- EMI Catalogue Partnership, EMI Music Publishing, EMI Robbins Catalog Inc., EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
- sub-publisher:
- EMI Music Publishing Belgium NV and Francis Day Editions
- part of:
- New York, New York
| The Marcels | 2:16 |
| 13 | Raindrops | Dee Clark | 2:52 |
| 14 | Stand By Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 3:00 |
| 15 | (Sittin' On) The Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Otis Redding | 2:42 |
| 16 | Tighten Up | Archie Bell & the Drells | 3:10 |
| 17 | If You Need Me | Solomon Burke | 2:32 |
| 18 | Duke of Earl | Gene Chandler | 2:22 |
| 19 | Green Onions | Booker T. & the MG’s | 2:51 |
| 20 | When a Man Loves a Woman- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell, Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell North America, Warner/Chappell, Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 2:51 |
