Blue Moon of Kentucky 1936-1949

~ Release by Bill Monroe (see all versions of this release, 1 available)

Annotation

CD 2: 1 - 1936; 2-21 - 1937; 22-30 - 1938

Tracklist

1▶CD
2▶CD
3▼CD
#TitleLength
1When Our Lord Shall Come Again
recorded in:
Charlotte, North Carolina, United States (on 1938-01-28)
producer:
Eli Oberstein
guitar and lead vocals:
Charlie Monroe (on 1938-01-28)
mandolin and tenor vocals:
Bill Monroe (on 1938-01-28)
recording of:
When Our Lord Shall Come Again (on 1938-01-28)
lyricist:
Johnson Oatman, Jr.
composer:
R. L. Ferguson
2:15
2Mule Skinner Blues
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar and lead vocals:
Bill Monroe (on 1940-10-07)
recording of:
Blue Yodel No. 8 (Mule Skinner Blues) (on 1940-10-07)
lyricist and composer:
Jimmie Rodgers
publisher:
Peer International Corporation
part of:
Blue Yodels by Jimmie Rodgers
2:44
3No Letter in the Mail
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar and lead vocals:
Clyde Moody (on 1940-10-07)
mandolin and tenor vocals:
Bill Monroe (on 1940-10-07)
recording of:
No Letter in the Mail (on 1940-10-07)
lyricist and composer:
Bill Carlisle
publisher:
EMI Mills Music Inc.
2:41
4Cryin' Holy Unto the Lord
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
guitar and bass vocals:
Clyde Moody (on 1940-10-07)
mandolin and lead vocals:
Bill Monroe (on 1940-10-07)
baritone vocals:
Tommy Magness (on 1940-10-07)
tenor vocals:
Bill Wesbrooks (on 1940-10-07)
recording of:
On the Rock Where Moses Stood (on 1940-10-07)
writer:
The Carter Family
2:29
5Six White Horses
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar and lead vocals:
Clyde Moody (on 1940-10-07)
mandolin:
Bill Monroe (on 1940-10-07)
recording of:
Six White Horses (on 1940-10-07)
lyricist and composer:
Clyde Moody
3:03
6Dog House Blues
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar and lead vocals:
Bill Monroe (on 1940-10-07)
recording of:
Dog House Blues (on 1940-10-07)
writer:
J.L. Frank and Pee Wee King
3:05
7I Wonder If You Feel the Way I Do
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar and lead vocals:
Clyde Moody (on 1940-10-07)
mandolin and tenor vocals:
Bill Monroe (on 1940-10-07)
recording of:
I Wonder If You Feel the Way I Do (on 1940-10-07)
lyricist and composer:
Bob Wills
2:52
8Katy Hill
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (on 1940-10-07)
fiddle:
Tommy Magness (on 1940-10-07)
guitar:
Clyde Moody (on 1940-10-07)
mandolin:
Bill Monroe (on 1940-10-07)
recording of:
Katy Hill (on 1940-10-07)
composer:
[traditional]
2:39
9Tennessee Blues
recorded in:
Atlanta, Georgia, United States (on 1940-10-07)
double bass [string bass]:
Bill Wesbrooks (on 1940-10-07)
guitar:
Clyde Moody (on 1940-10-07)
mandolin:
Bill Monroe (on 1940-10-07)
recording of:
Tennessee Blues (on 1940-10-07)
composer:
Bill Monroe
2:52
10Shake My Mother's Hand for Me
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
guitar and bass vocals:
Pete Pyle (on 1941-10-02)
mandolin and lead vocals:
Bill Monroe (on 1941-10-02)
baritone vocals:
Art Wooten (on 1941-10-02)
tenor vocals:
Bill Wesbrooks (on 1941-10-02)
recording of:
Shake My Mother’s Hand for Me
lyricist and composer:
Thomas A. Dorsey
3:06
11Were You There
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
guitar and bass vocals:
Pete Pyle (on 1941-10-02)
mandolin and lead vocals:
Bill Monroe (on 1941-10-02)
baritone vocals:
Art Wooten (on 1941-10-02)
tenor vocals:
Bill Wesbrooks (on 1941-10-02)
recording of:
Were You There (on 1941-10-02)
lyricist and composer:
Bill Monroe
2:47
12Blue Yodel, No.7
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass [string bass]:
Bill Wesbrooks (on 1941-10-02)
fiddle:
Art Wooten (on 1941-10-02)
guitar:
Pete Pyle (on 1941-10-02)
mandolin and lead vocals:
Bill Monroe (on 1941-10-02)
recording of:
Blue Yodel No. 7 (Anniversary Blue Yodel) (on 1941-10-02)
writer:
Elsie McWilliams and Jimmie Rodgers
part of:
Blue Yodels by Jimmie Rodgers
2:53
13The Coupon Song
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass:
Pete Pyle (on 1941-10-02)
fiddle:
Art Wooten (on 1941-10-02)
guitar and lead vocals:
Bill Wesbrooks (on 1941-10-02)
mandolin:
Bill Monroe (on 1941-10-02)
2:56
14Orange Blossom Special
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass [string bass]:
Bill Wesbrooks (on 1941-10-02)
fiddle and lead vocals:
Art Wooten (on 1941-10-02)
guitar:
Pete Pyle (on 1941-10-02)
mandolin and tenor vocals:
Bill Monroe (on 1941-10-02)
recording of:
Orange Blossom Special (on 1941-10-02)
lyricist and composer:
Ervin Rouse
publisher:
Glanco Music and MCA Music
2:33
15Honky Tonk Swing
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass [string bass]:
Bill Wesbrooks (on 1941-10-02)
guitar:
Pete Pyle (on 1941-10-02)
mandolin:
Bill Monroe (on 1941-10-02)
recording of:
Honky Tonk Swing
composer:
Bill Monroe
2:31
16In the Pines
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass:
Pete Pyle (on 1941-10-02)
fiddle:
Art Wooten (on 1941-10-02)
guitar and lead vocals:
Bill Wesbrooks (on 1941-10-02)
mandolin and tenor vocals:
Bill Monroe (on 1941-10-02)
recording of:
In the Pines (Black Girl) (on 1941-10-02)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 3421)
3:24
17Back Up and Push
recorded in:
Atlanta, Georgia, United States (on 1941-10-02)
double bass [string bass]:
Bill Wesbrooks (on 1941-10-02)
fiddle:
Art Wooten (on 1941-10-02)
guitar:
Pete Pyle (on 1941-10-02)
mandolin:
Bill Monroe (on 1941-10-02)
recording of:
Back Up and Push (on 1941-10-02)
composer:
[traditional]
2:49
18Rocky Road Blues
accordion:
Wilene "Sally Ann" Forrester (on 1945-02-13)
banjo:
Stringbean (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Tex Willis (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (on 1945-02-13)
recording of:
Rocky Road Blues (on 1945-02-13)
lyricist and composer:
Bill Monroe
2:36
19Kentucky Waltz
producer:
Art Satherly
accordion:
Wilene "Sally Ann" Forrester (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Curley Bradshaw (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (on 1945-02-13)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1945-02-13)
recording of:
Kentucky Waltz (on 1945-02-13)
lyricist and composer:
Bill Monroe (in 1945)
2:48
20True Life Blues
producer:
Art Satherly
accordion:
Wilene "Sally Ann" Forrester (on 1945-02-13)
banjo:
Stringbean (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar and lead vocals:
Tex Willis (on 1945-02-13)
mandolin and tenor vocals:
Bill Monroe (on 1945-02-13)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1945-02-13)
recording of:
True Life Blues (on 1945-02-13)
lyricist and composer:
Bill Monroe
2:51
21Nobody Loves Me
producer:
Art Satherly
accordion and tenor vocals:
Wilene "Sally Ann" Forrester (on 1945-02-13)
banjo:
Stringbean (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar and baritone vocals:
Tex Willis (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (on 1945-02-13)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1945-02-13)
2:48
22Goodbye Old Pal
producer:
Art Satherly
accordion:
Wilene "Sally Ann" Forrester (on 1945-02-13)
banjo:
Stringbean (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Curley Bradshaw (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (on 1945-02-13)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1945-02-13)
recording of:
Goodbye Old Pal (on 1945-02-13)
composer:
Bill Monroe
publisher:
APRS and Bill Monroe Music
2:43
23Footprints in the Snow
accordion:
Wilene "Sally Ann" Forrester (on 1945-02-13)
banjo:
Stringbean (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Curley Bradshaw (on 1945-02-13) and Tex Willis (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (on 1945-02-13)
recording of:
Footprints in the Snow (on 1945-02-13)
composer:
Rupert Jones
is based on:
I Traced Her Little Footmarks in the Snow
2:43
24I'll Have a New Life
producer:
Art Satherly
guitar:
Curley Bradshaw (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (on 1945-02-13)
baritone vocals:
Tex Willis (on 1945-02-13)
bass vocals:
Howard Watts (on 1945-02-13)
tenor vocals:
Wilene "Sally Ann" Forrester (on 1945-02-13)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1945-02-13)
2:01
25Blue Grass Special
producer:
Art Satherly
accordion:
Wilene "Sally Ann" Forrester (on 1945-02-13)
banjo:
Stringbean (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Tex Willis (on 1945-02-13)
mandolin:
Bill Monroe (on 1945-02-13)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1945-02-13)
recording of:
Blue Grass Special (on 1945-02-13)
composer:
Bill Monroe
publisher:
Bill Monroe Music
2:30
26Come Back to Me in My Dreams
producer:
Art Satherly
accordion and tenor vocals:
Wilene "Sally Ann" Forrester (on 1945-02-13)
banjo:
Stringbean (on 1945-02-13)
double bass:
Howard Watts (on 1945-02-13)
fiddle:
Chubby Wise (on 1945-02-13)
guitar:
Curley Bradshaw (on 1945-02-13)
mandolin and lead vocals:
Bill Monroe (on 1945-02-13)
baritone vocals:
Tex Willis (on 1945-02-13)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1945-02-13)
recording of:
Come Back to Me in My Dreams (on 1945-02-13)
composer:
Bill Monroe
3:00
27Heavy Traffic Ahead
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (on 1946-09-16)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Heavy Traffic Ahead (on 1946-09-16)
lyricist and composer:
Bill Monroe
publisher:
APRS and Bill Monroe Music
2:52
28Why Did You Wander
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar and lead vocals:
Lester Flatt (on 1946-09-16)
mandolin and tenor vocals:
Bill Monroe (on 1946-09-16)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Why Did You Wander (on 1946-09-16)
writer:
Lester Flatt and Bill Monroe
2:36
29Blue Moon of Kentucky
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (on 1946-09-16)
recorded at:
WBBM Studio in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Blue Moon of Kentucky (on 1946-09-16)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS, Peer International Corporation, Southern Music Publishing, Southern Music Publishing Company Limited and ピアーミュージック
1:31
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