Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▼CD: Bach: Christmas Oratorio (Parts IV-VI)
#TitleArtistLength
1Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 36. Chorus: “Fallt mit Danken, fallt mit Loben”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:31
2Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 37. Recitative (Evangelist): “Und da acht Tage um waren”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:32
3Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 38. Recitative (bass): “Immanuel, o süßes Wort” / Arioso (sopranos, bass): “Jesu, du mein liebstes Leben”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
bass vocals [Herod]:
Olaf Bär (in 1987-01)
soprano vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
performer:
Nancy Argenta (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:16
4Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 39. Aria (soprano, echo soprano): “Flößt, mein Heiland, flößt dein Namen”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
oboe:
Anthony Robson (in 1987-01)
soprano vocals:
Nancy Argenta (in 1987-01)
soprano vocals [Echo]:
Katie Pringle (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:40
5Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 40. Recitative (bass): “Wohlan, dein Name soll allein” / Chorale (sopranos): “Jesu, meine Freud und Wonne”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
bass vocals [Herod]:
Olaf Bär (in 1987-01)
soprano vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
performer:
Nancy Argenta (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:22
6Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 41. Aria (tenor): “Ich will nur dir zu Ehren leben”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
violin [Baroque violin]:
Alison Bury (in 1987-01) and Maya Homburger (in 1987-01)
tenor vocals:
Hans Peter Blochwitz (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:23
7Christmas Oratorio, BWV 248: Part Four: Fir the Feast of Circumcision. 42. Chorale: “Jesus richte mein Beginnen”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:10
8Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 43. Chorus: “Ehre sei dir, Gott, gesungen”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
bass vocals:
Olaf Bär (in 1987-01)
choir vocals:
The Monteverdi Choir (in 1987-01)
tenor vocals:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographic copyright (℗) by:
Polydor International GmbH (in 1987)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:56
9Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 44. Recitative (Evangelist): “Da “Jesus geboren war zu Bethlehem”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
10Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 45. Chorus: “Wo ist neugeborne König der Juden” / Recitative (alto): “Sucht ihn in meiner Brust”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:40
11Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 46. Chorale: “Dein Glanz all Finsternis verzehrt”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
12Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 47. Aria (bass): “Erleucht auch meine finstre Sinnen”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
oboe d'amore:
Anthony Robson (in 1987-01)
bass vocals [Herod]:
Olaf Bär (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:59
13Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 48. Recitative (Evangelist): “Da das der König Herodes hörte”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:12
14Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 49. Recitative (alto): “Warum wollt ihr erschrecken”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
15Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 50. Recitative (Evangelist): “Und ließ versammeln alle Hohenpriester”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
16Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 51. Trio (soprano, alto, tenor): “Ach, wann wird die Zeit erscheinen?”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1987-01)
soprano vocals:
Nancy Argenta (in 1987-01)
tenor vocals:
Hans Peter Blochwitz (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
17Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 52. Recitative (alto): “Mein Liebster herrschet schon”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
18Christmas Oratorio, BWV 248: Part Five: For the 1st Sunday in the New Year. 53. Chorale: “Zwar ist solche Herzensstube”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
19Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 54. Chorus: “Herr, wenn die stolzen Feinde schnauben”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:59
20Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 55. Recitative (Evangelist): “Da berief Herodes die Weisen heimlich” / Herod: “Ziehet hin und forschet fleißig”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
bass vocals [Herod]:
Olaf Bär (in 1987-01)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
21Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 56. Recitative (soprano): “Du Falscher, suche nur den Herrn zu fällen”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
soprano vocals:
Nancy Argenta (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
22Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 57. Aria (soprano): “Nur ein Wink von seinen Händen”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
soprano vocals:
Nancy Argenta (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:25
23Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 58. Recitative (Evangelist): “Als sie nun den König gehöret hatten”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
24Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 59. Chorale: “Ich steh an deiner Krippen hier”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
25Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 60. Recitative (Evangelist): “Und Gott befahl ihnen im Traum”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
26Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 61. Recitative (tenor): “So geht! Genug, mein Schatz geht nicht von hier”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
tenor vocals:
Hans Peter Blochwitz (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:52
27Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 62. Aria (tenor): “Nun mögt ihr stolzen Feinde schrecken”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
oboe d'amore:
Valerie Darke (in 1987-01) and Anthony Robson (in 1987-01)
tenor vocals:
Hans Peter Blochwitz (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:59
28Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 63. Recitative (soprano, alto, tenor, bass): “Was will der Höllen Schrecken nun”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
bass vocals [Herod]:
Olaf Bär (in 1987-01)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (in 1987-01)
soprano vocals:
Nancy Argenta (in 1987-01)
tenor vocals:
Hans Peter Blochwitz (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:37
29Christmas Oratorio, BWV 248: Part Six: For the Feast of Epiphany. 64. Chorale: “Nun seid ihr wohl gerochen”
recording engineer:
Gregor Zielinsky
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler
choir vocals:
Monteverdi Choir (in 1987-01)
orchestra:
English Baroque Soloists (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1987-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:26
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten