Lady in Autumn: The Best of the Verve Years

~ Release by Billie Holiday (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Nice Work If You Can Get It
alto saxophone:
Benny Carter (on 1955-08-23)
double bass:
John Simmons (on 1955-08-23)
drums (drum set):
Larry Bunker (on 1955-08-23)
guitar:
Barney Kessel (on 1955-08-23)
piano:
Jimmy Rowles (on 1955-08-23)
trumpet:
Harry “Sweets” Edison (on 1955-08-23)
vocals:
Billie Holiday (on 1955-08-23)
recording of:
Nice Work If You Can Get It (on 1955-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Billie Holiday and Her Orchestra3:53
2Come Rain or Come Shine
alto saxophone:
Benny Carter (on 1955-08-25)
double bass:
John Simmons (on 1955-08-25)
drums (drum set):
Larry Bunker (on 1955-08-25)
guitar:
Barney Kessel (on 1955-08-25)
piano:
Jimmy Rowles (on 1955-08-25)
trumpet:
Harry “Sweets” Edison (on 1955-08-25)
vocals:
Billie Holiday (on 1955-08-25)
recording of:
Come Rain or Come Shine (on 1955-08-25)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc., S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Billie Holiday and Her Orchestra4:21
3What’s New?
alto saxophone:
Benny Carter (on 1955-08-25)
celesta:
Jimmy Rowles (on 1955-08-25)
double bass:
John Simmons (on 1955-08-25)
drums (drum set):
Larry Bunker (on 1955-08-25)
guitar:
Barney Kessel (on 1955-08-25)
vocals:
Billie Holiday (on 1955-08-25)
recording of:
What’s New? (on 1955-08-25)
lyricist:
Johnny Burke
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. and Warner Bros., Inc.
Billie Holiday and Her Orchestra4:18
4God Bless the Child
recorded in:
New York, New York, United States (on 1956-06-07)
bass and double bass:
Aaron Bell (on 1956-06-07)
clarinet:
Tony Scott (on 1956-06-07)
drums (drum set):
Lenny McBrowne (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trumpet:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recorded at:
Fine Sound Studios in New York, New York, United States
recording of:
God Bless the Child (on 1956-06-07)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co.
Billie Holiday with Tony Scott and His Orchestra4:01
5Do Nothin’ Till You Hear From Me
double bass:
Joe Mondragon (on 1956-08-14)
drums (drum set):
Alvin Stoller (on 1956-08-14)
guitar:
Barney Kessel (on 1956-08-14)
piano:
Jimmy Rowles (on 1956-08-14)
tenor saxophone:
Ben Webster (on 1956-08-14)
trumpet:
Harry “Sweets” Edison (on 1956-08-14)
vocals:
Billie Holiday (on 1956-08-14)
recording of:
Do Nothin’ Till You Hear From Me (on 1956-08-14)
lyricist:
Bob Russell (in 1943)
composer:
Duke Ellington (in 1943)
publisher:
Music Sales Corporation and Sony/ATV Harmony
version of:
Concerto for Cootie
Billie Holiday and Her Orchestra4:15
6April in Paris
double bass:
Joe Mondragon (on 1956-08-18)
drums (drum set):
Alvin Stoller (on 1956-08-18)
guitar:
Barney Kessel (on 1956-08-18)
piano:
Jimmy Rowles (on 1956-08-18)
tenor saxophone:
Ben Webster (on 1956-08-18)
trumpet:
Harry “Sweets” Edison (on 1956-08-18)
vocals:
Billie Holiday (on 1956-08-18)
recording of:
April in Paris (on 1956-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday and Her Orchestra3:04
7Lady Sings the Blues
double bass:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
guitar:
Kenny Burrell (on 1956-11-10)
piano:
Tony Scott (on 1956-11-10)
tenor saxophone:
Coleman Hawkins (on 1956-11-10)
trumpet:
Roy Eldridge (on 1956-11-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Lady Sings the Blues (on 1956-11-10)
lyricist:
Billie Holiday
composer:
Herbie Nichols
publisher:
Northern Music Company
Billie Holiday & Chico Hamilton2:39
8Don’t Explain
double bass:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (on 1956-11-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Don’t Explain (on 1956-11-10)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation and Universal Music Publishing
Billie Holiday & Chico Hamilton2:25
9Fine and Mellow
clarinet:
Tony Scott (on 1956-11-10)
double bass:
Carson Smith (on 1956-11-10)
drums (drum set):
Chico Hamilton (on 1956-11-10)
guitar:
Kenny Burrell (on 1956-11-10)
piano:
Carl Drinkard (on 1956-11-10)
tenor saxophone:
Al Cohn (on 1956-11-10)
trumpet:
Buck Clayton (on 1956-11-10)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1956-11-10)
live recording of:
Fine and Mellow (on 1956-11-10)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co.
Billie Holiday & Chico Hamilton3:23
10I Didn’t Know What Time It Was
double bass:
Red Mitchell (on 1957-01-04)
drums (drum set):
Alvin Stoller (on 1957-01-04)
guitar:
Barney Kessel (on 1957-01-04)
piano:
Jimmy Rowles (on 1957-01-04)
tenor saxophone:
Ben Webster (on 1957-01-04)
trumpet:
Harry “Sweets” Edison (on 1957-01-04)
vocals:
Billie Holiday (on 1957-01-04)
recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1957-01-04)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Billie Holiday and Her Orchestra6:01
11Stars Fell on Alabama
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Alvin Stoller (on 1957-01-08)
electric guitar:
Barney Kessel (from 1957-01-07 until 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
Stars Fell on Alabama (on 1957-01-08)
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. and Mills Music
Billie Holiday and Her Orchestra4:30
12One for My Baby (and One More for the Road)
producer:
Norman Granz
double bass:
Joe Mondragon (on 1957-01-08)
drums (drum set):
Larry Bunker (on 1957-01-08) and Alvin Stoller (on 1957-01-08)
guitar:
Barney Kessel (on 1957-01-08)
piano:
Jimmy Rowles (on 1957-01-08)
tenor saxophone:
Ben Webster (on 1957-01-08)
trumpet:
Harry “Sweets” Edison (on 1957-01-08)
vocals:
Billie Holiday (on 1957-01-08)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-08)
recording of:
One for My Baby (and One More for the Road) (on 1957-01-08)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Billie Holiday and Her Orchestra5:40
13Gee Baby, Ain’t I Good to You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Red Mitchell (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recording of:
Gee, Baby Ain’t I Good to You (on 1957-01-09)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Billie Holiday and Her Orchestra5:39
14Lover Man (Oh, Where Can You Be?)
double bass:
Milt Hinton (on 1958-09-26)
drums (drum set):
Don Lamond (on 1958-09-26)
piano:
Mal Waldron (on 1958-09-26)
trumpet:
Buck Clayton (on 1958-09-26)
vocals:
Billie Holiday (on 1958-09-26)
recording of:
Lover Man (on 1958-09-26)
lyricist:
Jimmy Davis (in 1942), Roger “Ram” Ramirez (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez, Jimmy Davis (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (ended), MCA Music Publishing (ended) and Universal Music Corp.
Billie Holiday3:08
15All the Way
recorded in:
New York, New York, United States (on 1959-03-03)
alto saxophone and bass clarinet:
Romeo Penque (on 1959-03-03)
celesta and piano:
Hank Jones (on 1959-03-03)
double bass:
Joe Benjamin (on 1959-03-03)
drums (drum set):
Osie Johnson (on 1959-03-03)
harp:
Janet Putnam (on 1959-03-03)
strings:
[unknown] (on 1959-03-03)
vocals:
Billie Holiday (on 1959-03-03)
conductor:
Ray Ellis (on 1959-03-03)
arranger:
Ray Ellis
recording of:
All the Way (from “The Joker Is Wild”) (on 1959-03-03)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp.
sub-publisher:
フジパシフィックミュージック
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
Billie Holiday with Ray Ellis and His Orchestra3:25
16Don’t Worry ’Bout Me
alto saxophone:
Gene Quill (on 1959-03-04)
double bass:
Milt Hinton (on 1959-03-04)
drums (drum set):
Osie Johnson (on 1959-03-04)
guitar:
Barry Galbraith (on 1959-03-04)
piano:
Hank Jones (on 1959-03-04)
trombone:
Jimmy Cleveland (on 1959-03-04)
trumpet:
Harry “Sweets” Edison (on 1959-03-04)
conductor:
Ray Ellis (on 1959-03-04)
recording of:
Don’t Worry ’Bout Me (on 1959-03-04)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom and Ted Koehler
composer:
Rube Bloom (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd.
Billie Holiday with Ray Ellis and His Orchestra3:09