The Symphony Edition

~ Release by Riccardo Chailly (see all versions of this release, 1 available)

Tracklist

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#TitleArtistLength
1Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni creator spiritus
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
engineer:
Philip Siney
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:44
2Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Imple superna gratia
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:59
3Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Infirma nostri corporis
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler6:26
4Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Accende lumen sensibus
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:09
5Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni, Creator... Da gaudiorum praemia
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Sacramentskoor Breda (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
mezzo-soprano vocals:
Sara Fulgoni (in 2000-01)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Soprano II]:
Anne Schwanewilms (from 0200-01-17 until 2000-01-20)
solo soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:24
6Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Gloria sit Patri Domino
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Kathedrale Koor St. Bavo (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo baritone vocals:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto I]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Contralto II]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo tenor vocals:
Ben Heppner (from 2000-01-17 until 2000-01-20)
soprano vocals [Soprano I]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
soprano vocals [Soprano II]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
soprano vocals [Soprano III]:
Ruth Ziesak (in 2000-01)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:53
7Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Poco adagio – Waldung, sie schwankt heran
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler14:07
8Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Ewiger Wonnebrand
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
solo baritone vocals [Pater Ecstaticus]:
Peter Mattei (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:33
9Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Wie Felsenabgrund mir zu Füßen
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
solo bass vocals [Pater Profundus]:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:47
10Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Gerettet ist das edle Glied
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall (from 2000-01-17 until 2000-01-20)
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Kathedrale Koor St. Bavo (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:33
11Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Uns bleibt ein Erdenrest – Hier ist die Aussicht frei
recording engineer:
Jürgen Bulgrin (from 0200-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20), Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20) and Pražský filharmonický sbor (from 2000-01-17 until 2000-01-20)
solo alto vocals:
Sara Fulgoni (in 2000-01)
orchestra:
Royal Concertgebouw Orchestra (from 0200-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:11
12Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Höchste Herrscherin der Welt
recording engineer:
Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Pražský filharmonický sbor (in 2000-01, from 2000-01-17 until 2000-01-20) and Groot Omroepkoor (from 2000-01-17 until 2000-01-20)
solo tenor vocals [Doctor Marianus]:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2000-01, from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:34
13Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Dir, der Unberührbaren
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
choir vocals:
Pražský filharmonický sbor (in 2000-01, from 2000-01-17 until 2000-01-20) and Groot Omroepkoor (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Una Poenitentium]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20) and Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 2000-01-07 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:39
14Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Bei der Liebe, die den Füßen
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
violin:
Веско Ешкенази (in 2000-01)
solo contralto vocals [Maria Aegyptiaca]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Mulier Samaritana]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Magna Peccatrix]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:40
15Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Neige, neige, du Ohnegleiche
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20) and Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Una Poenitentium]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:22
16Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Komm! Hebe dich
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Mater Gloriosa]:
Ruth Ziesak (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Martin Wright (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:21
17Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Blicket auf zum Retterblick
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Groot Omroepkoor (from 0200-01-17 until 2000-01-20), Pražský filharmonický sbor (from 0200-01-17 until 2000-01-20), Sacramentskoor Breda (from 0200-01-17 until 2000-01-20) and Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20)
solo tenor vocals [Doctor Marianus]:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 0200-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Martin Wright (from 0200-01-17 until 2000-01-20) and Jaroslav Brych (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 0200-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:55
18Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Alles Vergängliche
recording engineer:
Jürgen Bulgrin (from 2000-01-17 until 2000-01-20) and Wolf‐Dieter Karwatky (from 2000-01-17 until 2000-01-20)
artist & repertoire support:
Joanne Baines
executive producer:
Andrew Cornall
producer:
Andrew Cornall
editor:
Dagmar Birwe and Ingmar Haas
choir vocals:
Pražský filharmonický sbor (from 0200-01-17 until 2000-01-20), Sacramentskoor Breda (in 2000-01), Groot Omroepkoor (from 2000-01-17 until 2000-01-20), Jongenskoor van het Kathedrale Koor St. Bavo (from 2000-01-17 until 2000-01-20) and Jongenskoor van het Sacramentskoor, Breda (from 2000-01-17 until 2000-01-20)
solo baritone vocals [Pater Ecstaticus]:
Peter Mattei (from 2000-01-17 until 2000-01-20)
solo bass vocals [Pater Profundus]:
Jan‐Hendrik Rootering (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Maria Aegyptica]:
Anna Larsson (from 2000-01-17 until 2000-01-20)
solo contralto vocals [Mulier Samaritana]:
Sara Fulgoni (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Magna Peccatrix]:
Jane Eaglen (from 2000-01-17 until 2000-01-20)
solo soprano vocals [Una Poenitentium]:
Anne Schwanewilms (from 2000-01-17 until 2000-01-20)
solo tenor vocals [Doctor Marianus]:
Ben Heppner (from 2000-01-17 until 2000-01-20)
orchestra:
Royal Concertgebouw Orchestra (from 2000-01-17 until 2000-01-20)
conductor:
Riccardo Chailly (from 2000-01-17 until 2000-01-20)
chorus master:
Jaroslav Brych (from 2000-01-17 until 2000-01-20), Henri de Graauw (from 2000-01-17 until 2000-01-20), Martin Wright (from 2000-01-17 until 2000-01-20) and Fons Ziekman (from 2000-01-17 until 2000-01-20)
balance engineer:
Philip Siney and Jonathan Stokes
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2000-01-17 until 2000-01-20)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 2000-01-17 until 2000-01-20)
composer:
Gustav Mahler (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:52
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