Classical Christmas Songs

~ Release by Luciano Pavarotti, Joan Sutherland, Jessye Norman (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#	Title	Artist	Length
This medium has too many tracks to load at once, so it’s been paginated. Previous 1 2 Next
1	O Holy Night recording engineer: John Dunkerley and James Lock (in 1976-01) engineer: John Dunkerley producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1976-01) orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) arranger and orchestrator: Douglas Gamley phonographic copyright (℗) by: Decca Records Company (in 1976) recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01) recording of: O Holy Night (in 1976-01) lyricist: John Sullivan Dwight (in 1855) composer: Adolphe Adam (in 1847) translated version of: Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) recording of: O Holy Night (catch-all for arrangements) composer: Adolphe Adam arrangement of: O Holy Night	Adolphe Adam	4:14
2	The Holly and the Ivy engineer: Kenneth Wilkinson producer: Ray Minshull choir vocals: Ambrosian Singers (in 1965-05) soprano vocals: Joan Sutherland (in 1965-05) orchestra: Philharmonia Orchestra (in 1965-05) conductor: Richard Bonynge (in 1965-05) recording of: The Holly and the Ivy (in 1965-06) lyricist and composer: [traditional] part of: Roud Folk Song Index (number: 514)	[traditional]	1:18
3	Unto Us a Child Is Born producer: Donald Fraser choir vocals: American Boychoir (in 1986) and The New York Choral Society (in 1986) soprano vocals: Jessye Norman (in 1986) orchestra: Empire Chamber Ensemble (in 1986) conductor: Robert De Cormier (in 1986) arranger: Donald Fraser recorded at: Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986) recording of: Messiah, HWV 56: “For unto us a Child is born” (catch-all for arrangements) composer: George Frideric Handel (in 1741) arrangement of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”	[traditional]	1:05
4	Have Yourself a Merry Little Christmas additional recording engineer: Allen Sides recording engineer: Isaiah Abolin producer: David Frost mixer: David Frost and Richard King double bass [acoustic bass]: Pete Donovan drums (drum set) [drums]: Dave Ratajczak guitar: Saul Rubin piano: Shelly Berg vocals: Renée Fleming and Gregory Porter arranger: Shelly Berg cover recording of: Have Yourself a Merry Little Christmas lyricist: Ralph Blane (in 1943) composer: Hugh Martin (in 1943) publisher: EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing, EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) and Leo Feist, Inc. (in 1971, in 1972) sub-publisher: ヤマハミュージックエンタテインメントホールディングス, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) part of: Meet Me in St. Louis (1944 film)	Hugh Martin, Ralph Blane	3:35
5	Stille Nacht, heilige Nacht	Franz Xaver Gruber	3:19
6	Joy to the World engineer: Kenneth Wilkinson producer: Ray Minshull soprano vocals: Joan Sutherland (in 1965-05) orchestra: Philharmonia Orchestra (in 1965-05) conductor: Richard Bonynge (in 1965-05) partial recording of: Joy to the World (Christmas carol) (in 1965-05) lyricist: Isaac Watts additional composer: Lowell Mason (in 1839) composer: George Frideric Handel	George Frideric Handel	1:54
7	Agnus Dei (arr. Guiraud After Intermezzo from L'Arlésienne, WD 28) recording engineer: John Dunkerley and James Lock producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1976-01) orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) arranger: Douglas Gamley phonographic copyright (℗) by: The Decca Record Company Limited (in 1976) recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01) recording of: Agnus Dei (in 1976-01) composer: Georges Bizet arranger: Ernest Guiraud is based on: L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)	Georges Bizet	3:45
8	Ave Maria, "Ellens Gesang III", D. 839	Franz Schubert	7:05
9	Central Park Serenade	Diane Warren	4:13
10	What Child Is This (Greensleeves) (arr. John Williamson)	[traditional]	2:50
11	Silver Bells	Ray Livingston, Kelli O'Hara	3:06
12	Santa Lucia	[traditional]	1:32
13	Veni Veni Emmanuel	[traditional]	4:01
14	Marche des rois recorded in: Wien, Austria (in 1982-09) organ: Ingomar Rainer (in 1982-09) choir vocals: Wiener Sängerknaben (in 1982-09) orchestra: Wiener Volksopernorchester (in 1982-09) conductor: Uwe Christian Harrer (in 1982-09) recording of: La marche des rois (in 1982-09) lyricist: Joseph-François Domergue composer: [traditional] and Jean‐Baptiste Lully	[traditional]	1:41
15	Quanno nascette Ninno recorded in: Wien, Austria (in 1982-09) organ: Ingomar Rainer (in 1982-09) choir vocals: Wiener Sängerknaben (in 1982-09) orchestra: Wiener Volksopernorchester (in 1982-09) conductor: Uwe Christian Harrer (in 1982-09) arranger: Uwe Christian Harrer recording of: Quanno nascette Ninno (neapolitan original) (in 1982-09) lyricist and composer: Alfonso Maria de’ Liguori	[traditional]	2:38
16	Down in yon Forest executive producer: Craig Leon producer: Craig Leon harp: Stacey Shames (in 2001-05) lute: Edin Karamazov (in 2001-05) countertenor vocals: Andreas Scholl (in 2001-05) orchestra: Orpheus Chamber Orchestra (in 2001-05) balance engineer: Charles Harbutt recorded at: Avatar Studios in Hell's Kitchen, New York, New York, United States (in 2001-05) and State University of New York at Purchase, Performing Arts Center in Purchase, Harrison, New York, United States (in 2001-05) recording of: Down in Yon Forest (in 2001-05) lyricist and composer: [traditional]	[traditional]	3:12
17	Er is een kindeke geboren op aard' recorded in: Wien, Austria (in 1982-09) organ: Ingomar Rainer (in 1982-09) choir vocals: Wiener Sängerknaben (in 1982-09) orchestra: Wiener Volksopernorchester (in 1982-09) conductor: Uwe Christian Harrer (in 1982-09) arranger: Job Maarse recording of: Er is een kindeke geboren (in 1982-09) writer: [traditional]	[traditional]	2:44
18	Happy Christmas (War Is Over)	John Lennon	3:45
19	Le sette ultime parole di nostro Signore sulla croce: Qual giglio candido recording engineer: John Dunkerley and James Lock producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1976-01) orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01)	Saverio Mercadante	4:40
20	The Christmas Waltz	Sammy Cahn, Jule Styne	3:17
21	Pietà, Signore recording engineer: John Dunkerley and James Lock producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1976-01) orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01) recording of: Pietà, Signore (in 1976-01) lyricist and previously attributed to: Alessandro Stradella composer: Louis Niedermeyer publisher: G. Schirmer Inc.	Alessandro Stradella	8:25
22	Have Yourself a Merry Little Christmas	Hugh Martin, Ralph Blane	2:57
23	It Came Upon a Midnight Clear engineer: Kenneth Wilkinson producer: Ray Minshull soprano vocals: Joan Sutherland (in 1965-05) orchestra: Philharmonia Orchestra (in 1965-05) conductor: Richard Bonynge (in 1965-05) recording of: It Came Upon the Midnight Clear (carol version) (in 1965-05) lyricist: Edmund Sears composer: Richard Storrs Willis part of: The New English Hymnal (number: 29) is based on: CAROL (hymn tune) is based on: It Came Upon the Midnight Clear (poem)	Richard Storrs Willis	2:47
24	Messiah, HWV 56: Pt. 1: 1. Accompagnato: Comfort ye, My people recorded in: London, England, United Kingdom (in 1982-11) tenor vocals: Anthony Rolfe Johnson (in 1982-11) orchestra: English Baroque Soloists (in 1982-11) conductor: Sir John Eliot Gardiner (in 1982-11) recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1982-11) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	2:18
25	Be Still My Soul mezzo-soprano vocals: Katherine Jenkins recording of: Be Still My Soul lyricist: Katheryn A. von Schlegel composer: Jean Sibelius (from 1899 until 1900) is based on: Finlandia, op. 26 (for orchestra)	Jean Sibelius	3:42
26	Still, Still, Still	[traditional]	5:16
27	A Child Is Born	Gareth Malone, Gareth Malone's Voices, Royal Philharmonic Orchestra, Catrin Finch & Eloise Irving	3:20
28	Adam: Cantique de Noël (O Holy Night)	Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna & Michele Mariotti	4:34
29	Kirkpatrick: Away In A Manger choir vocals: Choir of Royal Holloway recording of: Away in a Manger (aka “Cradle Song” composed by William J. Kirkpatrick) additional lyricist: Charles Hutchinson Gabriel (in 1892) lyricist: [anonymous] composer: William James Kirkpatrick (in 1895) part of: Roud Folk Song Index (number: 25304) is based on: Sweet Afton (set to music by Jonathan E. Spilman, 1837) translated version of: Y Preseb	The Royal Holloway Choir	3:59
30	Traditional: O Tannenbaum	Hilde Güden, Wiener Staatsopernchor, Orchester der Wiener Staatsoper & Richard Rossmayer	2:48
31	Yon: Gesù Bambino producer: Ray Minshull choir vocals: Wandsworth School Boys’ Choir (in 1976-01) tenor vocals: Luciano Pavarotti (in 1976-01) orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) balance engineer: James Lock recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01) recording of: Gesù bambino (in 1976-01) lyricist: Frederick Martens composer: Pietro Yon (in 1917)	Luciano Pavarotti, Wandsworth School Boys’ Choir, National Philharmonic Orchestra & Kurt Herbert Adler	4:28
32	Who Knows Where The Time Goes	Renée Fleming & Brad Mehldau	4:25
33	Melichar: Mille cherubini in coro recording engineer: John Dunkerley and James Lock producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1976-01) orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) arranger: Douglas Gamley recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01) recording of: Mille cherubini in coro (in 1976-01) lyricist: Ernst Marischka composer: Franz Schubert arranger: Alois Melichar version of: Wiegenlied, D. 498	Luciano Pavarotti, National Philharmonic Orchestra & Kurt Herbert Adler	4:01
34	M. Haydn: Heiligste Nacht recorded in: Wien, Austria (in 1982-09) organ: Ingomar Rainer (in 1982-09) choir vocals: Wiener Sängerknaben (in 1982-09) orchestra: Wiener Volksopernorchester (in 1982-09) conductor: Uwe Christian Harrer (in 1982-09) recording of: Heiligste Nacht, MH 461 (in 1982-09) composer: Michael Haydn part of: Michael Haydn Werkverzeichnis (number: MH 461)	Wiener Sängerknaben, Wiener Volksopernorchester, Uwe Christian Harrer & Ingomar Rainer	3:36
35	Franck: Panis Angelicus	José Carreras, Michael G. Gormley, Wiener Symphoniker & Uwe Christian Harrer	4:06
36	Gounod: Ave Maria: arr. from Bach's Prelude No.1 BWV 846	Renata Tebaldi, Ambrosian Singers, New Philharmonia Orchestra & Anton Guadagno	2:38
37	Lauridsen: O Magnum Mysterium recording engineer: Andrew Mellor producer: Nicholas Parker vocals: VOCES8 (in 2013-04) recorded at: Église Notre-Dame d'Herment in Herment, Puy-de-Dôme, Auvergne-Rhône-Alpes, France (from 2013-04-05 until 2013-04-11) recording of: O magnum mysterium (in 2013-04) composer: Morten Lauridsen (in 1994)	Voces8	5:51
38	Messiah / Part 1 : Handel: Messiah / Part 1: 7. Behold, a Virgin shall conceive 8. Aria:O thou that tellest good tidings to Zion 9. Coro	Huguette Tourangeau, Ambrosian Singers, English Chamber Orchestra & Richard Bonynge	5:23
39	Melichar: Mille cherubini in coro (arr. after Schubert)	Renata Tebaldi, New Philharmonia Orchestra & Anton Guadagno	4:08
40	O Jesu mi dulcissime engineer: John Pellowe producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1997-02) orchestra: Orchestra del Teatro Comunale di Bologna (in 1997-02) conductor: Leone Magiera (in 1997-02) recorded at: Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02) recording of: O Jesu mi dulcissime (in 1997-02) composer: Prospero Guida	Luciano Pavarotti	2:54
41	Messiah / Part 1 : Handel: Messiah / Part 1: "There Were Shepherds...And Lo, The Angel Of The Lord... And The Angel Said Unto Them...And Suddenly" recorded in: London, England, United Kingdom (in 1966-06) soprano vocals: Heather Harper (in 1966-06) orchestra: London Symphony Orchestra (in 1966-06) conductor: Sir Colin Davis (in 1966-06) recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1966-06) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	Heather Harper, London Symphony Orchestra & Sir Colin Davis	1:26
42	Anonymous: Tu scendi dalle stelle recording engineer: John Dunkerley and James Lock producer: Ray Minshull choir vocals: Piccolo Coro dell’Antoniano (in 1977-02) tenor vocals: Luciano Pavarotti (in 1977-02) orchestra: Orchestra del Teatro Comunale di Bologna (in 1977-02) conductor: Leone Magiera (in 1977-02) recorded at: Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1977-02) recording of: Tu scendi dalle stelle (in 1977-02) lyricist: [traditional] composer: [traditional] and Alfonso Maria de’ Liguori translator: Pope Pius IX version of: Quanno nascette Ninno (neapolitan original)	Luciano Pavarotti, Piccolo Coro Dell'Antoniano, Orchestra del Teatro Comunale di Bologna & Leone Magiera	2:56
43	Anonymous: Es ist ein' Ros' entsprungen	Hilde Güden, Wiener Staatsopernchor, Orchester der Wiener Staatsoper & Richard Rossmayer	2:33
44	J.S. Bach: Jesu Joy of Man's Desiring clarinet: Emma Johnson orchestra: Royal Philharmonic Orchestra conductor: Julian Reynolds recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Emma Johnson, Royal Philharmonic Orchestra & Julian Reynolds	3:09
45	Sibelius: Giv mig ej glans, Op. 1, No. 4 (Give Me No Splendour) producer: Christopher Raeburn piano: Irwin Gage (in 1981-11) baritone vocals: Tom Krause (in 1981-11) recorded at: Kingsway Hall in London, England, United Kingdom (in 1981-11) recording of: Julvisa, op. 1 no. 4 (for voice and piano) (in 1981-11) composed in: Helsinki, Uusimaa, Finland (in 1909) lyricist: Zacharias Topelius composer: Jean Sibelius (in 1909) part of: 5 Christmas Songs, op. 1 (for voice and piano)	Tom Krause & Irwin Gage	3:46
46	Traditional: Good King Wenceslas engineer: Kenneth Wilkinson producer: Ray Minshull harpsichord: Valda Aveling (in 1965-05) choir vocals: Ambrosian Singers (in 1965-05) soprano vocals: Patricia Clarke (in 1965-05) and Joan Sutherland (in 1965-05) orchestra: New Philharmonia Orchestra (in 1965-05) conductor: Richard Bonynge (in 1965-05) recording of: Good King Wenceslas (in 1965-06) lyricist: John Mason Neale (in 1853) composer: [traditional] (from 1201 until 1301) arranger: Thomas Helmore (in 1853) part of: Roud Folk Song Index (number: 24754) is based on: Tempus adest floridum	Joan Sutherland, Valda Aveling, Patricia Clarke, Ambrosian Singers, New Philharmonia Orchestra & Richard Bonynge	2:58
47	Requiem, Op. 48 : Fauré: Requiem, Op. 48: IV. Pie Jesu producer: Andrew Cornall and Paul Myers (task: session recording producer) mixer: Philip Siney (from 1998-09-19 until 1998-09-25) soprano vocals: Angela Gheorghiu (from 1998-09-19 until 1998-09-25) orchestra: London Philharmonic Orchestra (from 1998-09-19 until 1998-09-25) conductor: Ion Marin (from 1998-09-19 until 1998-09-25) balance engineer: James Lock (from 1998-09-19 until 1998-09-25) phonographic copyright (℗) by: Decca Music Group Limited (in 2001) recorded at: All Hallows’ Church in Hampstead, Camden, London, England, United Kingdom (from 1998-09-19 until 1998-09-25) recording of: Requiem, op. 48: IV. Pie Jesu (1890, second version) composer: Gabriel Fauré (from 1886 until 1900) part of: CHAPTER IV PIE JESU (REST) part of: Requiem, op. 48 (1890, second version)	Angela Gheorghiu, London Philharmonic Orchestra & Ion Marin	3:39
48	Anonymous: I Saw Three Ships producer: Donald Fraser choir vocals: American Boychoir (in 1986) and The New York Choral Society (in 1986) soprano vocals: Jessye Norman (in 1986) orchestra: Empire Chamber Ensemble (in 1986) conductor: Robert De Cormier (in 1986) arranger: Donald Fraser recorded at: Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986) recording of: I Saw Three Ships (in 1986) lyricist and composer: [traditional] part of: Roud Folk Song Index (number: 700)	Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier	2:14
49	Wade: Adeste Fideles recording engineer: John Dunkerley and James Lock producer: Ray Minshull choir vocals: London Voices (in 1976-01) tenor vocals: Luciano Pavarotti (in 1976-01) orchestra: National Philharmonic Orchestra (in 1976-01) conductor: Kurt Herbert Adler (in 1976-01) chorus master: Terry Edwards (in 1976-01) arranger: Douglas Gamley recorded at: All Saints’ Church in Richmond upon Thames, London, England, United Kingdom (in 1976-01) recording of: Adeste fideles (original latin version) (in 1976-01) lyricist and composer: John Francis Wade (from 1740 until 1743)	Luciano Pavarotti, London Voices, National Philharmonic Orchestra & Kurt Herbert Adler	3:32
50	Gruber: Silent Night (Arr. Gjeilo) arranger: Ola Gjeilo instrumental recording of: Silent Night (Christmas carol, English translation) lyricist: Josef Mohr (in 1816) composer: Franz Xaver Gruber (in 1818) translator: John Freeman Young (in 1859) part of: Roud Folk Song Index (number: 27088) translated version of: Stille Nacht, heilige Nacht	Ola Gjeilo	3:48
51	Praetorius, Sandström: Es ist ein Ros entsprungen vocals: VOCES8 recording of: Es ist ein Ros entsprungen (Praetorius’ harmonisation) lyricist and composer: [traditional] arranger: Michael Praetorius (in 1609) arrangement of: Es ist ein Ros entsprungen (original anonymous version)	Voces8	3:47
52	Holst: In the Bleak Midwinter (Arr. Gjeilo)	Voces8	5:12
53	Schubert: Ave Maria (Short Version) recording of: Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’) lyricist: [anonymous] composer: Franz Schubert version of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)	Andreas Scholl & Tamar Halperin	4:44
54	Snowbound	Renée Fleming & Kurt Elling	6:26
55	Anonymous: Ding Dong! Merrily on High	The Bach Choir, John Scott & Sir David Willcocks	1:58
56	Mendelssohn: Hark! The Herald Angels Sing - Fanfare recording of: Hark! The Herald Angels Sing (Christmas carol) additional lyricist: George Whitefield (in 1753) lyricist: Charles Wesley (in 1739) additional composer: William H. Cummings (in 1855) composer: Felix Mendelssohn (in 1840) part of: The New English Hymnal (number: 26)	The Bach Choir, Philip Jones Brass Ensemble, David Corkhill, John Scott & Sir David Willcocks	3:53
57	L'honestà negli amori : A. Scarlatti: L'honestà negli amori: Già il sole dal Gange (Remastered 2013) recording engineer and balance engineer: Colin Moorfoot producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1973-07) orchestra: Orchestra del Teatro Comunale di Bologna (in 1973-07) conductor: Richard Bonynge (in 1973-07) arranger: Douglas Gamley recorded at: Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07) live recording of: L'honestà negli amori: "Già il sole dal Gange" (in 1973-07) lyricist: Felice Parnasso composer: Alessandro Scarlatti publisher: G. Schirmer Inc. part of: L'honestà negli amori	Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Richard Bonynge	2:03
58	Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: He shall feed his Flock	Renée Fleming, Royal Philharmonic Orchestra & Andreas Delfs	5:11
59	Traditional: The Holly and the Ivy producer: Donald Fraser choir vocals: American Boychoir (in 1986) and The New York Choral Society (in 1986) soprano vocals: Jessye Norman (in 1986) orchestra: Empire Chamber Ensemble (in 1986) conductor: Robert De Cormier (in 1986) arranger: Donald Fraser recorded at: Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986) recording of: The Holly and the Ivy (in 1986) lyricist and composer: [traditional] part of: Roud Folk Song Index (number: 514)	Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier	2:50
60	Messiah, HWV 56 /- Pt 1 : Handel: Messiah, HWV 56 /- Pt 1: But who may abide the day of his coming	Emma Kirkby, Academy of Ancient Music & Christopher Hogwood	4:11
61	Sweelinck: Hodie Christus Natus Est	The Bach Choir, Royal Philharmonic Orchestra & John Rutter	2:58
62	Traditional: Sussex Carol (On Christmas Night)	The Bach Choir, John Scott & Sir David Willcocks	1:32
63	Britten: A New Year Carol	The Bach Choir, Royal Philharmonic Orchestra & John Rutter	2:05
64	Davis: The most wonderful birthday of all	Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis	4:43
65	A Boy was Born, Op. 3 : Britten: A Boy was Born, Op. 3: Variation 4: The Three Kings recording engineer: Gordon Parry (in 1957-11) and Kenneth Wilkinson (in 1957-11) choir vocals: Choir of All Saints Church, Margaret Street and Purcell Singers (in 1957-11) vocals: Boys' Voices of the English Opera Group conductor: Benjamin Britten (in 1957-11) recorded at: Decca Studios in West Hampstead, Camden, London, England, United Kingdom (in 1957-11) recording of: A Boy Was Born, op. 3: Variation IV. The three kings (in 1957-11) composer: Benjamin Britten (from 1932 until 1933) part of: A Boy Was Born, op. 3	The Purcell Singers & Benjamin Britten	3:35
66	Mendelssohn: Hark! The Herald Angels Sing	Wiener Sängerknaben, Chorus Viennensis, Wiener Volksopernorchester, Ingomar Rainer & Uwe Christian Harrer	3:17
67	Anonymous: Angels we have heard on high producer: Donald Fraser choir vocals: American Boychoir (in 1986) and The New York Choral Society (in 1986) soprano vocals: Jessye Norman (in 1986) orchestra: Empire Chamber Ensemble (in 1986) conductor: Robert De Cormier (in 1986) arranger: Donald Fraser recorded at: Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986) recording of: Angels We Have Heard on High (in 1986) lyricist: [unknown] composer: [traditional] translator: James Chadwick (in 1862) version of: Les Anges dans nos campagnes	Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier	1:56
68	Tavener: A Christmas Round	The Choir of Temple Church & Stephen Layton	1:40
69	Katherine K. Davis, Simeone: The Little Drummer Boy	Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis	2:53
70	Griselda : Bononcini: Griselda: Per la Gloria (Remastered 2013) producer: Ray Minshull tenor vocals: Luciano Pavarotti (in 1973-07) orchestra: Orchestra del Teatro Comunale di Bologna (in 1973-07) conductor: Richard Bonynge (in 1973-07) balance engineer: Colin Moorfoot recorded at: Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)	Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna & Richard Bonynge	4:30
71	J. Goss: See amid the winter's snow producer: Donald Fraser choir vocals: American Boychoir (in 1986) and The New York Choral Society (in 1986) soprano vocals: Jessye Norman (in 1986) orchestra: Empire Chamber Ensemble (in 1986) conductor: Robert De Cormier (in 1986) arranger: Donald Fraser recorded at: Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986) recording of: See Amid the Winter’s Snow (carol) (in 1986) lyricist: Edward Caswall composer: Sir John Goss	Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier	3:16
72	Mussorgsky: Cradle Song	Galina Vishnevskaya, Russian State Symphony Orchestra & Igor Markevitch	4:32
73	슈베르트: : Schubert: Ave Maria, D. 839 (Live) piano: Leone Magiera vocals: Bono and Luciano Pavarotti live recording of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) lyricist: Jairo and Sir Walter Scott composer: Franz Schubert (in 1825) translator: Adam Storck part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)	Luciano Pavarotti, Bono & Leone Magiera	3:55
74	Anonymous: Noël Nouvelet (Arr. Saylor)	Jessye Norman, St. Thomas Choir, The Riverside Choir, St. Barnabas Choir, Harry Huff & David Robertson	2:32
75	Wade: O come, all ye faithful (Remastered 2011)	Kathleen Ferrier, Boyd Neel Orchestra & Boyd Neel	3:18
76	Anonymous: Good Christian men rejoice producer: Donald Fraser choir vocals: American Boychoir (in 1986) and The New York Choral Society (in 1986) soprano vocals: Jessye Norman (in 1986) orchestra: Empire Chamber Ensemble (in 1986) conductor: Robert De Cormier (in 1986) arranger: Donald Fraser recorded at: Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1986) recording of: Good Christian Men Rejoice (in 1986) lyricist and composer: [traditional] translator: John Mason Neale part of: The New English Hymnal (number: 107) translated version of: In dulci jubilo (Original trad.)	Jessye Norman, The New York Choral Society, American Boychoir, English Chamber Orchestra & Robert De Cormier	1:39
77	Messiah / Part 1 : Handel: Messiah / Part 1: "Thus Saith The Lord...But Who May Abide"	Emma Kirkby, Academy of Ancient Music & Christopher Hogwood	5:31
78	J.S. Bach: Ich steh an deiner Krippen hier, BWV 469	Peter Schreier, Ton Koopman & Jaap ter Linden	1:18
79	Anonymous: Wintertide	The Royal Holloway Choir	3:12
80	Hawes: Colours Of Christmas	Patrick Hawes	3:21
81	Winter Wonderland	Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis	3:51
82	Cornelius: The Three Kings baritone vocals: Gerald Finley choir vocals: Academy of St Martin in the Fields Chorus orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner recording of: The Three Kings lyricist: Peter Cornelius and Philipp Nicolai composer: Peter Cornelius arranger: Sir Ivor Atkins translator: Herbert Newell Bate translated version of: Weihnachtslieder, op. 8: III. Die Könige	Gerald Finley, Academy of St Martin in the Fields, Academy of St Martin in the Fields Chorus & Sir Neville Marriner	2:33
83	Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: "Comfort ye, My People...Ev'ry Valley Shall Be Exalted"	Kenneth McKellar, Orchestra of the Royal Opera House, Covent Garden & Sir Adrian Boult	7:25
84	Berlin: White Christmas choir vocals: London Voices soprano vocals: Kiri Te Kanawa orchestra: Philharmonia Orchestra conductor: Carl Davis chorus master: Terry Edwards arranger: David Cullen live recording of: White Christmas (in 1985-12) lyricist and composer: Irving Berlin (from 1938 until 1940) publisher: Copyright Control, EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd., Williamson Music Company and Irving Berlin Music Company (from 1940 to present) sub-publisher: Irving Berlin Music Ltd., Warner/Chappell Music Ltd., Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部 part of: The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner) recording of: White Christmas lyricist and composer: Irving Berlin (from 1938 until 1940) publisher: Copyright Control, EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd., Williamson Music Company and Irving Berlin Music Company (from 1940 to present) sub-publisher: Irving Berlin Music Ltd., Warner/Chappell Music Ltd., Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部 part of: The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)	Kiri Te Kanawa, London Voices, Philharmonia Orchestra & Carl Davis	3:53
85	Messiah / Part 1 : Handel: Messiah / Part 1: 5. "But who may abide the day of his coming"	Huguette Tourangeau, English Chamber Orchestra & Richard Bonynge	5:20
86	Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: 14. Recitative: There were shepherds - Accompagnato: And lo, the angel of the Lord - Recitative:	Joan Sutherland, London Symphony Orchestra & Sir Adrian Boult	2:04
87	Kirkpatrick: Away in a Manger (Arr. Saylor)	Jessye Norman, American Boy Choir & David Robertson	1:44
88	Anonymous: Es ist ein' Ros' entsprungen (Arr. Saylor)	Jessye Norman, St. Thomas Choir, Riverside Choir, St. Barnabas Choir & David Robertson	2:55
89	Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: 2. "Ev'ry Valley shall be exalted"	Stuart Burrows, Symphonieorchester des Bayerischen Rundfunks & Sir Colin Davis	3:35
90	Anonymous: The Holly & The Ivy	The Royal Holloway Choir	4:00
91	Messiah / Part 1 : Handel: Messiah / Part 1: "But Who May Abide The Day Of His Coming" recorded in: London, England, United Kingdom (in 1966-06) contralto vocals: Helen Watts (in 1966-06) orchestra: London Symphony Orchestra (in 1966-06) conductor: Sir Colin Davis (in 1966-06) recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1966-06) composer: George Frideric Handel version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	Helen Watts, London Symphony Orchestra & Sir Colin Davis	4:19
92	Messiah, HWV 56 / Pt. 1 : Handel: Messiah, HWV 56 / Pt. 1: 1. "Comfort ye, my people"	Stuart Burrows, Symphonieorchester des Bayerischen Rundfunks & Sir Colin Davis	3:01
93	セイナルミヤコ : S. Adams: The Holy City	Jessye Norman & Christopher Bowers-Broadbent	6:18
94	Ceremony of Carols, Op. 28 : Britten: Ceremony of Carols, Op. 28: Balulalow harp: Lucy Wakeford choir vocals: St Paul’s Cathedral Choir treble vocals: Anthony Way chorus master: John Scott recording of: A Ceremony of Carols, op. 28: IV. (b) Balulalow composer: Benjamin Britten (in 1942) part of: A Ceremony of Carols, op. 28	Anthony Way, Lucy Wakeford, St Paul’s Cathedral Choir & John Scott	1:29
95	Messiah / Part 1 : Handel: Messiah / Part 1: And suddenly there was...Glory to God in the highest	Kiri Te Kanawa, Chicago Symphony Chorus, Chicago Symphony Orchestra & Sir Georg Solti	2:22
96	Arbeau: A Christmas Garland	Jessye Norman, St. Thomas Choir & David Robertson	4:01
97	Anonymous: Andachtsjodler recorded in: Wien, Austria (in 1982-09) organ: Ingomar Rainer (in 1982-09) choir vocals: Chorus Viennensis (in 1982-09) and Wiener Sängerknaben (in 1982-09) orchestra: Wiener Volksopernorchester (in 1982-09) conductor: Uwe Christian Harrer (in 1982-09) recording of: Andachtsjodler (in 1982-09) composer: [traditional]	Wiener Sängerknaben, Ingomar Rainer, Chorus Viennensis, Wiener Volksopernorchester & Uwe Christian Harrer	2:44
98	Anonymous: Als ich bei meinen Schafen wacht' recorded in: Wien, Austria (in 1982-09) organ: Ingomar Rainer (in 1982-09) choir vocals: Wiener Sängerknaben (in 1982-09) orchestra: Wiener Volksopernorchester (in 1982-09) conductor: Uwe Christian Harrer (in 1982-09) recording of: Als ich bei meinen Schafen wacht’ (German Christmas carol) (in 1982-09) lyricist and composer: [unknown]	Wiener Sängerknaben, Ingomar Rainer, Wiener Volksopernorchester & Uwe Christian Harrer	2:08
99	Schulz: Ihr Kinderlein, kommet	Jessye Norman, St. Thomas Choir, Sarah Cutler, Harry Huff & David Robertson	1:23
100	Herz und Mund und Tat und Leben Cantata, BWV 147 : J.S. Bach: Herz und Mund und Tat und Leben Cantata, BWV 147: Jesu joy of man's desiring engineer: Gordon Parry (from 1956-12-04 until 1956-12-07) producer: John Culshaw soprano vocals: Kirsten Flagstad (from 1956-12-04 until 1956-12-07) orchestra: London Philharmonic Choir (from 1956-12-04 until 1956-12-07) conductor: Sir Adrian Boult (from 1956-12-04 until 1956-12-07) arranger: William Gillies Whittaker recorded at: Kingsway Hall in London, England, United Kingdom (from 1956-12-04 until 1956-12-07) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1956-12-04 until 1956-12-07) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Kirsten Flagstad, London Philharmonic Orchestra & Sir Adrian Boult	6:07
This medium has too many tracks to load at once; currently showing 100 out of 192 total. Load all tracks...

Credits

Release

stream for free:	https://www.deezer.com/album/194351602 [info]

Stream at Deezer