The Telarc Super Sampler

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Length
1	Fanfare for the Common Man recording engineer: Jack Renner (on 1982-05-24) producer: Robert Woods (on 1982-05-24) orchestra: Atlanta Symphony Orchestra (on 1982-05-24) conductor: Louis Lane (on 1982-05-24) recorded at: Atlanta Symphony Hall in Atlanta, Georgia, United States (on 1982-05-24) recording of: Fanfare for the Common Man (for brass and percussion orchestra) (on 1982-05-24) composer: Aaron Copland (in 1942) was commissioned by: Cincinnati Symphony Orchestra and Eugene Goossens premiered by: Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (on 1943-03-12) publisher: Boosey & Hawkes, Inc.	Aaron Copland	3:22
2	The Empire Strikes Back: The Imperial March recording engineer: Jack Renner producer: Robert Woods orchestra: Cincinnati Pops Orchestra (on 1983-11-21) conductor: Erich Kunzel (on 1983-11-21) phonographic copyright (℗) by: TELARC International Corporation (in 1984) recorded at: Music Hall in Cincinnati, Ohio, United States (on 1983-11-21) recording of: The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (on 1983-11-21) orchestrator: Herbert W. Spencer composer: John Williams publisher: Fox Fanfare Music Inc. part of: Star Wars, Episode V: The Empire Strikes Back (film soundtrack)	John Williams	2:53
3	Peer Gynt Suite no. 1: In the Hall of Mountain King engineer: Jack Renner producer: Robert Woods orchestra: Saint Louis Symphony Orchestra (on 1979-07-17) conductor: Leonard Slatkin (on 1979-07-17) recorded at: Powell Hall in St. Louis, Missouri, United States (on 1979-07-17) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (on 1979-07-17) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg	2:31
4	Wallflower Walz recording engineer: Jack Renner (from 1985-09-17 until 1987-11-23) and Robert Woods (from 1985-09-17 until 1987-11-23) producer: Robert Woods (from 1985-09-17 until 1987-11-23) orchestra: Cincinnati Pops Orchestra (from 1985-09-17 until 1987-11-23) conductor: Erich Kunzel (from 1985-09-17 until 1987-11-23) recorded at: Music Hall in Cincinnati, Ohio, United States (from 1985-09-17 until 1987-11-23) recording of: Cakewalk: Wallflower Waltz (from 1985-09-17 until 1987-11-23) composer: Louis Moreau Gottschalk arranger: Hershy Kay part of: Cakewalk	Louis Moreau Gottschalk	2:21
5	"Rialto Ripples" Rag piano: William Tritt orchestra: Cincinnati Pops Orchestra conductor: Erich Kunzel arranger: Erich Kunzel phonographic copyright (℗) by: Telarc (in 1988) recorded at: Music Hall in Cincinnati, Ohio, United States recording of: Rialto Ripples composer: George Gershwin publisher: Jerome H. Remick & Co. (in 1917)	George Gershwin	2:37
6	Organ Fugue in G minor organ: Michael Murray edit of: Fantasia and Fugue in G minor, BWV 542 ("The Great") by Michael Murray recording of: Fantasie (Praeludium) und Fuge g-Moll, BWV 542: II. Fuge composer: Johann Sebastian Bach part of: Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542)	Johann Sebastian Bach	6:00
7	Alexander Nevsky: Song About Alexander Nevsky choir vocals: Los Angeles Master Chorale (on 1986-11-18) orchestra: Los Angeles Philharmonic (on 1986-11-18) conductor: André Previn (on 1986-11-18) recorded at: Royce Hall in Los Angeles, California, United States (on 1986-11-18) recording of: Alexander Nevsky, op. 78: II. Song About Alexander Nevsky (on 1986-11-18) composer: Сергей Сергеевич Прокофьев (from 1938 until 1939) part of: Alexander Nevsky, op. 78	Sergei Prokofiev	3:03
8	Gymnopédie no. 1 assistant engineer: Bruce Leek and Joseph Magee engineer and producer: Robert Woods editor: Rosalind Ilett, Thomas Knab and Elaine Martone classical guitar and guitar: Ángel Romero recorded at: Mission San Luis Rey de Francia in Oceanside, California, United States (from 1987-08-03 until 1987-08-06)	Erik Satie	2:50
9	Symphony no. 3 "Organ": Finale organ: Michael Murray orchestra: The Philadelphia Orchestra conductor: Eugene Ormandy edit of: Symphony No. 3 in C minor, op. 78 "Organ Symphony": II. Allegro moderato — Presto — Maestoso — allegro — molto allegro by The Philadelphia Orchestra, Eugene Ormandy, Michael Murray partial recording of: Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro composer: Camille Saint‐Saëns (in 1886) publisher: Éditions Durand part of: Symphony no. 3 in C minor “avec orgue”, op. 78	Camille Saint-Saëns	4:43
10	Carmina Burana: In taberna choir vocals: Atlanta Symphony Orchestra Chorus orchestra: Atlanta Symphony Orchestra conductor: Robert Shaw edit of: Carmina burana: Part Two: In the Tavern (Nos. 11 - 14) by Atlanta Symphony Orchestra and Chorus, Robert Shaw recording of: Carmina Burana: II. In Taberna: XIV. In taberna quando sumus composer: Carl Orff (in 1936) publisher: B. Schott’s Söhne part of: Carmina Burana: II. In Taberna	Carl Orff	3:15
11	Entry of the Gladiators recording engineer: Jack Renner and Robert Woods producer: Robert Woods editor: Rosalind Ilett and Elaine Martone orchestra: Cincinnati Pops Orchestra conductor: Erich Kunzel recording of: Vjezd gladiátorů, op. 68 (Entry of the Gladiators) composer: Julius Fučík (in 1897)	Julius Fučík	2:36
12	Some People vocals: Liza Minnelli	Stephen Sondheim, Jule Styne	3:08
13	Banditen Galop orchestra: Cincinnati Pops Orchestra conductor: Erich Kunzel recording of: Banditen-Galopp, op. 378 composer: Johann Strauss part of: Works of Johann Strauss Jr. by opus number (number: op. 378)	Johann Strauss Jr.	2:47
14	Anchors Aweigh recording engineer: Jack Renner producer: Robert Woods orchestra: The Cleveland Symphonic Winds conductor: Frederick Fennell recorded at: Severance Hall in Cleveland, Ohio, United States (on 1978-12-03) instrumental recording of: Anchors Aweigh lyricist: Alfred Hart Miles (in 1906) composer: Charles A. Zimmerman (in 1906)	Alfred Hart Miles, Charles Zimmermann	2:58
15	Crand Canyon Suite: Cloudburst (with Thunderstorm Effects) orchestra: Cincinnati Pops Orchestra conductor: Erich Kunzel edit of: Grand Canyon Suite: Cloudburst by Cincinnati Pops Orchestra, Erich Kunzel partial recording of: Grand Canyon Suite: V. Cloudburst composer: Ferde Grofé (from 1929 until 1931) part of: Grand Canyon Suite	Ferde Grofé	5:02
16	Noctune in E-flat major, op. 9 no. 2 piano: Jon Kimura Parker recording of: Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante composer: Fryderyk Chopin (from 1830 until 1832) part of: Classic 100: Piano (number: 3) and Classic 100: Piano (number: 18) part of: Nocturnes, op. 9 (original for piano)	Frédéric Chopin	4:18
17	The Planets: Excerpt From Jupiter orchestra: Royal Philharmonic Orchestra conductor: André Previn edit of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity by Royal Philharmonic Orchestra, André Previn partial recording of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity composer: Gustav Holst (from 1914 until 1916) orchestration of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst	3:08
18	Theme from Superman orchestra: Cincinnati Pops Orchestra (on 1983-11-21) conductor: Erich Kunzel (on 1983-11-21) phonographic copyright (℗) by: TELARC International Corporation (in 1984) recording of: Main Theme (Superman: The Movie) (on 1983-11-21) composer: John Williams part of: Superman: The Movie (1978 film soundtrack)	John Williams	4:29
19	Shenandoah from Western Medley choir vocals: Men of the May Festival Chorus orchestra: Cincinnati Pops Orchestra conductor: Erich Kunzel arranger: Richard Hayman medley including a recording of: Shenandoah lyricist and composer: [traditional] part of: Roud Folk Song Index (number: 324)	Erich Kunzel, Cincinnati Pops Orchestra	2:18
20	Piano Concerto no. 4: Excerpt from 2nd Movement piano: Rudolf Serkin orchestra: Baltimore Symphony Orchestra conductor: Seiji Ozawa edit of: Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto / III. Rondo. Vivace by Boston Symphony Orchestra, Seiji Ozawa, Rudolf Serkin partial recording of: Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto composer: Ludwig van Beethoven (from 1804 until 1807) part of: Concerto for Piano and Orchestra no. 4 in G major, op. 58	Ludwig van Beethoven	3:41
21	The Damnation of Faust: Dance of the Sylphs orchestra: Baltimore Symphony Orchestra (in 1987-10) conductor: David Zinman (in 1987-10) recording of: La Damnation de Faust : Deuxième Partie : Scène 7. Ballet des sylphes (Orchestre) (in 1987-10) composer: Hector Berlioz part of: La Damnation de Faust, op. 24: Deuxième Partie	Hector Berlioz	2:29
22	Symphony no. 2 in C minor "Resurrection": Finale orchestra: Saint Louis Symphony Orchestra conductor: Leonard Slatkin edit of: Symphony no. 2 in C minor “Resurrection”: V. Tempo des Scherzos. Wild herausfahrend. Allegro energico. Langsam. Misterioso by Kathleen Battle, Maureen Forrester, Saint Louis Symphony Chorus, Saint Louis Symphony Orchestra, Leonard Slatkin partial recording of: Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend composer: Gustav Mahler (from 1888 until 1894) librettist: Friedrich Gottlieb Klopstock and Gustav Mahler (from 1888 until 1894) part of: Symphony no. 2 “Resurrection”	Gustav Mahler	4:25

Credits

Release

manufactured in:	Canada
printed in:	Canada

distributed by:	PolyGram Distribution
copyrighted (©) by:	PolyGram Inc. (in 1988)
phonographic copyright (℗) by:	Telarc (in 1988)
manufactured for:	PolyGram Records
glass mastered by:	Cinram

Discogs:	https://www.discogs.com/release/18646876 [info]

Release group

Discogs:	https://www.discogs.com/master/3463166 [info]

The Telarc Super Sampler

Release events

Labels

Release information

Genres: (none)

Other tags: (none)

Tracklist

Credits

Release

Release group