The Art of Cecilia Bartoli

~ Release by Cecilia Bartoli (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Rinaldo: Lascia ch'io pianga producer: Chris Sayers mezzo-soprano vocals and mezzo-soprano vocals [Almirena]: Cecilia Bartoli (from 1999-11-19 until 1999-11-27) orchestra: Academy of Ancient Music (from 1999-11-19 until 1999-11-27) conductor: Christopher Hogwood (from 1999-11-19 until 1999-11-27) performer: Cecilia Bartoli recorded at: Henry Wood Hall in London, England, United Kingdom (from 1999-11-19 until 1999-11-27) recording of: Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 1999-11-19 until 1999-11-27) composer: George Frideric Handel (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto II	Georg Friedrich Händel	4:56
2	Rinaldo: Scherzano sul tuo volto instruments and orchestra: Academy of Ancient Music countertenor vocals: David Daniels mezzo-soprano vocals: Cecilia Bartoli conductor: Christopher Hogwood performer: Cecilia Bartoli and David Daniels recording of: Rinaldo, HWV 7a: Atto I, Scene VI, no. 12. Duetto "Scherzano sul tuo volto le grazie vezzosette" (Almirena, Rinaldo) composer: George Frideric Handel (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto I	Georg Friedrich Händel	3:44
3	Dorilla in Tempe: Dell'aura al sussurrar choir vocals: Arnold Schoenberg Chor mezzo-soprano vocals: Cecilia Bartoli orchestra: Il Giardino Armonico conductor: Giovanni Antonini	Antonio Vivaldi	2:04
4	Farnace: Gelido in ogni vena (Excerpt) mezzo-soprano vocals: Cecilia Bartoli orchestra: Il Giardino Armonico conductor: Giovanni Antonini recording of: Il Farnace, RV 711: Atto II, Scena VI. Aria "Gelido in ogni vena" (Farnace) composer: Antonio Vivaldi librettist: Antonio Maria Lucchini part of: Il Farnace, RV 711: Atto II	Antonio Vivaldi	5:03
5	Bajazet (Il Tamerlano): Sommerga mezzo-soprano vocals: Cecilia Bartoli orchestra: Il Giardino Armonico conductor: Giovanni Antonini	Antonio Vivaldi	4:06
6	Il Parnaso confuso: Di questa cetra in seno producer: Christopher Raeburn mezzo-soprano vocals: Cecilia Bartoli (from 2001-01-08 until 2001-01-16) soprano vocals: Cecilia Bartoli orchestra: Akademie für Alte Musik Berlin (from 2001-01-08 until 2001-01-16) conductor: Bernhard Forck (from 2001-01-08 until 2001-01-16) balance engineer: Jonathan Stokes recorded at: Scoring Stage Babelsberg in Potsdam, Brandenburg, Germany (from 2001-01-08 until 2001-01-16) recording of: Il Parnaso confuso: "Di questa cetra in seno" (Erato) (from 2001-01-08 until 2001-01-16) lyricist: Pietro Metastasio composer: Christoph Willibald Gluck part of: Il Parnaso confuso, Wq. 33	Christoph Willibald Gluck	5:22
7	La clemenza di Tito: Se mai senti (excerpt) mezzo-soprano vocals: Cecilia Bartoli orchestra: Akademie für Alte Musik Berlin conductor: Bernhard Forck recording of: La clemenza di Tito: Atto II. "Se mai senti spirarti sul volto" (Sesto) lyricist: Pietro Metastasio composer: Christoph Willibald Gluck	Christoph Willibald Gluck	5:20
8	Le nozze di Figaro: Non so più cosa son, cosa faccio associate producer: Ewald Markl executive producer: Christopher Alder and Pål Christian Moe producer: Christopher Alder cello [violincello]: Franz Bartolomey (from 1994-01 until 1994-02) and Robert Scheiwein (from 1994-01 until 1994-02) harpsichord: Ronald Schneider (from 1994-01 until 1994-02) mezzo-soprano vocals and mezzo-soprano vocals [Cherubino, paggio del conte]: Cecilia Bartoli (from 1994-01 until 1994-02) orchestra: Wiener Philharmoniker (from 1994-01 until 1994-02) conductor: Claudio Abbado (from 1994-01 until 1994-02) chorus master: Dietrich D. Gerpheide (from 1994-01 until 1994-02) balance engineer: Rainer Maillard recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1994-01 until 1994-02) recording of: Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1994-01 until 1994-02) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)	Wolfgang Amadeus Mozart	2:48
9	Le nozze di Figaro: Voi che sapete recording engineer: Christopher Alder associate producer: Ewald Markl executive producer: Christopher Alder and Pål Christian Moe cello [violincello]: Franz Bartolomey (from 1994-01 until 1994-02) and Robert Scheiwein (from 1994-01 until 1994-02) harpsichord: Ronald Schneider (from 1994-01 until 1994-02) mezzo-soprano vocals [Cherubino, paggio del conte]: Cecilia Bartoli (from 1994-01 until 1994-02) orchestra: Wiener Philharmoniker (from 1994-01 until 1994-02) conductor: Claudio Abbado (from 1994-01 until 1994-02) chorus master: Dietrich D. Gerpheide (from 1994-01 until 1994-02) balance engineer: Rainer Maillard recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1994-01 until 1994-02) recording of: Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1994-01 until 1994-02) composer: Wolfgang Amadeus Mozart (in 1786) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)	Wolfgang Amadeus Mozart	2:28
10	Don Giovanni: Là ci darem la mano producer: Evans Mirageas and Christopher Raeburn bass-baritone vocals [Don Giovanni]: Bryn Terfel (from 1998-06-06 until 1998-06-10) mezzo-soprano vocals [Zerlina]: Cecilia Bartoli (from 1998-06-06 until 1998-06-10) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10) conductor: Myung-Whun Chung (from 1998-06-06 until 1998-06-10) balance engineer: Neil Hutchinson (from 1998-06-06 until 1998-06-10) phonographic copyright (℗) by: The Decca Record Company Limited (in 1999) recorded at: Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10) recording of: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1998-06-06 until 1998-06-10) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart	3:12
11	Le nozze di Figaro: Un moto di gioia mezzo-soprano vocals: Cecilia Bartoli orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia conductor: Myung Whun Chung recording of: Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento" lyricist and librettist: Lorenzo Da Ponte composer: Wolfgang Amadeus Mozart part of: Köchelverzeichnis (number: 579) and Köchelverzeichnis (number: 579)	Wolfgang Amadeus Mozart	3:21
12	Die Zauberflöte: Pa-Pa-Pa-Pa producer: Evans Mirageas and Christopher Raeburn baritone vocals [Papageno]: Bryn Terfel (from 1998-06-06 until 1998-06-10) bass-baritone vocals: Bryn Terfel mezzo-soprano vocals [Papagena]: Cecilia Bartoli (from 1998-06-06 until 1998-06-10) soprano vocals: Cecilia Bartoli orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10) conductor: Myung-Whun Chung (from 1998-06-06 until 1998-06-10) balance engineer: Neil Hutchinson (from 1998-06-06 until 1998-06-10) phonographic copyright (℗) by: The Decca Record Company Limited (in 1999) recorded at: Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10) recording of: Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1998-06-06 until 1998-06-10) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart	2:26
13	La Cenerentola: Nacqui all'affanno / Non più mesta baritone vocals: Alessandro Corbelli, Enzo Dara and Michele Pertusi choir vocals [Chorus]: Coro del Teatro Comunale di Bologna mezzo-soprano vocals: Gloria Banditelli and Cecilia Bartoli soprano vocals: Fernanda Costa tenor vocals: William Matteuzzi orchestra: Orchestra del Teatro Comunale di Bologna conductor: Riccardo Chailly recording of: La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) composer: Gioachino Rossini librettist: Jacopo Ferretti part of: La Cenerentola: Atto II	Gioachino Rossini	7:14
14	Il barbiere di Siviglia: Dunque io son... tu non m'inganni producer: Evans Mirageas and Christopher Raeburn baritone vocals [Figaro]: Bryn Terfel (from 1998-06-06 until 1998-06-10) mezzo-soprano vocals [Rosina]: Cecilia Bartoli (from 1998-06-06 until 1998-06-10) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (from 1998-06-06 until 1998-06-10) conductor: Myung-Whun Chung (from 1998-06-06 until 1998-06-10) balance engineer: Neil Hutchinson (from 1998-06-06 until 1998-06-10) phonographic copyright (℗) by: The Decca Record Company Limited (in 1999) recorded at: Accademia di Santa Cecilia in Roma, Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10) recording of: Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1998-06-06 until 1998-06-10) composer: Gioachino Rossini librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini	4:42
15	Il Turco in Italia: Squallida veste, e bruna baritone vocals: Roberto de Candia choir vocals: Coro del Teatro alla Scala di Milano mezzo-soprano vocals: Cecilia Bartoli orchestra: Orchestra del Teatro alla Scala di Milano conductor: Riccardo Chailly	Gioachino Rossini	7:07
16	L'elisir d'amore: Una parola, o Adina / Chiedi all'aura soprano vocals: Cecilia Bartoli tenor vocals: Luciano Pavarotti orchestra: Orchestra Sinfonica di Milano Giuseppe Verdi conductor: Riccardo Chailly recording of: L’elisir d’amore: Atto I. Duetto “Chiedi all’aura lusinghiera” (Adina, Nemorino) composer: Gaetano Donizetti part of: L’elisir d’amore: Atto I recording of: L’elisir d’amore: Atto I. Scena e duetto “Una parola, o Adina” (Nemorino, Adina) composer: Gaetano Donizetti part of: L’elisir d’amore: Atto I	Gaetano Donizetti	7:55
17	La traviata: Libiamo ne' lieti calici (brindisi) choir vocals: Coro Sinfonico di Milano Giuseppe Verdi mezzo-soprano vocals: Cecilia Bartoli tenor vocals: Luciano Pavarotti orchestra: Orchestra Sinfonica di Milano Giuseppe Verdi conductor: Riccardo Chailly recording of: La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) composer: Giuseppe Verdi librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi	2:58

Credits

Release

ASIN:	UK: B00006JIC4 [info]
other databases:	https://www.musik-sammler.de/media/571641/ [info]