| # | Title | Artist | Length |
|---|
| 1 | Come On Eileen | Dexys Midnight Runners | 4:03 |
| 2 | Roll Over Lay Down | Status Quo | 4:41 |
| 3 | You Wear It Well | Rod Stewart | 4:09 |
| 4 | Look Away | Big Country | 4:27 |
| 5 | Running in the Family | Level 42 | 3:59 |
| 6 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London, England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 3:55 |
| 7 | St. Elmo’s Fire | John Parr | 4:06 |
| 8 | Breakout | Swing Out Sister | 3:43 |
| 9 | She Drives Me Crazy | Fine Young Cannibals | 3:33 |
| 10 | You Ain’t Seen Nothin’ Yet | Bachman–Turner Overdrive | 3:33 |
| 11 | Eye of the Tiger- producer:
- Jim Peterik and Frankie Sullivan
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control, Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music, Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited, Warner/Chappell North America Limited, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2)
| Survivor | 3:46 |
| 12 | I’ll Find My Way Home | Jon and Vangelis | 4:32 |
| 13 | I Don’t Like Mondays | The Boomtown Rats | 3:50 |
| 14 | Coz I Luv You | Slade | 3:22 |
| 15 | Dreadlock Holiday | 10cc | 5:02 |
| 16 | Trouble | Lindsey Buckingham | 3:48 |
| 17 | Venus | Bananarama | 3:53 |
| 18 | White Room- recording engineer:
- Adrian Barber (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
- engineer:
- Adrian Barber and Tom Dowd
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-07 until 1968-06)
- drums (drum set) and percussion and timpani:
- Ginger Baker (from 1967-07 until 1968-06)
- guitar:
- Eric Clapton (from 1967-07 until 1968-06)
- viola:
- Felix Pappalardi (from 1967-07 until 1968-06)
- vocals:
- Jack Bruce (from 1967-07 until 1968-06)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
- recorded at:
- IBC Studios in London, England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 368)
- recording of:
- White Room (from 1967-07 until 1968-06)
- writer:
- Pete Brown and Jack Bruce
- publisher:
- Casserole Music Corp., Copyright Control, Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music and Warner Chappell Music, Inc.
- sub-publisher:
- Warner/Chappell Music Ltd., ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Cream | 4:55 |
