| # | Title | Artist | Length |
|---|
| 1 | I’m Not in Love | 10cc | 3:43 |
| 2 | Live and Let Die- recording engineer:
- Bill Price (from 1972-10-19 until 1972-10-20)
- producer:
- George Martin (from 1972-10-19 until 1972-10-20) and Paul McCartney (from 1972-10-19 until 1972-10-20)
- mixer:
- Bill Price (on 1972-10-21)
- bass guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20)
- bass guitar, electric guitar and percussion, piano and lead vocals:
- Paul McCartney (from 1972-10-19 until 1972-10-20)
- drums (drum set):
- Denny Seiwell (from 1972-10-19 until 1972-10-20)
- duck call and timpani:
- Ray Cooper (from 1972-10-19 until 1972-10-20)
- electric guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (from 1972-10-19 until 1972-10-20)
- percussion:
- Ray Cooper (from 1972-10-19 until 1972-10-20) and Denny Seiwell (from 1972-10-19 until 1972-10-20)
- background vocals:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
- orchestrator:
- George Martin
- phonographic copyright (℗) by:
- MPL Communications Inc. and MPL Communications Ltd. (in 1973)
- additionally recorded at:
- Air Studios in London, England, United Kingdom (on 1972-10-20)
- recorded at:
- Air Studios in London, England, United Kingdom (on 1972-10-19)
- mixed at:
- Air Studios in London, England, United Kingdom (on 1972-10-21)
- recording of:
- Live and Let Die (from 1972-10-19 until 1972-10-20)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing and MPL Communications Ltd.
- part of:
- The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
| Paul McCartney & Wings | 3:06 |
| 3 | The Air That I Breathe- engineer:
- Mike Jarratt and Alan Parsons
- producer:
- The Hollies and Ron Richards
- vocals:
- Allan Clarke (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
- phonographic copyright (℗) by:
- EMI Records Ltd., Sony BMG Music Entertainment (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) and Polydor International GmbH (in 1974)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1973-11-15 until 1973-11-22)
- cover recording of:
- The Air That I Breathe (from 1973-11-15 until 1973-11-22)
- writer:
- Albert Hammond and Mike Hazlewood
- publisher:
- April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Hollies | 4:06 |
| 4 | The Logical Song | Supertramp | 4:08 |
| 5 | Love and Affection | Joan Armatrading | 4:25 |
| 6 | Whatever You Want | Status Quo | 3:48 |
| 7 | Oliver’s Army | Elvis Costello & The Attractions | 2:57 |
| 8 | It Must Be Love | Madness | 3:19 |
| 9 | Town Called Malice | The Jam | 2:53 |
| 10 | Ghost Town | The Specials | 3:38 |
| 11 | Food for Thought- engineer:
- Bob Lamb
- producer:
- Bob Lamb and UB40
- bass:
- Earl Falconer
- congas and percussion:
- Norman Hassan
- drums (drum set):
- Jim Brown
- guitar [lead guitar]:
- Robin Campbell
- guitar [rhythm guitar] and lead vocals:
- Ali Campbell
- keyboard, organ and strings:
- Michael Virtue
- melodica and tenor saxophone:
- Brian Travers
- spoken vocals [talk over vocal]:
- Astro
- vocals:
- Robin Campbell
- phonographic copyright (℗) by:
- Graduate Records (in 1980)
- recorded at:
- Home of the Hits in Birmingham, West Midlands, England, United Kingdom (from 1979-12-21 until 1980-07-01)
- recording of:
- Food for Thought (from 1979-12-21 until 1980-07-01)
- writer:
- Jim Brown, Ali Campbell, Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue and Terence Wilson
| UB40 | 4:08 |
| 12 | Jealous Guy- producer:
- Rhett Davies, Bryan Ferry and Roxy Music
- mixer:
- Bob Clearmountain
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1981), Virgin EG Records Ltd. (in 1981) and Virgin Records Ltd. (in 1981, in 2000)
- cover recording of:
- Jealous Guy
- lyricist and composer:
- John Lennon
- publisher:
- BMG Music Publishing, BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing, Lenono Music, Maclen Music, Inc., Northern Songs Ltd. and Warner Bros. Music Ltd.
- sub-publisher:
- Fujipacific Music, Inc. Division 2
- revision of:
- Child of Nature
| Roxy Music | 4:44 |
| 13 | Come On Eileen | Dexys Midnight Runners & Kevin Rowland | 3:24 |
| 14 | Do You Really Want to Hurt Me | Culture Club | 4:21 |
| 15 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
- recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 2:39 |
| 16 | Gold | Spandau Ballet | 3:51 |
| 17 | Rio | Duran Duran | 4:43 |
| 18 | Don’t You Want Me | The Human League | 3:56 |
| 19 | Relax | Frankie Goes to Hollywood | 3:54 |
| 20 | Blue Monday | New Order | 7:27 |
