The Encyclopedia of Jazz, Part 4/5: Bebop Story – A Musical Revolution That Radically Changed the Road of Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Booklet error: there are only 12 tracks on disc 15, not 13.

Tracklist

1▶CD: The Early Years, Vol. 1: Dizzy Gillespie (1937–40)
2▶CD: The Early Years, Vol. 2: Dizzy Gillespie (1940–42)
3▶CD: The Early Years, Vol. 3: Dizzy Gillespie & Charlie Christian (1941)
4▶CD: The Early Years, Vol. 4: Dizzy Gillespie (1944)
5▶CD: The Early Years, Vol. 5: Charlie Parker (1940–42)
6▶CD: The Early Years, Vol. 6: Cootie Williams – Bud Powell – Eddie “Lockjaw” Davis (1944)
7▼CD: The Early Years, Vol. 7: Billy Eckstine and His Orchestra: The First Bebop Big Band (1945)
#TitleArtistLength
1Blue ’n Boogie (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra1:26
2Blowing the Blues Away
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
vocals and conductor:
Billy Eckstine (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
recording of:
Blowing the Blues Away (from 1945-02 until 1945-03)
lyricist:
Billy Eckstine
composer:
Jerry Valentine
Billy Eckstine and His Orchestra1:59
3‘Deed I Do
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra2:39
4I Wanna Talk About You
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
vocals and conductor:
Billy Eckstine (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra3:19
5Blue ’n Boogie (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra0:45
6Blue ’n Boogie (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra0:48
7Together
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
vocals and conductor:
Billy Eckstine (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra4:01
8Mean to Me
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra4:27
9Without a Song
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
vocals and conductor:
Billy Eckstine (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra4:15
10Mr. Chips
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra3:00
11Blue ’n Boogie (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra0:56
12Blue ’n Boogie (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra1:22
13Air Mail Special
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra3:52
14Don't Blame Me
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra3:33
15If That’s the Way You Feel
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
vocals and conductor:
Billy Eckstine (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra3:42
16Blue ’n Boogie (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra1:13
17Blue ’n Boogie (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra1:11
18Opus X
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
vocals and conductor:
Billy Eckstine (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra2:39
19Love Me or Leave Me
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra4:25
20One O’Clock Jump (Theme)
recorded in:
Hollywood, Los Angeles, California, United States (from 1945-02 until 1945-03)
alto saxophone:
Bill Frazier (from 1945-02 until 1945-03) and John Jackson (from 1945-02 until 1945-03)
baritone saxophone:
Leo Parker (from 1945-02 until 1945-03)
double bass:
Tommy Potter (from 1945-02 until 1945-03)
drums (drum set):
Art Blakey (from 1945-02 until 1945-03)
guitar:
Connie Wainwright (from 1945-02 until 1945-03)
piano:
John Malachi (from 1945-02 until 1945-03)
tenor saxophone:
Gene Ammons (from 1945-02 until 1945-03) and Budd Johnson (from 1945-02 until 1945-03)
trombone:
Alfred “Chippy” Outcalt (from 1945-02 until 1945-03), Taswell Baird (from 1945-02 until 1945-03), Howard Scott (from 1945-02 until 1945-03) and Gerald Valentine (from 1945-02 until 1945-03)
trumpet:
“Shorty” Connell (from 1945-02 until 1945-03), Boonie Hazel (from 1945-02 until 1945-03), Gail Brockman (from 1945-02 until 1945-03) and Fats Navarro (from 1945-02 until 1945-03)
orchestra:
Billy Eckstine and His Orchestra (from 1945-02 until 1945-03)
conductor:
Billy Eckstine (from 1945-02 until 1945-03)
Billy Eckstine and His Orchestra1:39
21Lonesome Lover Blues
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred “Chippy” Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (on 1945-05-02) and Gerald Valentine (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
recording of:
Lonesome Lover Blues
lyricist and composer:
Billy Eckstine
Billy Eckstine and His Orchestra2:48
22A Cottage for Sale
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred “Chippy” Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (on 1945-05-02) and Gerald Valentine (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
cover recording of:
A Cottage for Sale (on 1945-05-02)
lyricist:
Larry Conley
composer:
Willard Robison
publisher:
Chappell & Co.
Billy Eckstine and His Orchestra2:47
23Rhythm in a Riff
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred "Chippy" Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (on 1945-05-02) and Gerald Valentine (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
Billy Eckstine and His Orchestra2:49
24Last Night
recorded in:
New York, New York, United States (on 1945-05-02)
alto saxophone:
Albert "Budd" Johnson (on 1945-05-02) and Sonny Stitt (on 1945-05-02)
baritone saxophone:
Leo Parker (on 1945-05-02)
double bass:
Tommy Potter (on 1945-05-02)
drums (drum set):
Art Blakey (on 1945-05-02)
guitar:
Connie Wainwright (on 1945-05-02)
piano:
John Malachi (on 1945-05-02)
tenor saxophone:
Gene Ammons (on 1945-05-02), Taswell Baird (on 1945-05-02) and Dexter Gordon (on 1945-05-02)
trombone:
Alfred “Chippy” Outcalt (on 1945-05-02), Taswell Baird (on 1945-05-02), Howard Scott (on 1945-05-02) and Gerald Valentine (on 1945-05-02)
trumpet:
“Shorty” Connel (on 1945-05-02), Boonie Hazel (on 1945-05-02), Gail Brockman (on 1945-05-02) and Fats Navarro (on 1945-05-02)
valve trombone:
Billy Eckstine (on 1945-05-02)
vocals and conductor:
Billy Eckstine (on 1945-05-02)
orchestra:
Billy Eckstine and His Orchestra (on 1945-05-02)
Billy Eckstine and His Orchestra2:59
8▶CD: The Early Years, Vol. 8: Billy Eckstine and His Orchestra: The First Bebop Big Band (1945-47)
9▶CD: The Early Years, Vol. 9: Woody Herman – The First Herd (1944–46)
10▶CD: The Early Years, Vol. 10: Red Norvo
11▶CD: Dizzy Gillespie & Charlie Parker, Vol. 1 (1945)
12▶CD: Dizzy Gillespie & Charlie Parker, Vol. 2 (1945)
13▶CD: Dizzy Gillespie & Charlie Parker, Vol. 3 (1945–47)
14▶CD: Dizzy Gillespie & Charlie Parker, Vol. 4 (1947–50)
15▶CD: Dizzy Gillespie & Charlie Parker, Vol. 5 (1951–53)
16▶CD: Dizzy Gillespie, Vol. 1 (1945)
17▶CD: Dizzy Gillespie, Vol. 2 (1946)
18▶CD: Dizzy Gillespie, Vol. 3 (1946–47)
19▶CD: Dizzy Gillespie, Vol. 4 (1947–48)
20▶CD: Dizzy Gillespie, Vol. 5 (1949–51)
21▶CD: Dizzy Gillespie, Vol. 6 (1951–52)
22▶CD: Dizzy Gillespie, Vol. 7 (1952–53)
23▶CD: Charlie Parker, Vol. 1 (1944–45)
24▶CD: Charlie Parker, Vol. 2 (1946–47)
25▶CD: Charlie Parker, Vol. 3 (1947)
26▶CD: Charlie Parker, Vol. 4 (1947)
27▶CD: Charlie Parker, Vol. 5 (1947)
28▶CD: Charlie Parker, Vol. 6 (1947–49)
29▶CD: Charlie Parker, Vol. 7 (1949–50)
30▶CD: Charlie Parker, Vol. 8 (1950–51)
31▶CD: Charlie Parker, Vol. 9 (1951–52)
32▶CD: Charlie Parker, Vol. 10 (1953–54)
33▶CD: Fats Navarro, Vol. 1 (1946)
34▶CD: Fats Navarro, Vol. 2 (1947)
35▶CD: Fats Navarro, Vol. 3 (1947–48)
36▶CD: Fats Navarro, Vol. 4 (1948)
37▶CD: Fats Navarro, Vol. 5 (1948–49)
38▶CD: Fats Navarro, Vol. 6 (1949–50)
39▶CD: Fats Navarro, Vol. 7 (1950)
40▶CD: Dexter Gordon, Vol. 1 (1944–47)
41▶CD: Dexter Gordon, Vol. 2 (1947–52)
42▶CD: Dexter Gordon, Vol. 3 (1952–53)
43▶CD: Wardell Gray, Vol. 1 (1945–46)
44▶CD: Wardell Gray, Vol. 2 (1948–49)
45▶CD: Wardell Gray, Vol. 3 (1950–51)
46▶CD: Wardell Gray, Vol. 4 (1951–52)
47▶CD: Wardell Gray, Vol. 5 (1952–55)
48▶CD: Thelonious Monk, Vol. 1 (1947–48)
49▶CD: Thelonious Monk, Vol. 2 (1951–52)
50▶CD: Thelonious Monk, Vol. 3 (1952–54)
51▶CD: Bud Powell, Vol. 1 (1945–49)
52▶CD: Bud Powell, Vol. 2 (1949–51)
53▶CD: Bud Powell, Vol. 3 (1951–53)
54▶CD: Howard McGhee, Vol. 1 (1945)
55▶CD: Howard McGhee, Vol. 2 (1946–48)
56▶CD: Howard McGhee, Vol. 3 (1948–49)
57▶CD: Teddy Edwards – James Moody (1947–48)
58▶CD: J.J. Johnson (1946–49)
59▶CD: Sonny Stitt & Gene Ammons (1950–54)
60▶CD: Sonny Stitt, Vol. 1 (1946–50)
61▶CD: Sonny Stitt, Vol. 2 (1950–51)
62▶CD: Milt Jackson
63▶CD: Miles Davis, Vol. 1 (1945–48)
64▶CD: Miles Davis, Vol. 2 (1949–50)
65▶CD: Miles Davis, Vol. 3 (1951–52)
66▶CD: Coleman Hawkins – Godfather of Bop (1946–49)
67▶CD: Lennie Tristano, Vol. 1 (1946–49)
68▶CD: Lennie Tristano, Vol. 2 (1949–55)
69▶CD: Metronome All‐Stars (1946–56)
70▶CD: The Boppers in Europe, Vol. 1 (1947–48)
71▶CD: The Boppers in Europe, Vol. 2 (1949–52)
72▶CD: The Boppers in Europe, Vol. 3 (1953)
73▶CD: Woody’s Boys, Vol. 1 (1944–45)
74▶CD: Woody’s Boys, Vol. 2 (1946)
75▶CD: Woody’s Boys, Vol. 3 (1945–49)
76▶CD: Woody’s Boys, Vol. 4 (1949–51)
77▶CD: White Bebop Boys, Vol. 1: Kai Winding – Allen Eager – Stan Getz – Gerry Mulligan (1945–47)
78▶CD: White Bebop Boys, Vol. 2: Allen Eager – Stan Getz – Brew Moore (1947–48)
79▶CD: White Bebop Boys, Vol. 3: Kai Winding – Allen Eager – Stan Getz – Gerry Mulligan (1948–49)
80▶CD: White Bebop Boys, Vol. 4: George Wallington – Stan Getz – Brew Moore – Lee Konitz – Kai Winding (1949)
81▶CD: White Bebop Boys, Vol. 5: Lee Konitz – Stan Getz (1949–50)
82▶CD: White Bebop Boys, Vol. 6: Terry Gibbs – Al Cohn – Zoot Sims – George Wallington – Stan Getz (1949–50)
83▶CD: White Bebop Boys, Vol. 7: Stan Getz – Kai Winding – Zoot Sims (1951)
84▶CD: White Bebop Boys, Vol. 8: Stan Getz – George Wallington – Art Pepper – Zoot Sims (1951–52)
85▶CD: Dodo Marmarosa (1943–50)
86▶CD: Charlie Parker Live, Vol. 1 (1950)
87▶CD: Charlie Parker Live, Vol. 2 (1950 & 52)
88▶CD: Charlie Parker Live, Vol. 3 (1952–53)
89▶CD: Charlie Parker Live, Vol. 4 (1948–52)
90▶CD: Bebop Live Concerts, Vol. 1 (1946)
91▶CD: Bebop Live Concerts, Vol. 2 (1946–47)
92▶CD: Bebop Live Concerts, Vol. 3 (1946–47)
93▶CD: Bebop Live Concerts, Vol. 4 (1947)
94▶CD: Bebop Live Concerts, Vol. 5 (1947)
95▶CD: Bebop Live Concerts, Vol. 6 (1947)
96▶CD: Bebop Live Concerts, Vol. 7 (1947)
97▶CD: Bebop Live Concerts, Vol. 8 (1947)
98▶CD: Bebop Live Concerts, Vol. 9 (1949)
99▶CD: Bebop Live Concerts, Vol. 10 (1952)
100▶CD: Bebop Live Concerts, Vol. 11 (1950–51)