100 Songs for a Centennial

~ Release by Ella Fitzgerald (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Oh, Lady Be Good!
recorded in:
New York, New York, United States (on 1947-03-19)
baritone saxophone:
Ernie Caceres (on 1947-03-19)
double bass [string bass]:
Bob Haggart (on 1947-03-19)
drums (drum set):
Morey Feld (on 1947-03-19)
guitar:
Danny Perri (on 1947-03-19)
piano:
Stan Freeman (on 1947-03-19)
trombone:
Will Bradley (on 1947-03-19), Fred Ohms (on 1947-03-19) and Jack Satterfield (on 1947-03-19)
trumpet:
Andy Ferretti (on 1947-03-19), Chris Griffin (on 1947-03-19) and Bob Peck (on 1947-03-19)
vocals:
The Andy Love Quintet (on 1947-03-19) and Ella Fitzgerald (on 1947-03-19)
orchestra:
Bob Haggart and His Orchestra (on 1947-03-19)
cover recording of:
Oh, Lady Be Good! (on 1947-03-19)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Ella Fitzgerald with Bob Haggart and His Orchestra3:15
2That Old Feeling
recorded in:
New York, New York, United States (on 1947-12-18)
vocals:
The Day Dreamers and Ella Fitzgerald (on 1947-12-18)
cover recording of:
That Old Feeling (on 1947-12-18)
lyricist:
Lew Brown
composer:
Sammy Fain
publisher:
Leo Feist, Inc. and Warner Bros. Music Corp.
part of:
The 10th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald with The Day Dreamers2:27
3I Hadn't Anyone Till You
recorded in:
New York, New York, United States (on 1949-09-21)
vocals:
Ella Fitzgerald (on 1949-09-21)
orchestra:
Gordon Jenkins & His Orchestra (on 1949-09-21)
conductor:
Gordon Jenkins (on 1949-09-21)
cover recording of:
I Hadn’t Anyone Till You (on 1949-09-21)
lyricist and composer:
Ray Noble
publisher:
Bourne Co.
Ella Fitzgerald with Gordon Jenkins and His Orchestra3:03
4Black Coffee
recorded in:
New York, New York, United States (on 1949-04-27)
vocals:
Ella Fitzgerald (on 1949-04-27)
orchestra:
Gordon Jenkins & His Orchestra (on 1949-04-27)
conductor:
Gordon Jenkins (on 1949-04-27)
cover recording of:
Black Coffee (1948 song) (on 1949-04-27)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (in 1948)
publisher:
BMG Music Publishing, Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Ella Fitzgerald with Gordon Jenkins and His Orchestra3:07
5Soon
recorded in:
New York, New York, United States (on 1950-09-12)
producer:
Milt Gabler
piano:
Ellis Larkins (on 1950-09-12)
vocals:
Ella Fitzgerald (on 1950-09-12)
cover recording of:
Soon (on 1950-09-12)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co Ltd. and New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
Ella Fitzgerald with Ellis Larkins2:46
6There Never Was a Baby Like My Baby
recorded in:
New York, New York, United States (on 1951-07-18)
alto saxophone:
Hymie Shertzer (on 1951-07-18) and Milt Yaner (on 1951-07-18)
baritone saxophone:
Stewart Blake (on 1951-07-18)
double bass:
Sandy Block (on 1951-07-18)
drums (drum set):
Johnny Blowers (on 1951-07-18)
guitar:
Everett Barksdale (on 1951-07-18)
piano:
Hank Jones (on 1951-07-18)
tenor saxophone:
Al Klink (on 1951-07-18) and Fred Williams (on 1951-07-18)
trombone:
Henderson Chambers (on 1951-07-18) and Frank Saracco (on 1951-07-18)
trumpet:
Taft Jordan (on 1951-07-18), Carl Poole (on 1951-07-18) and Bernie Privin (on 1951-07-18)
vocals:
Ella Fitzgerald (on 1951-07-18)
recording of:
There Never Was a Baby Like My Baby (Two on the Aisle, musical revue) (on 1951-07-18)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
Ella Fitzgerald with Sy Oliver and His Orchestra2:49
7Walkin' by the River
recorded in:
New York, New York, United States (on 1952-09-19)
double bass:
George Duvivier (on 1952-09-19)
drums (drum set):
Stan Kane (on 1952-09-19)
guitar:
Hi White (on 1952-09-19)
piano:
Hank Jones (on 1952-09-19)
vibraphone:
Phil Kraus (on 1952-09-19)
vocals:
Ella Fitzgerald (on 1952-09-19)
conductor:
Leroy Kirkland (on 1952-09-19)
cover recording of:
Walkin’ by the River
writer:
Una Mae Carlisle and Robert Sour
Ella Fitzgerald with Leroy Kirkland and His Orchestra2:28
8Taking a Chance on Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-01-27)
double bass:
Phil Stephens
drums (drum set):
Nick Fatool
guitar:
Perry Botkin
piano:
Buddy Cole
saxophone:
Warren Baker, Dave Harris and Matty Matlock
trombone:
Joe Howard, Wendell Mayhew and Ted Vesely
trumpet:
Ziggy Elman, Bobby Guy and Red Nichols
vocals:
Ella Fitzgerald (on 1954-01-27)
conductor:
John Scott Trotter (on 1954-01-27)
live cover recording of:
Taking a Chance on Love (on 1954-01-27)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Ella Fitzgerald with John Scott Trotter and His Orchestra3:07
9Until the Real Thing Comes Along
recorded in:
New York, New York, United States (on 1954-03-29)
producer:
Milt Gabler
piano:
Ellis Larkins (on 1954-03-29)
lead vocals:
Ella Fitzgerald (on 1954-03-29)
vocals:
Ella Fitzgerald (on 1954-03-29)
cover recording of:
Until the Real Thing Comes Along (on 1954-03-29)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. and WB Music Corp.
Ella Fitzgerald with Ellis Larkins2:58
10You Leave Me Breathless
recorded in:
New York, New York, United States (on 1954-03-30)
producer:
Milt Gabler
piano:
Ellis Larkins (on 1954-03-30)
vocals:
Ella Fitzgerald (on 1954-03-30)
cover recording of:
You Leave Me Breathless (from the film “Cocoanut Grove”) (on 1954-03-30)
lyricist:
Ralph Freed
composer:
Friedrich Hollaender
Ella Fitzgerald with Ellis Larkins3:07
11Lullaby of Birdland
recorded in:
New York, New York, United States (on 1954-06-04)
double bass:
Sandy Block (on 1954-06-04)
drums (drum set):
Jimmy Crawford (on 1954-06-04)
guitar:
Everett Barksdale (on 1954-06-04)
piano:
Hank Jones (on 1954-06-04)
tenor saxophone:
Sam “The Man” Taylor (on 1954-06-04)
vocals:
Ella Fitzgerald (on 1954-06-04, in 1956)
orchestra:
Sy Oliver and His Orchestra (on 1954-06-04)
conductor:
Sy Oliver (on 1954-06-04)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1954-06-04)
lyricist:
B. Y. Forster
writer:
George David Weiss
composer:
George Shearing
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部
Ella Fitzgerald with Sy Oliver and His Orchestra2:51
12Between the Devil and the Deep Blue Sea
recorded in:
Los Angeles, California, United States (on 1955-04-27)
vocals:
Ella Fitzgerald (on 1955-04-27)
orchestra:
Benny Carter and His Orchestra (on 1955-04-27)
conductor:
Benny Carter (on 1955-04-27)
cover recording of:
Between the Devil and the Deep Blue Sea (on 1955-04-27)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Ella Fitzgerald with Benny Carter and His Orchestra2:17
13It Might as Well Be Spring
recorded in:
New York, New York, United States (on 1955-04-01)
vocals:
Ella Fitzgerald (on 1955-04-01)
orchestra:
André Previn and His Orchestra (on 1955-04-01)
conductor:
André Previn (on 1955-04-01)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1955-04-01)
lyricist:
Oscar Hammerstein II (in 1945)
composer:
Richard Rodgers (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Ella Fitzgerald with André Previn and His Orchestra2:40
14Miss Otis Regrets
engineer:
Val Valentin
producer:
Norman Granz
piano:
Paul Smith (on 1956-02-07)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Miss Otis Regrets (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1934)
publisher:
Warner/Chappell and Warner Bros., Inc. (in 1934)
Ella Fitzgerald3:02
15You Do Something to Me
engineer:
Val Valentin (on 1956-02-08)
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
piano:
Paul Smith (on 1956-02-08)
tenor saxophone:
Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (on 1956-02-08)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1956-02-08)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Ella Fitzgerald2:23
16I've Got You Under My Skin
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (on 1956-02-09) and Lloyd Ulyate (on 1956-02-09)
lead vocals:
Ella Fitzgerald (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Ella Fitzgerald2:43
17Moonlight in Vermont
double bass:
Ray Brown (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (on 1956-08-16)
piano:
Oscar Peterson (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16, from 1956-08-16 until 1967-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Moonlight in Vermont (on 1956-08-16)
lyricist:
John Blackburn
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald & Louis Armstrong3:40
18Cheek to Cheek
double bass:
Ray Brown (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (on 1956-08-16)
piano:
Oscar Peterson (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong5:54
19Manhattan
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
cello:
Robert La Marchina (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (on 1956-08-29)
viola and violin:
[unknown] (on 1956-08-29)
vocals:
Ella Fitzgerald (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Manhattan (on 1956-08-29)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (in 1925)
publisher:
Edward B. Marks Music Co., Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald2:50
20Thou Swell
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (on 1956-08-29)
viola and violin:
[unknown] (on 1956-08-29)
vocals:
Ella Fitzgerald (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Thou Swell (on 1956-08-29)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Marlin Enterprises and Warner Bros.
Ella Fitzgerald2:04
21I Wish I Were in Love Again
engineer:
Val Valentin (on 1956-08-28)
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (on 1956-08-28)
bass:
Joe Mondragon (on 1956-08-28)
bass trombone:
George Roberts (on 1956-08-28)
cello:
Robert La Marchina (on 1956-08-28) and Edgar Lustgarten (on 1956-08-28)
drums (drum set):
Alvin Stoller (on 1956-08-28)
French horn:
Vince DeRosa (on 1956-08-28)
guitar:
Barney Kessel (on 1956-08-28)
piano:
Paul Smith (on 1956-08-28)
trombone:
Milt Bernhart (on 1956-08-28), Joe Howard (on 1956-08-28) and Lloyd Ulyate (on 1956-08-28)
trumpet:
Pete Candoli (on 1956-08-28), Maynard Ferguson (on 1956-08-28), Conrad Gozzo (on 1956-08-28) and Ray Linn (on 1956-08-28)
viola and violin:
[unknown] (on 1956-08-28)
woodwind:
Bob Cooper (on 1956-08-28), Ted Nash (on 1956-08-28), Bud Shank (on 1956-08-28) and Maurice Stein (on 1956-08-28)
vocals:
Ella Fitzgerald (on 1956-08-28)
conductor:
Buddy Bregman (on 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-28)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-28)
cover recording of:
I Wish I Were in Love Again (on 1956-08-28)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell Music
part of:
Babes in Arms (full musical)
Ella Fitzgerald2:38
22Blue Moon
engineer:
Val Valentin (on 1956-08-29)
producer:
Norman Granz
baritone saxophone, bass clarinet and bassoon:
Chuck Gentry (on 1956-08-29)
bass:
Joe Mondragon (on 1956-08-29)
cello:
Robert La Marchina (on 1956-08-29) and Edgar Lustgarten (on 1956-08-29)
cor anglais [English horn] and oboe:
Arnold Koblentz (on 1956-08-29)
drums (drum set):
Alvin Stoller (on 1956-08-29)
flute:
Ted Nash (on 1956-08-29), Bud Shank (on 1956-08-29) and Willie Schwartz (on 1956-08-29)
French horn:
Vince DeRosa (on 1956-08-29)
guitar:
Barney Kessel (on 1956-08-29)
percussion:
Milt Holland (on 1956-08-29)
piano:
Paul Smith (on 1956-08-29)
viola and violin:
[unknown] (on 1956-08-29)
vocals:
Ella Fitzgerald (on 1956-08-29)
conductor:
Buddy Bregman (on 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (on 1956-08-29)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-29)
cover recording of:
Blue Moon (on 1956-08-29)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing, EMI Robbins Catalog Inc., EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions
part of:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald3:14
23(In My) Solitude
engineer:
Val Valentin (on 1956-09-04)
producer:
Norman Granz
guitar:
Barney Kessel (on 1956-09-04)
lead vocals:
Ella Fitzgerald (on 1956-09-04)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-09-04)
cover recording of:
(In My) Solitude (on 1956-09-04)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. and J. R. Lafleur & Son Ltd.
Ella Fitzgerald with Duke Ellington and His Orchestra2:08
24Comes Love
double bass:
Ray Brown (on 1957-07-23)
drums (drum set):
Louie Bellson (on 1957-07-23)
guitar:
Herb Ellis (on 1957-07-23)
piano:
Oscar Peterson (on 1957-07-23)
trumpet:
Louis Armstrong (on 1957-07-23)
vocals:
Louis Armstrong (on 1957-07-23) and Ella Fitzgerald (on 1957-07-23)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Comes Love (on 1957-07-23)
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias
Ella Fitzgerald, Louis Armstrong with The Oscar Peterson Quartet2:27
25I've Got My Love to Keep Me Warm
double bass:
Ray Brown (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (on 1957-08-13)
piano:
Oscar Peterson (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Ella Fitzgerald (in 1957, on 1957-08-13)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-08-13)
cover recording of:
I’ve Got My Love to Keep Me Warm (on 1957-08-13)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Ella Fitzgerald, Louis Armstrong with The Oscar Peterson Quartet3:10
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