Ella Fitzgerald Sings the Rodgers and Hart Song Book, Volume 1 (stereo version)

~ Release by Ella Fitzgerald (see all versions of this release, 11 available)

Tracklist

112" Vinyl
#TitleLength
A1Have You Met Miss Jones?
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-08-30)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
?:??
A2You Took Advantage of Me
recorded in:
Los Angeles, California, United States (on 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (on 1956-08-31)
piano:
Paul Smith (on 1956-08-31)
trumpet:
Ray Linn (on 1956-08-31)
vocals:
Ella Fitzgerald (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
You Took Advantage of Me (on 1956-08-31)
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (in 1928)
publisher:
Chappell’s • Sydney
?:??
A3A Ship Without a Sail
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
A Ship Without a Sail (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (in 1929)
?:??
A4This Can’t Be Love
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (on 1956-08-21)
tenor saxophone:
Bob Cooper (on 1956-08-21) and Ted Nash (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
This Can’t Be Love (on 1956-08-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
?:??
A5The Lady Is a Tramp
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (on 1956-08-21)
tenor saxophone:
Bob Cooper (on 1956-08-21) and Ted Nash (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-08-21)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
?:??
A6Manhattan
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
cello:
Robert La Marchina (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (on 1956-08-29)
viola and violin:
[unknown] (on 1956-08-29)
vocals:
Ella Fitzgerald (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Manhattan (on 1956-08-29)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (in 1925)
publisher:
Edward B. Marks Music Co., Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
?:??
B1Johnny One Note
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (on 1956-08-28)
cello:
Robert La Marchina (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (on 1956-08-28)
woodwind:
Bob Cooper (on 1956-08-28), Ted Nash (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (on 1956-08-28)
vocals:
Ella Fitzgerald (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
Johnny One Note (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co.
part of:
Babes in Arms (full musical)
?:??
B2I Wish I Were in Love Again
engineer:
Val Valentin (on 1956-08-28)
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (on 1956-08-28)
cello:
Robert La Marchina (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (on 1956-08-28)
woodwind:
Bob Cooper (on 1956-08-28), Ted Nash (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (on 1956-08-28)
vocals:
Ella Fitzgerald (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
I Wish I Were in Love Again (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell Music
part of:
Babes in Arms (full musical)
?:??
B3Spring Is Here
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
Spring Is Here (on 1956-08-30)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. and United Partnership Ltd.
?:??
B4It Never Entered My Mind
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
cello:
Robert La Marchina (on 1956-08-30) and Edgar Lustgarten (on 1956-08-30)
cor anglais [English horn] and oboe:
Bob Cooper (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
flute:
Ted Nash (on 1956-08-30)
French horn:
Vince DeRosa (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
harp:
Corky Hale (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
viola and violin:
[unknown] (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
conductor:
Buddy Bregman (on 1956-08-30)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
It Never Entered My Mind (on 1956-08-30)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
?:??
B5Where or When
recorded in:
Los Angeles, California, United States (on 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-31)
bass clarinet and bassoon:
Chuck Gentry (on 1956-08-31)
clarinet:
Abe Most (on 1956-08-31)
cor anglais [English horn]:
Bob Cooper (on 1956-08-31)
drums (drum set):
Alvin Stoller (on 1956-08-31)
flute:
Jule Kinzler (on 1956-08-31)
French horn:
Vince DeRosa (on 1956-08-31)
guitar:
Barney Kessel (on 1956-08-31)
oboe:
Arnold Koblentz (on 1956-08-31)
piano:
Paul Smith (on 1956-08-31)
trumpet:
Ray Linn (on 1956-08-31)
vocals:
Ella Fitzgerald (on 1956-08-31)
conductor:
Buddy Bregman (on 1956-08-31)
arranger:
Paul Smith
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-31)
cover recording of:
Where or When (from “Babes in Arms”) (on 1956-08-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
?:??
B6Little Girl Blue?:??