The Duke: Historically Speaking

~ Release by Duke Ellington (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleLength
1East St. Louis Toodle-O
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
East St. Louis Toodle‐oo (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington and Bubber Miley
publisher:
Mills Music, Inc.
3:29
2Creole Love Call
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
instrumental recording of:
Creole Love Call (from 1956-02-07 until 1956-02-08)
lyricist and composer:
Duke Ellington
3:46
3Stompy Jones
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Stompy Jones (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington
3:53
4The Jeep Is Jumpin'
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
The Jeep Is Jumpin' (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington and Johnny Hodges
2:25
5Jack the Bear
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Jack the Bear (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington
3:19
6In a Mellow Tone
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
In a Mellow Tone (from 1956-02-07 until 1956-02-08)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (in 1939)
publisher:
EMI Robbins and Robbins Music
2:54
7Ko-Ko
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Ko-Ko (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington
2:18
8Midriff
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Midriff (from 1956-02-07 until 1956-02-08)
composer:
Billy Strayhorn and Gerald Valentine
3:51
9Stomp Look and Listen
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Stomp, Look and Listen (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington
2:40
10The Unbooted Character
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Unbooted Character (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington
4:17
11Lonesome Lullaby
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Lonesome Lullaby (from 1956-02-07 until 1956-02-08)
composer:
Duke Ellington
3:17
12Upper Manhattan Medical Group
recorded in:
Chicago, Illinois, United States (from 1956-02-07 until 1956-02-08)
alto saxophone:
Johnny Hodges (from 1956-02-07 until 1956-02-08)
double bass:
Jimmy Woode (from 1956-02-07 until 1956-02-08)
drums (drum set):
Sam Woodyard (from 1956-02-07 until 1956-02-08)
piano:
Duke Ellington (from 1956-02-07 until 1956-02-08)
reeds:
Harry Carney (from 1956-02-07 until 1956-02-08), Jimmy Hamilton (from 1956-02-07 until 1956-02-08) and Russell Procope (from 1956-02-07 until 1956-02-08)
tenor saxophone:
Paul Gonsalves (from 1956-02-07 until 1956-02-08)
trombone:
Quentin Jackson (from 1956-02-07 until 1956-02-08), John Sanders (from 1956-02-07 until 1956-02-08) and Britt Woodman (from 1956-02-07 until 1956-02-08)
trumpet:
Cat Anderson (from 1956-02-07 until 1956-02-08), Willie Cook (from 1956-02-07 until 1956-02-08), Ray Nance (from 1956-02-07 until 1956-02-08) and Clark Terry (from 1956-02-07 until 1956-02-08)
violin:
Ray Nance (from 1956-02-07 until 1956-02-08)
recording of:
Upper Manhattan Medical Group (from 1956-02-07 until 1956-02-08)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
3:07