The Complete 1932–1940 Brunswick, Columbia and Master Recordings of Duke Ellington and His Famous Orchestra

~ Release by Duke Ellington & His Orchestra (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▼CD
#TitleLength
1Diminuendo in Blue
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20), Arthur Whetsel (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
recording of:
Diminuendo in Blue (on 1937-09-20)
composer:
Duke Ellington
2:47
2Crescendo in Blue
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20), Arthur Whetsel (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
recording of:
Crescendo in Blue (on 1937-09-20)
composer:
Duke Ellington (in 1937)
3:16
3Harmony in Harlem
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20), Arthur Whetsel (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
3:08
4Dusk on the Desert
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20), Arthur Whetsel (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
3:07
5Stepping Into Swing Society
alto saxophone:
Barney Bigard (on 1938-01-13), Harry Carney (on 1938-01-13), Otto Hardwick (on 1938-01-13) and Johnny Hodges (on 1938-01-13)
baritone saxophone:
Harry Carney (on 1938-01-13)
clarinet:
Barney Bigard (on 1938-01-13), Harry Carney (on 1938-01-13) and Johnny Hodges (on 1938-01-13)
cornet:
Rex Stewart (on 1938-01-13)
double bass:
Hayes Alvis (on 1938-01-13) and Billy Taylor (on 1938-01-13)
double bass [bass]:
Hayes Alvis (on 1938-01-13) and Billy Taylor Sr. (on 1938-01-13)
drums (drum set):
Sonny Greer (on 1938-01-13)
guitar:
Fred Guy (on 1938-01-13)
piano:
Duke Ellington (on 1938-01-13)
reeds:
Barney Bigard (on 1938-01-13)
saxophone and soprano saxophone:
Johnny Hodges (on 1938-01-13)
trombone:
Lawrence Brown (on 1938-01-13) and Joe "Tricky Sam" Nanton (on 1938-01-13)
trumpet:
Harold Baker (on 1938-01-13), Freddy Jenkins (on 1938-01-13), Wallace Jones (on 1938-01-13), Arthur Whetsel (on 1938-01-13) and Cootie Williams (on 1938-01-13)
valve trombone:
Juan Tizol (on 1938-01-31)
orchestra:
Duke Ellington and His Orchestra (on 1938-01-13)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-01-13)
3:07
6Prologue to Black and Tan Fantasy
alto saxophone and reeds:
Barney Bigard (on 1938-01-13), Harry Carney (on 1938-01-13), Otto Hardwick (on 1938-01-13) and Johnny Hodges (on 1938-01-13)
baritone saxophone:
Harry Carney (on 1938-01-13)
clarinet:
Barney Bigard (on 1938-01-13), Harry Carney (on 1938-01-13) and Johnny Hodges (on 1938-01-13)
cornet:
Rex Stewart (on 1938-01-13)
double bass:
Hayes Alvis (on 1938-01-13) and Billy Taylor (on 1938-01-13)
double bass [bass]:
Hayes Alvis (on 1938-01-13) and Billy Taylor Sr. (on 1938-01-13)
drums (drum set):
Sonny Greer (on 1938-01-13)
guitar:
Fred Guy (on 1938-01-13)
piano:
Duke Ellington (on 1938-01-13)
saxophone and soprano saxophone:
Johnny Hodges (on 1938-01-13)
trombone:
Lawrence Brown (on 1938-01-13, on 1938-01-31) and Joe "Tricky Sam" Nanton (on 1938-01-13)
trumpet:
Harold Baker (on 1938-01-13), Freddy Jenkins (on 1938-01-13), Wallace Jones (on 1938-01-13), Arthur Whetsel (on 1938-01-13) and Cootie Williams (on 1938-01-13, on 1938-01-31)
valve trombone:
Juan Tizol (on 1938-01-13)
orchestra:
Duke Ellington and His Orchestra (on 1938-01-13)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-01-13)
2:37
7The New Black and Tan Fantasy
alto saxophone:
Barney Bigard (on 1938-01-13), Harry Carney (on 1938-01-13), Otto Hardwick (on 1938-01-13, on 1938-01-31) and Johnny Hodges (on 1938-01-13)
baritone saxophone:
Harry Carney (on 1938-01-13)
clarinet:
Barney Bigard (on 1938-01-13), Harry Carney (on 1938-01-13) and Johnny Hodges (on 1938-01-13)
cornet:
Rex Stewart (on 1938-01-13)
double bass:
Hayes Alvis (on 1938-01-13) and Billy Taylor (on 1938-01-13)
double bass [bass]:
Hayes Alvis (on 1938-01-13) and Billy Taylor Sr. (on 1938-01-13)
drums (drum set):
Sonny Greer (on 1938-01-13)
guitar:
Fred Guy (on 1938-01-13, on 1938-01-31)
piano:
Duke Ellington (on 1938-01-13)
reeds:
Harry Carney (on 1938-01-13), Otto Hardwick (on 1938-01-13), Johnny Hodges (on 1938-01-13) and Barney Bigard (on 1938-01-31)
saxophone and soprano saxophone:
Johnny Hodges (on 1938-01-13)
trombone:
Lawrence Brown (on 1938-01-13) and Joe "Tricky Sam" Nanton (on 1938-01-13)
trumpet:
Harold Baker (on 1938-01-13), Freddy Jenkins (on 1938-01-13), Wallace Jones (on 1938-01-13), Arthur Whetsel (on 1938-01-13) and Cootie Williams (on 1938-01-13)
valve trombone:
Juan Tizol (on 1938-01-13)
orchestra:
Duke Ellington and His Orchestra (on 1938-01-31)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-01-13)
2:43
8Riding on a Blue Note
alto saxophone:
Johnny Hodges (on 1938-02-02)
cornet:
Rex Stewart (on 1938-02-02)
double bass [bass]:
Hayes Alvis (on 1938-02-02) and Billy Taylor Sr. (on 1938-02-02)
drums (drum set):
Sonny Greer (on 1938-02-02)
piano:
Duke Ellington (on 1938-02-02)
saxophone:
Harry Carney (on 1938-02-02) and Otto Hardwick (on 1938-02-02)
tenor saxophone:
Barney Bigard (on 1938-02-02)
trombone:
Lawrence Brown (on 1938-02-02) and Joe "Tricky Sam" Nanton (on 1938-02-02)
trumpet:
Freddy Jenkins (on 1938-02-02), Arthur Whetsel (on 1938-02-02) and Cootie Williams (on 1938-02-02)
valve trombone:
Juan Tizol (on 1938-02-02)
orchestra:
Duke Ellington and His Orchestra (on 1938-02-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-02-02)
2:49
9Lost in Meditation
alto saxophone:
Johnny Hodges (on 1938-02-02)
cornet:
Rex Stewart (on 1938-02-02)
double bass [bass]:
Hayes Alvis (on 1938-02-02) and Billy Taylor Sr. (on 1938-02-02)
drums (drum set):
Sonny Greer (on 1938-02-02)
piano:
Duke Ellington (on 1938-02-02)
saxophone:
Harry Carney (on 1938-02-02) and Otto Hardwick (on 1938-02-02)
tenor saxophone:
Barney Bigard (on 1938-02-02)
trombone:
Lawrence Brown (on 1938-02-02) and Joe "Tricky Sam" Nanton (on 1938-02-02)
trumpet:
Freddy Jenkins (on 1938-02-02), Arthur Whetsel (on 1938-02-02) and Cootie Williams (on 1938-02-02)
valve trombone:
Juan Tizol (on 1938-02-02)
orchestra:
Duke Ellington and His Orchestra (on 1938-02-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-02-02)
instrumental recording of:
Lost in Meditation (on 1938-02-02)
writer:
Duke Ellington, Lou Singer, Irving Mills and Juan Tizol
2:56
10The Gal From Joe’s
alto saxophone:
Johnny Hodges (on 1938-02-02)
cornet:
Rex Stewart (on 1938-02-02)
double bass [bass]:
Hayes Alvis (on 1938-02-02) and Billy Taylor Sr. (on 1938-02-02)
drums (drum set):
Sonny Greer (on 1938-02-02)
piano:
Duke Ellington (on 1938-02-02)
saxophone:
Harry Carney (on 1938-02-02) and Otto Hardwick (on 1938-02-02)
tenor saxophone:
Barney Bigard (on 1938-02-02)
trombone:
Lawrence Brown (on 1938-02-02) and Joe "Tricky Sam" Nanton (on 1938-02-02)
trumpet:
Freddy Jenkins (on 1938-02-02), Arthur Whetsel (on 1938-02-02) and Cootie Williams (on 1938-02-02)
valve trombone:
Juan Tizol (on 1938-02-02)
orchestra:
Duke Ellington and His Orchestra (on 1938-02-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-02-02)
recording of:
The Gal From Joe’s (on 1938-02-02)
composer:
Duke Ellington and Irving Mills
2:58
11If You Were in My Place (What Would You Do?)
alto saxophone:
Otto Hardwick (in 1938-02) and Johnny Hodges (in 1938-02)
double bass [bass]:
Hayes Alvis (in 1938-02) and Billy Taylor Sr. (in 1938-02)
drums (drum set):
Sonny Greer (in 1938-02)
guitar:
Fred Guy (in 1938-02)
piano:
Duke Ellington (in 1938-02)
reeds:
Barney Bigard (in 1938-02)
saxophone:
Harry Carney (in 1938-02)
trombone:
Lawrence Brown (in 1938-02) and Joe "Tricky Sam" Nanton (in 1938-02)
trumpet:
Freddy Jenkins (in 1938-02), Wallace Jones (in 1938-02) and Cootie Williams (in 1938-02)
valve trombone:
Juan Tizol (in 1938-02)
vocals:
Ivie Anderson (in 1938-02)
orchestra:
Duke Ellington and His Orchestra
recorded at:
American Record Corporation Studios in New York, New York, United States (from 1938-02-24 until 1938-02-25)
recording of:
If You Were in My Place (What Would You Do?) (in 1938-02)
writer:
Duke Ellington, Irving Mills and Henry Nemo
2:55
12Skrontch (Scrounch)
alto saxophone:
Otto Hardwick (in 1938-02) and Johnny Hodges (in 1938-02)
double bass [bass]:
Hayes Alvis (in 1938-02) and Billy Taylor Sr. (in 1938-02)
drums (drum set):
Sonny Greer (in 1938-02)
guitar:
Fred Guy (in 1938-02)
piano:
Duke Ellington (in 1938-02)
reeds:
Barney Bigard (in 1938-02)
saxophone:
Harry Carney (in 1938-02)
trombone:
Lawrence Brown (in 1938-02) and Joe "Tricky Sam" Nanton (in 1938-02)
trumpet:
Freddy Jenkins (in 1938-02), Wallace Jones (in 1938-02) and Cootie Williams (in 1938-02)
valve trombone:
Juan Tizol (in 1938-02)
vocals:
Ivie Anderson (in 1938-02)
orchestra:
Duke Ellington and His Orchestra (in 1938-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (from 1938-02-24 until 1938-02-25)
recording of:
Skrontch (in 1938-02)
writer:
Duke Ellington, Irving Mills and Henry Nemo
2:44
13I Let a Song Go Out of My Heart
alto saxophone:
Otto Hardwick (on 1938-03-03) and Johnny Hodges (on 1938-03-03)
baritone saxophone:
Harry Carney (on 1938-03-03)
cornet:
Rex Stewart (on 1938-03-03)
double bass [bass]:
Hayes Alvis (on 1938-03-03) and Billy Taylor Sr. (on 1938-03-03)
drums (drum set):
Sonny Greer (on 1938-03-03)
guitar:
Fred Guy (on 1938-03-03)
piano:
Duke Ellington (on 1938-03-03)
reeds:
Barney Bigard (on 1938-03-03)
trombone:
Lawrence Brown (on 1938-03-03), Herb Flemming (on 1938-03-03) and Joe "Tricky Sam" Nanton (on 1938-03-03)
trumpet:
Freddy Jenkins (on 1938-03-03), Wallace Jones (on 1938-03-03) and Cootie Williams (on 1938-03-03)
orchestra:
Duke Ellington and His Orchestra (on 1938-03-03)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-03-03)
recording of:
I Let a Song Go Out of My Heart (on 1938-03-03)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (in 1938)
composer:
Duke Ellington (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:09
14Braggin’ in Brass
alto saxophone and reeds:
Barney Bigard (on 1938-03-03), Harry Carney (on 1938-03-03), Otto Hardwick (on 1938-03-03) and Johnny Hodges (on 1938-03-03)
baritone saxophone:
Harry Carney (on 1938-03-03)
clarinet:
Barney Bigard (on 1938-03-03), Harry Carney (on 1938-03-03) and Johnny Hodges (on 1938-03-03)
cornet:
Rex Stewart (on 1938-03-03)
double bass:
Hayes Alvis (on 1938-03-03) and Billy Taylor (on 1938-03-03)
double bass [bass]:
Hayes Alvis (on 1938-03-03) and Billy Taylor Sr. (on 1938-03-03)
drums (drum set):
Sonny Greer (on 1938-03-03)
guitar:
Fred Guy (on 1938-03-03)
piano:
Duke Ellington (on 1938-03-03)
soprano saxophone:
Johnny Hodges (on 1938-03-03)
trombone:
Lawrence Brown (on 1938-03-03), Herb Flemming (on 1938-03-03) and Joe "Tricky Sam" Nanton (on 1938-03-03)
trumpet:
Harold Baker (on 1938-03-03), Freddy Jenkins (on 1938-03-03), Wallace Jones (on 1938-03-03) and Cootie Williams (on 1938-03-03)
valve trombone:
Juan Tizol (on 1938-03-03)
orchestra:
Duke Ellington and His Orchestra (on 1938-03-03)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-03-03)
2:45
15Carnival in Caroline
alto saxophone:
Otto Hardwick (on 1938-03-03) and Johnny Hodges (on 1938-03-03)
baritone saxophone:
Harry Carney (on 1938-03-03)
clarinet:
Barney Bigard (on 1938-03-03)
cornet:
Rex Stewart (on 1938-03-03)
double bass and double bass [bass]:
Hayes Alvis (on 1938-03-03) and Billy Taylor Sr. (on 1938-03-03)
drums (drum set):
Sonny Greer (on 1938-03-03)
guitar:
Fred Guy (on 1938-03-03)
piano:
Duke Ellington (on 1938-03-03)
reeds:
Barney Bigard (on 1938-03-03), Harry Carney (on 1938-03-03), Otto Hardwick (on 1938-03-03) and Johnny Hodges (on 1938-03-03)
trombone:
Lawrence Brown (on 1938-03-03), Herb Flemming (on 1938-03-03) and Joe "Tricky Sam" Nanton (on 1938-03-03)
trumpet:
Harold “Shorty” Baker (on 1938-03-03), Freddy Jenkins (on 1938-03-03), Wallace Jones (on 1938-03-03) and Cootie Williams (on 1938-03-03)
valve trombone:
Juan Tizol (on 1938-03-03)
vocals:
Ivie Anderson (on 1938-03-03)
orchestra:
Duke Ellington and His Orchestra (on 1938-03-03)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-03-03)
2:29
16Diminuendo in Blue (alternate take 2)
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Joe "Tricky Sam" Nanton (from 1937-09-20 to present) and Lawrence Brown (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
recording of:
Diminuendo in Blue (on 1937-09-20)
composer:
Duke Ellington
2:39
17Crescendo in Blue (alternate take 2)
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
recording of:
Crescendo in Blue (on 1937-09-20)
composer:
Duke Ellington (in 1937)
3:14
18Harmony in Harlem (alternate take X)
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
3:09
19Harmony in Harlem (alternate take 1)
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
3:01
20Dusk on the Desert (alternate take 1)
cornet:
Rex Stewart (on 1937-09-20)
drums (drum set):
Sonny Greer (on 1937-09-20)
guitar:
Fred Guy (on 1937-09-20)
piano:
Duke Ellington (on 1937-09-20)
reeds:
Barney Bigard (on 1937-09-20), Harry Carney (on 1937-09-20), Otto Hardwick (on 1937-09-20) and Johnny Hodges (on 1937-09-20)
trombone:
Lawrence Brown (on 1937-09-20) and Joe "Tricky Sam" Nanton (on 1937-09-20)
trumpet:
Freddy Jenkins (on 1937-09-20) and Cootie Williams (on 1937-09-20)
valve trombone:
Juan Tizol (on 1937-09-20)
orchestra:
Duke Ellington and His Orchestra (on 1937-09-20)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1937-09-20)
3:16
21Riding on a Blue Note (alternate take 2)
alto saxophone:
Johnny Hodges (on 1938-02-02)
cornet:
Rex Stewart (on 1938-02-02)
double bass [bass]:
Hayes Alvis (on 1938-02-02) and Billy Taylor Sr. (on 1938-02-02)
drums (drum set):
Sonny Greer (on 1938-02-02)
piano:
Duke Ellington (on 1938-02-02)
saxophone:
Harry Carney (on 1938-02-02) and Otto Hardwick (on 1938-02-02)
tenor saxophone:
Barney Bigard (on 1938-02-02)
trombone:
Lawrence Brown (on 1938-02-02) and Joe "Tricky Sam" Nanton (on 1938-02-02)
trumpet:
Freddy Jenkins (on 1938-02-02), Arthur Whetsel (on 1938-02-02) and Cootie Williams (on 1938-02-02)
valve trombone:
Juan Tizol (on 1938-02-02)
orchestra:
Duke Ellington and His Orchestra (on 1938-02-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-02-02)
2:51
22The Gal From Joe’s (alternate take 2)
alto saxophone:
Johnny Hodges (on 1938-02-02)
cornet:
Rex Stewart (on 1938-02-02)
double bass [bass]:
Hayes Alvis (on 1938-02-02) and Billy Taylor Sr. (on 1938-02-02)
drums (drum set):
Sonny Greer (on 1938-02-02)
piano:
Duke Ellington (on 1938-02-02)
saxophone:
Harry Carney (on 1938-02-02) and Otto Hardwick (on 1938-02-02)
tenor saxophone:
Barney Bigard (on 1938-02-02)
trombone:
Lawrence Brown (on 1938-02-02) and Joe "Tricky Sam" Nanton (on 1938-02-02)
trumpet:
Freddy Jenkins (on 1938-02-02), Arthur Whetsel (on 1938-02-02) and Cootie Williams (on 1938-02-02)
valve trombone:
Juan Tizol (on 1938-02-02)
orchestra:
Duke Ellington and His Orchestra (on 1938-02-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-02-02)
recording of:
The Gal From Joe’s (on 1938-02-02)
composer:
Duke Ellington and Irving Mills
3:10
23If You Were in My Place (What Would You Do?) (alternate take 1)
alto saxophone:
Otto Hardwick (in 1938-02) and Johnny Hodges (in 1938-02)
double bass [bass]:
Hayes Alvis (in 1938-02) and Billy Taylor Sr. (in 1938-02)
drums (drum set):
Sonny Greer (in 1938-02)
guitar:
Fred Guy (in 1938-02)
piano:
Duke Ellington (in 1938-02)
reeds:
Barney Bigard (in 1938-02)
saxophone:
Harry Carney (in 1938-02)
trombone:
Lawrence Brown (in 1938-02) and Joe "Tricky Sam" Nanton (in 1938-02)
trumpet:
Freddy Jenkins (in 1938-02), Wallace Jones (in 1938-02) and Cootie Williams (in 1938-02)
valve trombone:
Juan Tizol (in 1938-02)
vocals:
Ivie Anderson (in 1938-02)
orchestra:
Duke Ellington and His Orchestra (in 1938-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (from 1938-02-24 until 1938-02-25)
recording of:
If You Were in My Place (What Would You Do?) (in 1938-02)
writer:
Duke Ellington, Irving Mills and Henry Nemo
2:55
24Skrontch (Scrounch) (alternate take 1)
alto saxophone:
Otto Hardwick (in 1938-02) and Johnny Hodges (in 1938-02)
double bass [bass]:
Hayes Alvis (in 1938-02) and Billy Taylor Sr. (in 1938-02)
drums (drum set):
Sonny Greer (in 1938-02)
guitar:
Fred Guy (in 1938-02)
piano:
Duke Ellington (in 1938-02)
reeds:
Barney Bigard (in 1938-02)
saxophone:
Harry Carney (in 1938-02)
trombone:
Lawrence Brown (in 1938-02) and Joe "Tricky Sam" Nanton (in 1938-02)
trumpet:
Freddy Jenkins (in 1938-02), Wallace Jones (in 1938-02) and Cootie Williams (in 1938-02)
valve trombone:
Juan Tizol (in 1938-02)
vocals:
Ivie Anderson (in 1938-02)
orchestra:
Duke Ellington and His Orchestra (in 1938-02)
recorded at:
American Record Corporation Studios in New York, New York, United States (from 1938-02-24 until 1938-02-25)
recording of:
Skrontch (in 1938-02)
writer:
Duke Ellington, Irving Mills and Henry Nemo
2:44
25I Let a Song Go Out of My Heart (alternate take 1)
alto saxophone:
Otto Hardwick (on 1938-03-03) and Johnny Hodges (on 1938-03-03)
baritone saxophone:
Harry Carney (on 1938-03-03)
cornet:
Rex Stewart (on 1938-03-03)
double bass [bass]:
Hayes Alvis (on 1938-03-03) and Billy Taylor Sr. (on 1938-03-03)
drums (drum set):
Sonny Greer (on 1938-03-03)
guitar:
Fred Guy (on 1938-03-03)
piano:
Duke Ellington (on 1938-03-03)
reeds:
Barney Bigard (on 1938-03-03)
trombone:
Lawrence Brown (on 1938-03-03), Herb Flemming (on 1938-03-03) and Joe "Tricky Sam" Nanton (on 1938-03-03)
trumpet:
Freddy Jenkins (on 1938-03-03), Wallace Jones (on 1938-03-03) and Cootie Williams (on 1938-03-03)
orchestra:
Duke Ellington and His Orchestra (on 1938-03-03)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-03-03)
recording of:
I Let a Song Go Out of My Heart (on 1938-03-03)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (in 1938)
composer:
Duke Ellington (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:12
26Braggin’ in Brass (alternate take 2)
alto saxophone:
Otto Hardwick (on 1938-03-03) and Johnny Hodges (on 1938-03-03)
baritone saxophone:
Harry Carney (on 1938-03-03)
cornet:
Rex Stewart (on 1938-03-03)
double bass [bass]:
Hayes Alvis (on 1938-03-03) and Billy Taylor Sr. (on 1938-03-03)
drums (drum set):
Sonny Greer (on 1938-03-03)
guitar:
Fred Guy (on 1938-03-03)
reeds:
Barney Bigard (on 1938-03-03)
trombone:
Lawrence Brown (on 1938-03-03), Herb Flemming (on 1938-03-03) and Joe "Tricky Sam" Nanton (on 1938-03-03)
trumpet:
Freddy Jenkins (on 1938-03-03), Wallace Jones (on 1938-03-03) and Cootie Williams (on 1938-03-03)
orchestra:
Duke Ellington and His Orchestra (on 1938-03-03)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1938-03-03)
2:46
9▶CD
10▶CD
11▶CD