100 Great Musical Moments

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Copyright: © 2024 Deutsche Grammophon GmbH, Berlin
This Compilation ℗ 2024 Deutsche Grammophon GmbH, Berlin

Tracklist

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#	Title	Artist	Length
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1	12 Etudes,op. 25: No. 1 in A-flat major "Aeolian Harp" piano: Daniel Barenboim recording of: Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto composer: Fryderyk Chopin (in 1836) part of: Études, op. 25	Frédéric Chopin	2:52
2	6 Moments musicaux, D. 780: No. 3 in F minor. Allegro moderato piano: Seong‐Jin Cho recording of: 6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato composer: Franz Schubert part of: 6 Moments musicaux for Piano, op. 94, D. 780	Franz Schubert	1:51
3	Vocalise, op. 34 no. 14 (arr. Kocsis for Piano) recording engineer: Sebastian Nattkemper (in 2018-06) producer: Christoph Franke piano: Yuja Wang (in 2018-06) recorded at: Berliner Philharmonie: Kammermusiksaal in Mitte, Berlin, Germany (in 2018-06) recording of: Vocalise, op. 34 no. 14 (for piano, Kocsis) (in 2018-06) composer: Сергей Васильевич Рахманинов piano arranger: Zoltán Kocsis arrangement of: 14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)	Sergei Rachmaninoff	3:27
4	24 Préludes, op. 28: No. 7 in A major. Andantino piano: Rafał Blechacz recording of: Prélude no. 7 in A major, op. 28: Andantino composer: Fryderyk Chopin (in 1836) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin	0:56
5	Ave Maria producer: Bernd Mazagg cello: Kian Soltani (in 2020-09) piano: Aaron Pilsan (in 2020-09) recorded at: Synchron Stage Vienna in Liesing, Wien, Austria (in 2020-09) recording of: Ave Maria (catch-all for arrangements of the Bach / Gounod work) (in 2020-09) composer: Johann Sebastian Bach and Charles Gounod publisher: Lam Larghetto Music (from 1993 to present) arrangement of: Ave Maria (Bach/Gounod)	Johann Sebastian Bach, Charles Gounod	3:03
6	À Chloris (transc. Mayer for Oboe and Piano) recording engineer: Rainer Maillard (in 2020-04) producer: Lukas Kowalski oboe: Albrecht Mayer (in 2020-04) piano: Kimiko Imani (in 2020-04) oboe arranger and piano arranger: Albrecht Mayer (in 2020-04) recorded at: Meistersaal in Berlin, Germany (in 2020-04) recording of: À Chloris (catch-all for arrangements) (in 2020-04) composer: Reynaldo Hahn arrangement of: À Chloris	Reynaldo Hahn	2:50
7	8 Humoresques, op. 101, B. 187: No. 7, Poco lento e grazioso piano: Daniel Barenboim recording of: Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano) composer: Antonín Dvořák (from 1894-08-07 until 1894-08-27) part of: 8 Humoresques, B. 187, op. 101	Antonín Dvořák	2:50
8	Le carnaval des animaux, R. 125: IV. Tortues recording engineer: Marcus Herzog (in 2017-05) producer: Sid McLauchlan cello: Camille Thomas (in 2017-05) piano: Alexandre Bloch (in 2017-05) recorded at: Auditorium du Nouveau Siècle in Lille, Nord, Hauts-de-France, France (in 2017-05) recording of: Le Carnaval des animaux: IV. Tortues (catch-all for arrangements) (in 2017-05) composer: Camille Saint‐Saëns arrangement of: Le Carnaval des animaux : IV. Tortues part of: Le Carnaval des animaux (catch-all for arrangements)	Camille Saint-Saëns	1:49
9	Préludes, Book 1, CD 125: VIII. La fille aux cheveux de lin (arr. Hartmann for Violin and Piano) piano: Rafał Blechacz violin: Bomsori recording of: La fille aux cheveux de lin (for violin and piano, Hartmann) composer: Claude Debussy (from 1909-12 until 1910-02) piano and violin arranger: Arthur Hartmann arrangement of: Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)	Claude Debussy	2:41
10	In einer Nacht, op. 15: No. 2, Sehr langsam piano: Elisabeth Brauß recording of: In einer Nacht... Träume und Erlebnisse, op. 15: II. Sehr langsam composer: Paul Hindemith (from 1917 until 1919) part of: In einer Nacht... Träume und Erlebnisse, op. 15	Paul Hindemith	1:24
11	16 Waltzes, op. 39: No. 15 in A-flat major recording engineer: Philipp Nedel (in 2021-04) producer: Matthias Erb piano: Fabian Müller (in 2021-04) recorded at: b‐sharp in Berlin, Germany (in 2021-04) recording of: Walzer, op. 39: Nr. 15 As-dur (Zu zwei Händen; for piano two hands) (in 2021-04) composer: Johannes Brahms (in 1865) arrangement of: 16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands) part of: 16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)	Johannes Brahms	1:39
12	Wandrers Nachtlied, D. 768 piano: Daniel Heide baritone vocals: Andrè Schuen recording of: Wandrers Nachtlied II, D. 768 lyricist: Johann Wolfgang von Goethe composer: Franz Schubert part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 768)	Franz Schubert	2:33
13	Mazurkas, op. 24: No. 1 in G Minor. Lento recording engineer: Julian Helms (in 2020-09) producer: Rainer Maillard piano: Rafał Blechacz (in 2020-09) recorded at: Meistersaal in Berlin, Germany (in 2020-09) recording of: Mazurka no. 14 in G minor, op. 24 no. 1 (in 2020-09) composer: Fryderyk Chopin part of: Mazurkas, op. 24	Frédéric Chopin	2:34
14	4 Piano Pieces, op. 119: No. 3 in C major. Intermezzo. Grazioso e giocoso piano: Elisabeth Brauß recording of: Klavierstücke, op. 119: Nr. 3. Intermezzo in C-Dur. Grazioso e giocoso composer: Johannes Brahms (in 1893) part of: Klavierstücke, op. 119 (Piano Pieces, op. 119)	Johannes Brahms	1:47
15	8 Humoresques, op. 101, B. 187: No. 3, Poco andante e molto cantabile piano: Daniel Barenboim recording of: Humoresque no. 3 for Piano in A-flat major, B. 187/3, op. 101 no. 3: Poco andante e molto cantabile composer: Antonín Dvořák (from 1894-08-07 until 1894-08-27) part of: 8 Humoresques, B. 187, op. 101	Antonín Dvořák	4:16
16	Rêverie, CD 76 (transcr. Ottensamer for Clarinet and Piano) clarinet: Andreas Ottensamer piano: José Gallardo clarinet arranger and piano arranger: Andreas Ottensamer recording of: Rêverie (catch-all for arrangements) composer: Claude Debussy (in 1890) arrangement of: Rêverie, L. 68, CD 76 (for piano)	Claude Debussy	4:38
17	Les chemins de l'amour, FP. 106 (transcr. Han for Cello and Piano) cello: Jaemin Han piano: Jonathan Ware cello arranger and piano arranger: Jaemin Han recording of: Les Chemins de l’amour (catch-all for arrangements) composer: Francis Poulenc (in 1940) arrangement of: Les Chemins de l’amour, FP 106a	Francis Poulenc	3:54
18	Im Abendrot, D. 799 (transcr. Soltani for Cello and Piano) cello: Kian Soltani piano: Aaron Pilsan cello arranger and piano arranger: Kian Soltani recording of: Im Abendrot, D. 799 (catch-all for arrangements) composer: Franz Schubert arrangement of: Im Abendrot, D. 799	Franz Schubert	4:22
19	Keyboard Sonata in A major, KK. 208 (arr. Abiton for Guitar) guitar: Raphaël Feuillâtre recording of: Keyboard Sonata in A major, Kk. 208, arr. for guitar (for guitar, Abiton) composer: Domenico Scarlatti arranger: Gérard Abiton arrangement of: Sonata in A major, K 208, L 238: Adagio e cantabile	Domenico Scarlatti	3:55
20	3 Romances, op. 94: No. 2, Einfach, innig clarinet: Andreas Ottensamer piano: José Gallardo recording of: 3 Romanzen, op. 94: No. 2. Einfach, innig (for oboe and piano) composer: Robert Schumann (from 1849-12-07 until 1849-12-12) part of: 3 Romanzen, op. 94 (for oboe and piano)	Robert Schumann	3:43
21	Requiem in D minor, K. 626: Lacrimosa (arr. Spindler for Oboe and Piano) recording engineer: Thomas Bößl (in 2021-09) producer: René Möller oboe: Albrecht Mayer (in 2021-09) piano: Markus Becker (in 2021-09) oboe arranger and piano arranger: Matthias Spindler recorded at: Teldex Studio in Berlin, Germany (in 2021-09) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) (in 2021-09) composer: Wolfgang Amadeus Mozart (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart	3:32
22	Tissue no. 7 producer: Felicia Bockstael cello: Camille Thomas (in 2019-04) piano: Julien Brocal (from 2019-04 until 2019) balance engineer: Steven Maes (in 2019-04) recorded at: Flagey in Brussels, Belgium (in 2019-04) recording of: Tissue No. 7 (in 2019-04) composer: Philip Glass	Philip Glass	3:16
23	Partita for Violin Solo no. 1 in B minor, BWV 1002: Sarabande (arr. for Guitar by Söllscher) producer: Sid McLauchlan guitar: Göran Söllscher (in 2003-10) arranger: Göran Söllscher (in 2003-10) balance engineer: Hans‐Ulrich Bastin (in 2003-10) recorded at: Galaxy Studios in Mol, Antwerpen, Flanders, Belgium (in 2003-10) recording of: Violin Partita no. 1 in B minor, BWV 1002: V. Sarabande (catch-all for arrangements) (in 2003-10) composer: Johann Sebastian Bach arrangement of: Violin Partita no. 1 in B minor, BWV 1002: V. Sarabande part of: Violin Partita no. 1 in B minor, BWV 1002 (catch-all for arrangements)	Johann Sebastian Bach	3:30
24	Danzón no. 2 (transcr. Gómez-Tagle for Piano) recording engineer: Chris Kincaid (in 2022-01) producer: David Frost piano: Yuja Wang (in 2022-01) recorded at: The Kentucky Center in Louisville, Kentucky, United States (in 2022-01) recording of: Danzón n.º 2 (for piano, Gómez-Tagle) (in 2022-01) composer: Arturo Márquez arranger: Leticia Gómez-Tagle arrangement of: Danzón n.º 2	Arturo Márquez	3:41
25	6 Pieces for Piano, Op. 118: No. 6, Intermezzo in E-Flat Minor recording engineer: Lukas Kowalski (in 2020-04) producer: Sid McLauchlan piano: Seong‐Jin Cho (in 2020-04) recorded at: Meistersaal in Berlin, Germany (in 2020-04) recording of: 6 Klavierstücke, op. 118: Nr. 6. Intermezzo in es-Moll. Andante, largo e mesto (in 2020-04) composer: Johannes Brahms quotes music from: Dies Irae (plainchant) part of: 6 Klavierstücke, op. 118 (6 Piano Pieces, op. 118)	Johannes Brahms	5:14
26	Zärtliche Liebe, WoO 123 "Ich liebe dich" piano: Malcolm Martineau mezzo-soprano vocals: Elīna Garanča recording of: Zärtliche Liebe, WoO 123 "Ich liebe dich so wie du mich" lyricist: Karl Friedrich Wilhelm Herrosee composer: Ludwig van Beethoven (in 1795) part of: Biamonti Catalogue (number: Bia 287) and Kinsky catalogue (number: WoO 123)	Ludwig van Beethoven	2:03
27	Violin Sonata no. 21 in E Minor, K. 304: II. Tempo di Menuetto (transcr. Avital for Mandolin and Piano) recording engineer: Rainer Maillard (in 2020-04) producer: Lukas Kowalski mandolin: Avi Avital (in 2020-04) piano: Ohad Ben-Ari (in 2020-04) mandolin arranger and piano arranger: Avi Avital recorded at: Meistersaal in Berlin, Germany (in 2020-04) recording of: Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto (catch-all for arrangements) (in 2002-04) composer: Wolfgang Amadeus Mozart arrangement of: Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto	Wolfgang Amadeus Mozart	5:19
28	Waltz no. 7 in C-sharp minor, op. 64 no. 2 piano: Rafał Blechacz recording of: Waltz no. 7 in C‐sharp minor, op. 64 no. 2 composer: Fryderyk Chopin (from 1846 until 1847) part of: Waltzes, op. 64	Frédéric Chopin	3:40
29	3 Old Viennese Dances: No. 2 Liebesleid (Arr. Rachmaninoff for Piano) recording engineer: Philipp Nedel (in 2021-04) producer: Matthias Erb piano: Fabian Müller (in 2021-04) recorded at: b‐sharp in Berlin, Germany (in 2021-04) recording of: Liebesleid, TN iii/5/1 (after Kriesler's Alt-Wiener Tanzweisen No.1) (for piano, Rachmaninoff) (in 2021-04) composer: Fritz Kreisler piano arranger: Сергей Васильевич Рахманинов (in 1921) publisher: Schott Music International and ショット・ミュージック株式会社 Dept. 3 part of: A Catalogue of the Compositions of S. Rachmaninoff (number: TN iii/5/1) arrangement of: Liebesleid (for violin and piano)	Fritz Kreisler	5:10
30	Consolations, S. 172: No. 3 in D-Flat Major. Lento, placido recording engineer: Julian Helms (in 2020-06) producer: Sid McLauchlan piano: Seong‐Jin Cho (in 2020-06) recorded at: Meistersaal in Berlin, Germany (in 2020-06) recording of: Consolation in D‐flat major, S. 172 no. 3: Lento placido (in 2020-06) composer: Franz Liszt part of: Consolations, S. 172	Franz Liszt	4:15
31	Sei mir gegrüßt, D. 741 (transcr. Soltani for Cello and Piano) cello: Kian Soltani piano: Aaron Pilsan cello arranger and piano arranger: Kian Soltani recording of: Sei mir gegrüsst, D. 741 (catch-all for arrangements) composer: Franz Schubert arrangement of: Sei mir gegrüsst, D. 741	Franz Schubert	4:43
32	Suite in D minor, HWV 437: III. Sarabande (transcr. Feuillâtre for Guitar) guitar: Raphaël Feuillâtre guitar arranger: Raphaël Feuillâtre recording of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements) composer: George Frideric Handel arrangement of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande	George Frideric Handel	2:48
33	The Four Seasons / Violin Concerto in G minor, RV 315 "Summer": III. Presto violin: María Dueñas orchestra: "Blue Orchestra" Special String Orchestra recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto composer: Antonio Vivaldi (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)	Antonio Vivaldi	2:48
34	Trio Sonata no. 3 in D minor, BWV 527 (transcr. Mayer & Frey for Oboe & Harpsichord): II. Adagio e dolce recording engineer: Rainer Maillard (in 2021-01) producer: Lukas Kowalski harpsichord: Vital Julian Frey (in 2021-01) oboe: Albrecht Mayer (in 2021-01) arranger: Vital Julian Frey and Albrecht Mayer recorded at: Siemens‐Villa in Berlin, Germany (in 2021-01) recording of: Triosonate Nr. 3 d-Moll, BWV 527: II. Adagio e dolce (catch-all for arrangements) (in 2021-01) composer: Johann Sebastian Bach arrangement of: Triosonate für Orgel Nr. 3 d-Moll, BWV 527: II. Adagio e dolce	Johann Sebastian Bach	2:58
35	String Quartet in E-flat major: I. Adagio ma non troppo string quartet: Aris Quartett recording of: String Quartet in E-flat major: I. Adagio ma non troppo composer: Fanny Mendelssohn (in 1834) part of: String Quartet in E-flat major	Fanny Mendelssohn	4:30
36	6 Romances, Op. 38: V. The Dream recording engineer: Philipp Nedel (in 2021-04) producer: Matthias Erb piano: Holger Groschopp (in 2021-04) soprano vocals: Anna El-Khashem (in 2021-04) recorded at: b‐sharp in Berlin, Germany (in 2021-04) recording of: 6 Romances, op. 38: no. 5 "The Dream" (in 2021-04) composer: Сергей Васильевич Рахманинов (in 1916) part of: 6 Romances, op. 38	Sergei Rachmaninoff	3:17
37	Three Preludes: I. Allegro ben ritmato e deciso (adapted for Clarinet and Piano by Ottensamer) producer: Thomas Bößl clarinet: Andreas Ottensamer (in 2020-11) piano: Julien Quentin (in 2020-11) clarinet arranger and piano arranger: Andreas Ottensamer recorded at: Teldex Studio in Berlin, Germany (in 2020-11) recording of: Three Preludes: No. 1. Allegro ben ritmato e deciso (catch-all for arrangements) (in 2020-11) composer: George Gershwin (in 1926) arrangement of: Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)	George Gershwin	1:49
38	Maria durch ein Dornwald ging (arr. Spindler for Oboe and Piano with an Improvisation by Becker) recording engineer: Thomas Bößl (in 2021-09) producer: René Möller oboe: Albrecht Mayer (in 2021-09) piano: Markus Becker (in 2021-09) oboe arranger and piano arranger: Matthias Spindler recorded at: Teldex Studio in Berlin, Germany (in 2021-09) instrumental recording of: Maria durch ein Dornwald ging (in 2021-09) lyricist and composer: [traditional]	[traditional]	2:23
39	Nocturnes, op. 9: No. 2 in E-Flat Major (transcr. Sarasate for Violin and Piano) recording engineer: Julian Helms (in 2020-09) producer: Rainer Maillard piano: Rafał Blechacz (in 2020-09) violin: Bomsori (in 2020-09) recorded at: Meistersaal in Berlin, Germany (in 2020-09) recording of: Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (for violin and piano, arr. Sarasate) (in 2020-09) composer: Fryderyk Chopin piano and violin arranger: Pablo de Sarasate arrangement of: Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante	Frédéric Chopin	4:32
40	Tissue no. 6 producer: Felicia Bockstael cello: Camille Thomas (in 2019-04) piano: Julien Brocal (in 2019-04) balance engineer: Steven Maes (in 2019-04) recorded at: Flagey in Brussels, Belgium (in 2019-04) recording of: Tissue no. 6 (in 2019-04) composer: Philip Glass	Philip Glass	3:18
41	Prelude & Fugue in C-sharp minor (Well-Tempered Clavier, Book I, no. 4), BWV 849: I. Prelude recording engineer: Lukas Kowalski (in 2020-08) producer: Lukas Kowalski and Sid McLauchlan piano: Kit Armstrong (in 2020-08) recorded at: Meistersaal in Berlin, Germany (in 2020-08) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849: Prelude (in 2020-08) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849	Johann Sebastian Bach	3:13
42	4 Piano Pieces, op. 119: No. 1 in B Minor. Intermezzo. Adagio piano: Elisabeth Brauß recording of: Klavierstücke, op. 119: Nr. 1. Intermezzo in h-Moll. Adagio composer: Johannes Brahms (in 1893) part of: Klavierstücke, op. 119 (Piano Pieces, op. 119)	Johannes Brahms	4:06
43	Ideale piano: Sophia Muñoz tenor vocals: Jonathan Tetelman recording of: Ideale lyricist: Carmelo Errico composer: Francesco Paolo Tosti (in 1882)	Paolo Tosti	3:43
44	Ich ruf zu dir, Herr Jesu Christ, BWV 639 (adapt. Tarkmann for Oboe d'amore and Harpsichord) harpsichord: Vital Julian Frey oboe d'amore: Albrecht Mayer recording of: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (catch-all for arrangements) composer: Johann Sebastian Bach arrangement of: Ich ruf zu dir, Herr Jesu Christ, BWV 639	Johann Sebastian Bach	3:02
45	Cello Sonata in G minor, op. 19: III. Andante producer: Andrew Muscato and Jan Vogler cello: Jan Vogler (in 2021-03) piano: Hélène Grimaud (in 2021-03) recorded at: Music Academy of the West in Montecito, California, United States (in 2021-03) recording of: Sonata for Cello and Piano in G minor, op. 19: III. Andante (in 2021-03) composer: Сергей Васильевич Рахманинов (from 1901 until 1901-12-12) part of: Sonata for Cello and Piano in G minor, op. 19	Sergei Rachmaninoff	5:21
46	Préludes, Book 2, CD 131: XII. Feux d'artifice piano: Arsenii Moon recording of: Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	4:28
47	Caro mio ben piano: Sarah Tysman countertenor vocals: Cameron Shahbazi recording of: Caro mio ben lyricist: [anonymous] previously attributed to: Giuseppe Giordani and Tommaso Giordani publisher: G. Schirmer Inc.	Tommaso Giordani	3:00
48	8 Humoresques, op. 101, B. 187: No. 1, Vivace piano: Daniel Barenboim recording of: Humoresque no. 1 for Piano in E-flat minor, B. 187/1, op. 101 no. 1: Vivace composer: Antonín Dvořák (from 1894-08-07 until 1894-08-27) part of: 8 Humoresques, B. 187, op. 101	Antonín Dvořák	3:00
49	Consolations, S. 172: No. 3 in D-flat major. Lento, placido (arr. Milstein for Violin and Piano) recording engineer: Julian Helms (in 2020-09) producer: Rainer Maillard piano: Rafał Blechacz (in 2020-09) violin: Bomsori (in 2020-09) recorded at: Meistersaal in Berlin, Germany (in 2020-09) recording of: Consolation no. 3 in D‐flat (for violin and piano, arr. Milstein) (in 2020-09) composer: Franz Liszt piano and violin arranger: Nathan Milstein arrangement of: Consolation in D‐flat major, S. 172 no. 3: Lento placido	Franz Liszt	3:58
50	O magnum mysterium (version for Violin and Piano) piano: Karolina Aavik violin: Hans Christian Aavik recording of: O magnum mysterium (for violin and piano) composer: Morten Lauridsen (in 1994) arranger: Morten Lauridsen publisher: peermusic arrangement of: O magnum mysterium	Morten Lauridsen	5:46
51	Fratres (version for Cello and Piano) cello: Santiago Cañón-Valencia piano: Naoko Sonoda recording of: Fratres (for cello and piano, Schwalke 1989) composer: Arvo Pärt (in 1977) arranger: Dietmar Schwalke (in 1989) arrangement of: Fratres (parent work - if in doubt, use this one)	Arvo Pärt	11:40
52	Pavane pour une infante defunte, M. 19 recording engineer: Martin Kistner (in 2020-12) producer: Matthias Erb piano: Mao Fujita (in 2020-12) recorded at: b‐sharp in Berlin, Germany (in 2020-12) recording of: Pavane pour une infante défunte (original version for solo piano) (in 2020-12) premiered in: Paris, Île-de-France, France (on 1902-04-05) composer: Maurice Ravel (in 1899) part of: Classic 100: Music of France (number: 13), Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19) and Classic 100: Piano (number: 59)	Maurice Ravel	6:29
53	Nun komm, der Heiden Heiland, BWV 659 (adapt. Frey for Oboe and Harpsichord) harpsichord: Vital Julian Frey oboe: Albrecht Mayer harpsichord arranger and oboe arranger: Albrecht Mayer recording of: Nun komm’ der Heiden Heiland, BWV 659 (catch-all for arrangements) composer: Johann Sebastian Bach arrangement of: Nun komm, der Heiden Heiland, BWV 659 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”)	Johann Sebastian Bach	3:47
54	The Ballad of Baby Doe: The Willow Song soprano vocals: Nadine Sierra orchestra: Royal Philharmonic Orchestra conductor: Robert Spano recording of: The Ballad of Baby Doe: Act I, Scene II. "Willow, where we meet together" (Baby Doe) composer: Douglas Stuart Moore part of: The Ballad of Baby Doe: Act I.	Douglas Moore	3:58
55	Ellens Gesang III, op. 52, bo. 6, D. 839 "Ave Maria" recording engineer: Rainer Maillard (in 2020-04) producer: Lukas Kowalski piano: Sarah Tysman (in 2020-04) soprano vocals: Hera Hyesang Park (in 2020-04) recorded at: Meistersaal in Berlin, Germany (in 2020-04) recording of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) (in 2020-04) lyricist: Jairo and Sir Walter Scott composer: Franz Schubert (in 1825) translator: Adam Storck part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)	Franz Schubert	2:44
56	Romance, op. 23 producer: Lukas Kowalski piano: Julia Okruashvili (in 2022-03) violin: Bomsori (in 2022-03) recording of: Romance for Violin and Piano, op. 23 (in 2022-03) composer: Amy Beach (in 1893) dedicated to: Maud Powell premiered at: [1893 World's Columbian Exposition] publisher: Edition Silvertrust and The Arthur P. Schmidt Co. (in 1893) part of: Works of Amy Beach by opus number (number: op. 23)	Amy Beach	6:34
57	Vocalise, op. 34, no. 14 (arr. Rose for Cello and Piano) cello: Jaemin Han piano: Jonathan Ware recording of: Vocalise, op. 34 no. 14 (for cello and piano, Rose) composer: Сергей Васильевич Рахманинов (in 1912) arranger: Leonard Rose arrangement of: 14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)	Sergei Rachmaninoff	6:26
58	12 Romances, op. 21: V. Lilacs recording engineer: Philipp Nedel (in 2021-04) producer: Matthias Erb piano: Holger Groschopp (in 2021-04) soprano vocals: Anna El-Khashem (in 2021-04) recorded at: b‐sharp in Berlin, Germany (in 2021-04) recording of: 12 Romances, op. 21: No. 5 Lilacs (for voice+piano, original version) (in 2021-04) lyricist: Екатерина Бекетова composer: Сергей Васильевич Рахманинов (in 1902) part of: 12 Romances, op. 21	Sergei Rachmaninoff	1:58
59	O Tannenbaum, du trägst ein’ grünen Zweig (arr. Hoffmann & Grabe for Harp) recording engineer and producer: Philip Krause harp: Magdalena Hoffmann harp arranger: Magdalena Hoffmann recorded at: Meistersaal in Berlin, Germany recording of: O Tannenbaum, du trägst ein’ grünen Zweig lyricist and composer: [traditional]	[traditional]	3:52
60	An die Musik, D. 547 piano: Daniel Heide baritone vocals: Andrè Schuen recording of: An die Musik, D. 547 (original, for solo voice and piano) lyricist: Franz von Schober composer: Franz Schubert (in 1817-03) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)	Franz Schubert	2:35
61	Een kindeken is ons geboren (MB 14/53) piano: Kit Armstrong recording of: Een Kindeken is ons geboren composer: John Bull	John Bull	2:11
62	Sonatina for Clarinet and Piano: II. Lento, quasi andante recording engineer: Rainer Maillard (in 2020-03) producer: Lukas Kowalski clarinet: Andreas Ottensamer (in 2020-03) piano: Julien Quentin (in 2020-03) recorded at: Meistersaal in Berlin, Germany (in 2020-03) recording of: Sonatina for Clarinet and Piano: II. Lento, quasi andante (in 2020-03) composer: Joseph Horovitz (in 1981) part of: Sonatina for Clarinet and Piano	Joseph Horovitz	3:49
63	O Holy Night producer: Sid McLauchlan harp: Xavier de Maistre (in 2020-10) tenor vocals: Rolando Villazón (in 2020-10) recorded at: Meistersaal in Berlin, Germany (in 2020-10) recording of: O Holy Night (catch-all for arrangements) (in 2020-10) composer: Adolphe Adam arrangement of: O Holy Night	Adolphe Adam	3:30
64	Vier Lieder, op. 27, TrV 170: IV. Morgen! recording engineer: Michaela Wiesbeck (in 2020-05) producer: Michaela Wiesbeck piano: Daniel Heide (in 2020-05) baritone vocals: Andrè Schuen (in 2020-05) recorded at: Markus-Sittikus-Saal in Hohenems, Vorarlberg, Austria (in 2020-05) recording of: Morgen!, op. 27 no. 4 (for voice and piano) (in 2020-05) lyricist: John Henry Mackay composer: Richard Strauss (in 1894) publisher: Boosey & Hawkes part of: 4 Lieder, op. 27	Richard Strauss	4:05
65	Les couleurs de l'eau, op. 22: III. Cascatelle oboe: Albrecht Mayer piano: Kimiko Imani recording of: Les couleurs de l'eau, op. 22: III. Cascatelle composer: Gotthard Odermatt (in 2013) part of: Les couleurs de l'eau, op. 22	Gotthard Odermatt	5:29
66	King Roger, op. 46: Roxana's Song (Arr. Kochanski for Violin and Piano) piano: Julia Okruashvili violin: Bomsori recording of: Pieśń Roksany (Roxana's Song, for violin and piano, arr. Kochanski) composer: Karol Szymanowski piano and violin arranger: Paul Kochański (in 1926) arrangement of: King Roger, op. 46: Chant de Roxane	Karol Szymanowski	6:11
67	Der Zarewitsch: Einer wird kommen soprano vocals [Sonja]: Nadine Sierra orchestra: Orchestra Sinfonica Nazionale della RAI conductor: Riccardo Frizza recording of: Der Zarewitsch: Akt I. Nr. 4 Lied „Einer wird kommen, der wird mich begehren“ (Sonja) composer: Franz Lehár part of: Der Zarewitsch: Akt I	Franz Lehár	5:14
68	Aelita's Suite: III. The Dance of the Magazitly piano: Karolina Aavik violin: Hans Christian Aavik recording of: Aeliita süit: III. Magatsitlite tants composer: Eduard Oja (in 1932) part of: Aeliita süit	Eduard Oja	3:10
69	Oberek no. 1 piano: Julia Okruashvili (in 2022-03) violin: Bomsori (in 2022-03) recorded at: Meistersaal in Berlin, Germany (in 2022-03) recording of: Oberek no. 1 (in 2022-03) composer: Grażyna Bacewicz (in 1949)	Grażyna Bacewicz	1:36
70	La bohème, SC 67 / Act 1: Sì. Mi chiamano Mimì producer: Jakob Händel soprano vocals: Nadine Sierra (in 2020-10) orchestra: Orchestra Sinfonica Nazionale della RAI (in 2020-10) conductor: Riccardo Frizza (in 2020-10) recorded at: Auditorium RAI in Torino, Torino, Piemonte, Italy (in 2020-10) recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 2020-10) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	5:34
71	Romance, op. 5 recording engineer: Martin Kistner (in 2020-12) producer: Matthias Erb piano: Mao Fujita (in 2020-12) recorded at: b‐sharp in Berlin, Germany (in 2020-12) recording of: Romance in F minor, op. 5 (for piano) (in 2020-12) composer: Пётр Ильич Чайковский (in 1868) part of: Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 5)	Pyotr Ilyich Tchaikovsky	6:07
72	Suite for Piano, Op. 25: VI. Gigue piano: Yuja Wang recording of: Suite für Klavier, op. 25: VI. Gigue composer: Arnold Schönberg (from 1921 until 1923) part of: Suite für Klavier, op. 25	Arnold Schoenberg	2:18
73	Wiegenlied, D. 867, op. 105 no. 2 producer: Michaela Wiesbeck piano: Daniel Heide (in 2021-03) baritone vocals: Andrè Schuen (in 2021-03) recorded at: Markus-Sittikus-Saal in Hohenems, Vorarlberg, Austria (in 2021-03) recording of: Wiegenlied, D. 867 (in 2021-03) lyricist: Johann Gabriel Seidl composer: Franz Schubert (in 1826) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 867)	Franz Schubert	5:46
74	Black Is The Colour Of My True Love's Hair (arr. Gupta for Countertenor and Piano) piano: Sarah Tysman countertenor vocals: Cameron Shahbazi recording of: Black Is the Colour (of My True Love’s Hair) lyricist and composer: [traditional] part of: Roud Folk Song Index (number: 3103)	[traditional]	1:51
75	Spera, mi disse amore (arr. Fateyeva and Enzian for Soprano Saxophone and Baroque Harp) harp [baroque harp]: Luise Enzian soprano saxophone: Asya Fateyeva arranger: Luise Enzian and Asya Fateyeva recording of: Spera, mi disse amore composer: Orazio Michi	Orazio Michi	3:14
76	L'Ultima Canzone recording engineer: Michaela Wiesbeck (in 2020-05) producer: Michaela Wiesbeck piano: Daniel Heide (in 2020-05) baritone vocals: Andrè Schuen (in 2020-05) recorded at: Markus-Sittikus-Saal in Hohenems, Vorarlberg, Austria (in 2020-05) recording of: L’ultima canzone (in 2020-05) lyricist: Francesco Cimmino composer: Francesco Paolo Tosti dedicated to: Rina Giacchetti	Paolo Tosti	4:26
77	Le Grand Tango cello: Jaemin Han piano: Jonathan Ware recording of: Le Grand Tango (original for cello and piano) composer: Astor Piazzolla (in 1982) dedicated to: Мстислав Ростропович	Astor Piazzolla	12:32
78	6 Romances, op. 16, TH 95: I. Cradle Song recording engineer: Philipp Nedel (in 2021-04) producer: Matthias Erb piano: Holger Groschopp (in 2021-04) soprano vocals: Anna El-Khashem (in 2021-04) recorded at: b‐sharp in Berlin, Germany (in 2021-04) recording of: 6 Songs, op. 16: No. 1. Cradle Song (for voice+piano) (in 2021-04) composer: Пётр Ильич Чайковский (from 1872 until 1873) librettist: Аполлон Майков dedicated to: Надежда Римская-Корсакова part of: 6 Songs, op. 16	Pyotr Ilyich Tchaikovsky	4:10
79	Winterreise, D. 911: 21. Das Wirtshaus recording engineer: Rainer Maillard (in 2020-03) producer: Lukas Kowalski piano: Caspar Frantz (in 2020-03) soprano vocals: Anna Prohaska (in 2020-03) recorded at: Meistersaal in Berlin, Germany (in 2020-03) recording of: Winterreise, op. 89, D. 911: XXI. Das Wirtshaus (in 2020-03) lyricist: Wilhelm Müller composer: Franz Schubert (in 1827) part of: Winterreise, op. 89, D. 911	Franz Schubert	4:26
80	Violin Sonata no. 3 in A minor, op. 25: III. Allegro con brio, ma non troppo mosso piano: Karolina Aavik violin: Hans Christian Aavik recording of: Sonate Nr. 3 für Violine und Klavier A-moll, op. 25 „dans le caractère populaire roumain“: III. Allegro con brio, ma non troppo mosso (Violin Sonata no. 3 in A minor, op. 25 "in Romanian Folk Style": III. Allegro con brio, ma non troppo mosso) composer: George Enescu (in 1926) part of: Sonate Nr. 3 für Violine und Klavier A-moll, op. 25 „dans le caractère populaire roumain“ (Violin Sonata no. 3 in A minor, op. 25 "in Romanian Folk Style")	George Enescu	8:10
81	Lalaee (transcr. Sokolovski for Countertenor and Piano) piano: Sarah Tysman countertenor vocals: Cameron Shahbazi recording of: Lalaee composer: Parviz Ghiasian	Parviz Ghiasian	4:23
82	Chansons madécasses, M. 78: No. 1, Nahandove (arr. Kervadec for Soprano and Marimba) marimba: Emmanuel Jacquet soprano vocals: Axelle Fanyo recording of: Chansons madécasses, M. 78: No. 1. Nahandove (catch-all for arrangements) composer: Maurice Ravel arrangement of: Chansons madécasses, M. 78: No. 1. Nahandove	Maurice Ravel	4:28
83	Trio Sonata no. 3 in D Minor, BWV 527 (transcr. Mayer & Frey for Oboe & Harpsichord): I. Andante recording engineer: Rainer Maillard (in 2021-01) producer: Lukas Kowalski harpsichord: Vital Julian Frey (in 2021-01) oboe: Albrecht Mayer (in 2021-01) harpsichord arranger and oboe arranger: Albrecht Mayer recorded at: Siemens‐Villa in Berlin, Germany (in 2021-01) recording of: Triosonate Nr. 3 d-Moll, BWV 527: I. Andante (catch-all for arrangements) (in 2021-01) composer: Johann Sebastian Bach arrangement of: Triosonate für Orgel Nr. 3 d-Moll, BWV 527: I. Andante	Johann Sebastian Bach	4:31
84	Die schöne Müllerin, op. 25, D. 795: VII. Ungeduld recording engineer, producer, mixer and editor: Michaela Wiesbeck piano: Daniel Heide (in 2020-05) baritone vocals: Andrè Schuen (in 2020-05) recorded at: Markus-Sittikus-Saal in Hohenems, Vorarlberg, Austria (in 2020-05) recording of: Die schöne Müllerin, D. 795: Nr. 7. Ungeduld (in 2020-05) lyricist: Wilhelm Müller composer: Franz Schubert (in 1823) part of: Die schöne Müllerin, D. 795	Franz Schubert	2:45
85	La Valse, M. 72 recording engineer: Martin Kistner (in 2020-12) producer: Matthias Erb piano: Mao Fujita (in 2020-12) recorded at: b‐sharp in Berlin, Germany (in 2020-12) recording of: La Valse (for piano solo) (from 2020-12 to ????) composer: Maurice Ravel (from 1919 until 1920) arranger: Maurice Ravel (in 1920) arrangement of: La Valse (for orchestra)	Maurice Ravel	12:29
86	Mörike-Lieder: No. 25, Schlafendes Jesuskind piano: Daniel Heide baritone vocals: Andrè Schuen recording of: Mörike-Lieder: No. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (for voice and piano) lyricist: Eduard Mörike composer: Hugo Wolf (in 1888) part of: Mörike-Lieder (for voice and piano)	Hugo Wolf	3:54
87	Early Songs: Summer Night, Riverside piano: Chris Reynolds soprano vocals: Emily Pogorelc recording of: Early Songs composer: Andrew Hsu	Andrew Hsu	4:33
88	Trio Sonata no. 3 in D Minor, BWV 527 (transcr. Mayer & Frey for Oboe & Harpsichord): III. Vivace recording engineer: Rainer Maillard (in 2021-01) producer: Lukas Kowalski harpsichord: Vital Julian Frey (in 2021-01) oboe: Albrecht Mayer (in 2021-01) arranger: Vital Julian Frey and Albrecht Mayer recorded at: Siemens‐Villa in Berlin, Germany (in 2021-01) recording of: Triosonate Nr. 3 d-Moll, BWV 527: III. Vivace (catch-all for arrangements) (in 2021-01) composer: Johann Sebastian Bach arrangement of: Triosonate für Orgel Nr. 3 d-Moll, BWV 527: III. Vivace	Johann Sebastian Bach	3:44
89	Cabaret Songs, Vol. 1: No. 6, Amor piano: Kunal Lahiry soprano vocals: Axelle Fanyo recording of: Amor lyricist: Arnold Weinstein (from 1977 until 1985) composer: William Bolcom (from 1977 until 1985) part of: Cabaret Songs, Vol. 1 and 2	William Bolcom	3:05
90	Overture "Leonore no. 3", op. 72b recorded in: Dortmund, Nordrhein-Westfalen, Germany (in 2020-12) recording engineer: Marcus Herzog (in 2020-12) producer: Vilius Keras and Sid McLauchlan orchestra: Deutsche Kammerphilharmonie Bremen (in 2020-12) conductor: Mirga Gražinytė‐Tyla (in 2020-12) recording of: Overture “Leonore” no. 3 in C major, op. 72b (in 2020-12) composer: Ludwig van Beethoven (from 1805 until 1806) part of: Works of Ludwig van Beethoven by opus number (number: op. 72b) revision of: Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)	Ludwig van Beethoven	13:03
91	Le Villi, SC 60: Se come voi piccina io fossi producer: Jakob Händel soprano vocals: Nadine Sierra (in 2020-10) orchestra: Orchestra Sinfonica Nazionale della RAI (in 2020-10) conductor: Riccardo Frizza (in 2020-10) recorded at: L'auditorium di Torino della Rai in Torino, Torino, Piemonte, Italy (in 2020-10) recording of: Le Villi: Atto I. Scena e romanza “Se come voi piccina io fossi” (Anna, Roberto) (in 2020-10) composer: Giacomo Puccini librettist: Ferdinando Fontana part of: Le Villi: Atto I	Giacomo Puccini	5:37
92	Litanei auf das Fest Allerseelen, D. 343 recording engineer: Michaela Wiesbeck (in 2020-05) producer: Michaela Wiesbeck piano: Daniel Heide (in 2020-05) baritone vocals: Andrè Schuen (in 2020-05) recorded at: Markus-Sittikus-Saal in Hohenems, Vorarlberg, Austria (in 2020-05) recording of: Am Tage aller Seelen (Litanei), D. 343 (original for voice and piano) (in 2020-05) lyricist: Johann Georg Jacobi composer: Franz Schubert (in 1816-08) part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 343)	Franz Schubert	6:15
93	Piano Sonata in F Minor, WoO 47 no. 2 "Electoral": II. Andante piano: Robert Neumann recording of: Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”: II. Andante composer: Ludwig van Beethoven (from 1782 until 1783) part of: Sonata for Piano in F minor, WoO 47 no. 2 “Kurfürsten”	Ludwig van Beethoven	8:55
94	Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) piano: James Baillieu soprano vocals: Pumeza Matshikiza recording of: Canciones clásicas españolas, vol. 1: VI. Dos cantares populares (Del cabello más sutil) composer: Fernando Obradors part of: Canciones clásicas españolas, vol. 1	Fernando Obradors	1:14
95	La bohème, SC 67 / Act 1: Sì. Mi chiamano Mimì recording engineer: Rainer Maillard (in 2020-03) producer: Lukas Kowalski piano: Caspar Frantz (in 2020-03) soprano vocals: Anna Prohaska (in 2020-03) recorded at: Meistersaal in Berlin, Germany (in 2020-03) recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 2020-03) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	5:04
96	Prelude & Fugue in C-Sharp Minor (Well-Tempered Clavier, Book I, no. 4), BWV 849: II. Fugue recording engineer: Lukas Kowalski (in 2020-08) producer: Lukas Kowalski and Sid McLauchlan piano: Kit Armstrong (from 2002-08 until 2020-08) recorded at: Meistersaal in Berlin, Germany (in 2020-08) recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849: Fugue (in 2020-08) composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 4 in C-sharp minor, BWV 849	Johann Sebastian Bach	4:05
97	Beautiful Dreamer (arr. Coughlin for Voice and Orchestra) recording engineer: Stephan Flock (in 2017-10) producer: Sid McLauchlan soprano vocals: Nadine Sierra (in 2017-10) orchestra: Royal Philharmonic Orchestra (in 2017-10) conductor: Robert Spano (in 2017-10) recorded at: Angel Recording Studios: Studio 3 in Islington, London, England, United Kingdom (in 2017-10) recording of: Beautiful Dreamer (in 2017-10) orchestrator: Herbert Spencer lyricist and composer: Stephen Foster (in 1864)	Stephen Foster	3:41
98	Trois chansons: I. Youkali piano: Kunal Lahiry soprano vocals: Axelle Fanyo recording of: Youkali: Tango Habanera lyricist: Roger Fernay composer: Kurt Weill	Kurt Weill	5:20
99	Linda Fantasy oboe: Albrecht Mayer piano: Kimiko Imani recording of: Linda-Fantasie composer: Louis Klemcke publisher: C.F. Schmidt	Louis Klemcke	9:08
100	Chaconne in G Major for Harpsichord, HWV 435 recording engineer: Michael Morawietz (in 2014-09) producer: Christoph Claßen harpsichord: Mahan Esfahani (in 2014-09) recorded at: Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2014-09) recording of: Suite de pièce in G major, Vol. 2 no. 2, HWV 435 (in 2014-09) composer: George Frideric Handel (from 1705 until 1717) part of: Händel-Werke-Verzeichnis (number: HWV 435) part of: Suites de Pièces, Vol. 2, HWV 434-442	George Frideric Handel	5:17
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