The Roost Quartets

~ Release by Stan Getz (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1On the Alamo (alternate take)
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass and double bass:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
instrumental recording of:
On the Alamo (on 1950-05-17)
lyricist:
Gilbert Keyes and Joe Lyons
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
2:46
2On the Alamo
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass, double bass and double bass [bass]:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
instrumental recording of:
On the Alamo (on 1950-05-17)
lyricist:
Gilbert Keyes and Joe Lyons
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
recording of:
On the Alamo (on 1950-05-17)
lyricist:
Gilbert Keyes and Joe Lyons
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
2:47
3Gone With the Wind
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
2:57
4Yesterdays
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass, double bass and double bass [bass]:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
instrumental recording of:
Yesterdays (on 1950-05-17)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
2:49
5Sweetie Pie
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
2:31
6You Go to My Head
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
instrumental recording of:
You Go to My Head
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros., Warner Bros. Music and Warner Bros. Music Corp.
3:02
7Hershey Bar
recorded in:
New York, New York, United States (on 1950-05-17)
producer:
Teddy Reig
bass:
Tommy Potter (on 1950-05-17)
drums (drum set):
Roy Haynes (on 1950-05-17)
piano:
Al Haig (on 1950-05-17)
tenor saxophone:
Stan Getz (on 1950-05-17)
2:38
8Tootsie Roll
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:10
9Strike Up the Band
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:31
10Imagination (alternate take)
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:34
11Imagination
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:25
12For Stompers Only
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:52
13Navy Blue
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:45
14Out of Nowhere
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:29
15's Wonderful
recorded in:
New York, New York, United States (on 1950-12-10)
producer:
Teddy Reig
bass:
Joe Calloway (on 1950-12-10)
drums (drum set):
Walter Bolden (on 1950-12-10)
piano:
Horace Silver (on 1950-12-10)
tenor saxophone:
Stan Getz (on 1950-12-10)
2:56
16Penny
recorded in:
New York, New York, United States (on 1951-03-01)
producer:
Teddy Reig
bass:
Joe Calloway (on 1951-03-01)
drums (drum set):
Walter Bolden (on 1951-03-01)
piano:
Horace Silver (on 1951-03-01)
tenor saxophone:
Stan Getz (on 1951-03-01)
2:52
17Split Kick (alternate take)
recorded in:
New York, New York, United States (on 1951-03-01)
producer:
Teddy Reig
bass:
Joe Calloway (on 1951-03-01)
drums (drum set):
Walter Bolden (on 1951-03-01)
piano:
Horace Silver (on 1951-03-01)
tenor saxophone:
Stan Getz (on 1951-03-01)
3:12
18Split Kick
recorded in:
New York, New York, United States (on 1951-03-01)
producer:
Teddy Reig
double bass [bass]:
Joe Calloway (on 1951-03-01)
drums (drum set):
Walter Bolden (on 1951-03-01)
piano:
Horace Silver (on 1951-03-01)
tenor saxophone:
Stan Getz (on 1951-03-01)
recording of:
Split Kick (on 1951-03-01)
composer:
Horace Silver
2:55
19It Might as Well Be Spring (alternate take)
recorded in:
New York, New York, United States (on 1951-03-01)
producer:
Teddy Reig
bass:
Joe Calloway (on 1951-03-01)
drums (drum set):
Walter Bolden (on 1951-03-01)
piano:
Horace Silver (on 1951-03-01)
tenor saxophone:
Stan Getz (on 1951-03-01)
2:48
20It Might as Well Be Spring
recorded in:
New York, New York, United States (on 1951-03-01)
producer:
Teddy Reig
bass:
Joe Calloway (on 1951-03-01)
drums (drum set):
Walter Bolden (on 1951-03-01)
piano:
Horace Silver (on 1951-03-01)
tenor saxophone:
Stan Getz (on 1951-03-01)
2:55
21The Best Thing for You
recorded in:
New York, New York, United States (on 1951-03-01)
producer:
Teddy Reig
bass:
Joe Calloway (on 1951-03-01)
drums (drum set):
Walter Bolden (on 1951-03-01)
piano:
Horace Silver (on 1951-03-01)
tenor saxophone:
Stan Getz (on 1951-03-01)
2:42