Guglielmo Tell

~ Release by Rossini; Milnes, Pavarotti, Freni, Ghiaurov, National Philharmonic Orchestra, Chailly (see all versions of this release, 2 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistLength
1Guglielmo Tell: Atto IV, Scena I. “Non mi lasciare, o speme di vendetta”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
tenor vocals [Arnoldo]:
Luciano Pavarotti (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 1. “Non mi lasciare, o speme di vendetta” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:46
2Guglielmo Tell: Atto IV, Scena II. “Muto asil del pianto”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
choir vocals:
Ambrosian Opera Chorus (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 2. “O muto asil del pianto” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini9:34
3Guglielmo Tell: Atto IV, Scena III. “Resta omai! ah, ti perde il duolo”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
choir vocals:
Ambrosian Opera Chorus (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 3. “Resta omai! ah, ti perde il duolo” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:19
4Guglielmo Tell: Atto IV, Scena IV. “Sottratto a orribil nembo”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
mezzo-soprano vocals [Jemmy]:
Della Jones (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 4. “Sottratto a orribil nembo” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini5:28
5Guglielmo Tell: Atto IV, Scena IV. “E per partire i nostri mali estremi”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
mezzo-soprano vocals [Jemmy]:
Della Jones (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 4. “E per partire i nostri mali estremi” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:19
6Guglielmo Tell: Atto IV, Scena V. “Tu che l’appogio del debol sei”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
choir vocals:
Ambrosian Opera Chorus (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 5. “Tu che l’appogio del debol sei” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:00
7Guglielmo Tell: Atto IV, Scena VI. “Io lo vidi, io lo vidi!”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
bass vocals [Leutoldo]:
Richard van Allan (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 6. “Io lo vidi, io lo vidi!” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini2:43
8Guglielmo Tell: Atto IV, Scena VII. “Io ti rivedo”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (from 1978-09 until 1979-08)
bass vocals [Gessler]:
Ferruccio Mazzoli (from 1978-09 until 1979-08)
bass vocals [Gualtiero]:
Nicolaï Ghiaurov (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 7. “Io ti rivedo” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:18
9Guglielmo Tell: Atto IV, Scena X. “Tutto cangia, il ciel si abbella”
recording engineer:
John Dunkerley and Kenneth Wilkinson
assistant producer:
Michael Haas
producer:
James Mallinson
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (from 1978-09 until 1979-08)
bass vocals [Gualtiero]:
Nicolaï Ghiaurov (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (from 1978-09 until 1979-08)
soprano vocals [Matilde]:
Mirella Freni (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1980)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto IV, scena 10. “Tutto cangia, il ciel si abbella” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini3:09

Credits

Release

manufactured in:Germany
printed in:Germany
manufactured by:PolyGram
copyrighted (©) by:The Decca Record Company Limited (in 1986)
Discogs:https://www.discogs.com/release/7403010 [info]
ASIN:UK: B0000041RE [info]