| # | Title | Artist | Length |
|---|
| 1 | 4 Orchestral Pieces, Sz. 51: I. Preludio | Béla Bartók | 6:32 |
| 2 | 4 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro | Béla Bartók | 6:13 |
| 3 | 4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato | Béla Bartók | 5:03 |
| 4 | 4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso | Béla Bartók | 4:57 |
| 5 | Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace | Béla Bartók | 9:30 |
| 6 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando | Béla Bartók | 6:26 |
| 7 | Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo | Béla Bartók | 7:43 |
| 8 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto | Béla Bartók | 4:02 |
| 9 | Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto | Béla Bartók | 9:24 |
| 10 | Dance Suite, Sz. 77: I. Moderato | Béla Bartók | 3:41 |
| 11 | Dance Suite, Sz. 77: II. Allegro molto | Béla Bartók | 2:16 |
| 12 | Dance Suite, Sz. 77: III. Allegro vivace | Béla Bartók | 2:57 |
| 13 | Dance Suite, Sz. 77: IV. Molto tranquillo | Béla Bartók | 2:36 |
| 14 | Dance Suite, Sz. 77: V. Comodo | Béla Bartók | 1:01 |
| 15 | Dance Suite, Sz. 77: VI. Finale. Allegro | Béla Bartók | 4:05 |
| 16 | 2 Pictures, Sz. 46: I. In Full Flower | Béla Bartók | 8:42 |
| 17 | 2 Pictures, Sz. 46: II. Village Dance | Béla Bartók | 9:46 |
| 18 | Hungarian Sketches, Sz. 97: I. Evening in Transylvania- recording engineer:
- Jobst Eberhardt and Stephan Flock
- producer:
- Karl-August Naegler
- editor:
- Klaus Behrens
- orchestra:
- Chicago Symphony Orchestra (in 1993-12)
- conductor:
- Pierre Boulez (in 1993-12)
- balance engineer:
- Helmut Burk
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
- recording of:
- Hungarian Sketches, Sz. 97, BB 103, No. 1: An Evening in the Village (in 1993-12)
- orchestrator and composer:
- Béla Bartók
- version of:
- Ten Easy Pieces, Sz. 39, BB 51, No. 5: An Evening at the Village
- part of:
- Hungarian Sketches, Sz. 97, BB 103
| Béla Bartók | 2:48 |
| 19 | Hungarian Sketches, Sz. 97: II. Bear Dance- recording engineer:
- Jobst Eberhardt and Stephan Flock
- producer:
- Karl-August Naegler
- editor:
- Klaus Behrens
- orchestra:
- Chicago Symphony Orchestra (in 1993-12)
- conductor:
- Pierre Boulez (in 1993-12)
- balance engineer:
- Helmut Burk
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
- recording of:
- Hungarian Sketches, Sz. 97, BB 103, No. 2: Bear Dance (in 1993-12)
- orchestrator and composer:
- Béla Bartók
- version of:
- Ten Easy Pieces, Sz. 39, BB 51, No. 10: Bear Dance
- part of:
- Hungarian Sketches, Sz. 97, BB 103
| Béla Bartók | 1:29 |
| 20 | Hungarian Sketches, Sz. 97: III. Melody- recording engineer:
- Jobst Eberhardt and Stephan Flock
- producer:
- Karl-August Naegler
- editor:
- Klaus Behrens
- orchestra:
- Chicago Symphony Orchestra (in 1993-12)
- conductor:
- Pierre Boulez (in 1993-12)
- balance engineer:
- Helmut Burk
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
- recording of:
- Hungarian Sketches, Sz. 97, BB 103, No. 3: Melody (in 1993-12)
- orchestrator and composer:
- Béla Bartók
- version of:
- Four Dirges, Sz. 45, BB 58, No. 2: Andante
- part of:
- Hungarian Sketches, Sz. 97, BB 103
| Béla Bartók | 2:21 |
| 21 | Hungarian Sketches, Sz. 97: IV. Slightly Tipsy- recording engineer:
- Jobst Eberhardt and Stephan Flock
- producer:
- Karl-August Naegler
- editor:
- Klaus Behrens
- orchestra:
- Chicago Symphony Orchestra (in 1993-12)
- conductor:
- Pierre Boulez (in 1993-12)
- balance engineer:
- Helmut Burk
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1993-12)
- recording of:
- Hungarian Sketches, Sz. 97, BB 103, No. 4: Slightly Tipsy (in 1993-12)
- orchestrator and composer:
- Béla Bartók
- version of:
- Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy
- part of:
- Hungarian Sketches, Sz. 97, BB 103
| Béla Bartók | 2:11 |
| 22 | Hungarian Sketches, Sz. 97: V. Swineherd’s Dance | Béla Bartók | 2:02 |
| 23 | Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók | 9:02 |
| 24 | Divertimento for Strings, Sz. 113: II. Molto adagio | Béla Bartók | 9:35 |
| 25 | Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók | 7:35 |
| 26 | The Miraculous Mandarin, Sz. 73: Introduction. Allegro | Béla Bartók | 3:03 |
| 27 | The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato | Béla Bartók | 3:44 |
| 28 | The Miraculous Mandarin, Sz. 73: 2nd Decoy Game | Béla Bartók | 3:13 |
| 29 | The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto | Béla Bartók | 1:41 |
| 30 | The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso | Béla Bartók | 6:52 |
| 31 | The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro | Béla Bartók | 2:29 |
| 32 | The Miraculous Mandarin, Sz. 73: The Tramps Leap Out. Sempre vivo | Béla Bartók | 2:06 |
| 33 | The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin’s Head Appears. Adagio | Béla Bartók | 3:01 |
| 34 | The Miraculous Mandarin, Sz. 73: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin. Agitato | Béla Bartók | 1:25 |
| 35 | The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato | Béla Bartók | 1:47 |
| 36 | The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo | Béla Bartók | 2:21 |
| 37 | Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo | Béla Bartók | 7:55 |
| 38 | Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók | 7:35 |
| 39 | Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio | Béla Bartók | 7:27 |
| 40 | Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto | Béla Bartók | 7:27 |
| 41 | Cantata profana, Sz. 94: I. Molto moderato- producer:
- Karl-August Naegler
- editor:
- Oliver Rogalla
- baritone vocals:
- John Tomlinson (in 1991-12)
- choir vocals:
- Chicago Symphony Chorus (in 1991-12)
- tenor vocals:
- John Aler (in 1991-12)
- orchestra:
- Chicago Symphony Orchestra (in 1991-12)
- conductor:
- Pierre Boulez (in 1991-12)
- chorus master:
- Margaret Hillis (in 1991-12)
- balance engineer:
- Rainer Maillard
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
- recording of:
- Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man (in 1991-12)
- composer:
- Béla Bartók (in 1930)
- part of:
- Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags”
| Béla Bartók | 7:00 |
| 42 | Cantata profana, Sz. 94: II. Andante- producer:
- Karl-August Naegler
- editor:
- Oliver Rogalla
- baritone vocals:
- John Tomlinson (in 1991-12)
- choir vocals:
- Chicago Symphony Chorus (in 1991-12)
- tenor vocals:
- John Aler (in 1991-12)
- orchestra:
- Chicago Symphony Orchestra (in 1991-12)
- conductor:
- Pierre Boulez (in 1991-12)
- chorus master:
- Margaret Hillis (in 1991-12)
- balance engineer:
- Rainer Maillard
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
- recording of:
- Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! (in 1991-12)
- composer:
- Béla Bartók (in 1930)
- part of:
- Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags”
| Béla Bartók | 8:00 |
| 43 | Cantata profana, Sz. 94: III. Moderato- producer:
- Karl-August Naegler
- editor:
- Oliver Rogalla
- baritone vocals:
- John Tomlinson (in 1991-12)
- choir vocals:
- Chicago Symphony Chorus (in 1991-12)
- tenor vocals:
- John Aler (in 1991-12)
- orchestra:
- Chicago Symphony Orchestra (in 1991-12)
- conductor:
- Pierre Boulez (in 1991-12)
- chorus master:
- Margaret Hillis (in 1991-12)
- balance engineer:
- Rainer Maillard
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
- recording of:
- Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man (in 1991-12)
- composer:
- Béla Bartók (in 1930)
- part of:
- Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags”
| Béla Bartók | 3:07 |
| 44 | The Wooden Prince, Sz. 60: Introduction | Béla Bartók | 5:14 |
| 45 | The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest | Béla Bartók | 5:05 |
| 46 | The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees | Béla Bartók | 5:27 |
| 47 | The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves | Béla Bartók | 11:36 |
| 48 | The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll | Béla Bartók | 15:21 |
| 49 | The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance | Béla Bartók | 1:55 |
| 50 | The Wooden Prince, Sz. 60: 6th Dance. She Tries to Attract the Real Prince with Her Seductive Dancing | Béla Bartók | 1:38 |
| 51 | The Wooden Prince, Sz. 60: 7th Dance. Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way- producer:
- Karl-August Naegler
- editor:
- Oliver Rogalla
- orchestra:
- Chicago Symphony Orchestra (in 1991-12)
- conductor:
- Pierre Boulez (in 1991-12)
- balance engineer:
- Rainer Maillard
- recorded at:
- Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
- recording of:
- The Wooden Prince, Sz. 60: IX. Postlude (in 1991-12)
- composer:
- Béla Bartók (from 1914 until 1917)
- part of:
- The Wooden Prince, op. 13, Sz. 60
- recording of:
- The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her (in 1991-12)
- composer:
- Béla Bartók (from 1914 until 1917)
- part of:
- The Wooden Prince, op. 13, Sz. 60
| Béla Bartók | 8:43 |
| 52 | Piano Concerto no. 1, Sz. 83: I. Allegro moderato – Allegro | Béla Bartók | 8:45 |
| 53 | Piano Concerto no. 1, Sz. 83: II. Andante | Béla Bartók | 7:52 |
| 54 | Piano Concerto no. 1, Sz. 83: III. Allegro molto | Béla Bartók | 6:38 |
| 55 | Piano Concerto no. 2, Sz. 95: I. Allegro | Béla Bartók | 9:25 |
| 56 | Piano Concerto no. 2, Sz. 95: II. Adagio – Più adagio – Presto | Béla Bartók | 11:26 |
| 57 | Piano Concerto no. 2, Sz. 95: III. Allegro molto | Béla Bartók | 6:13 |
| 58 | Piano Concerto no. 3, Sz. 119: I. Allegretto | Béla Bartók | 7:33 |
| 59 | Piano Concerto no. 3, Sz. 119: II. Adagio religioso | Béla Bartók | 11:13 |
| 60 | Piano Concerto no. 3, Sz. 119: III. Allegro vivace | Béla Bartók | 7:03 |
| 61 | Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto- recording engineer, editor and balance engineer:
- Rainer Maillard
- producer:
- Christian Gansch
- percussion:
- Neil Percy (in 2008-05) and Nigel Thomas (in 2008-05)
- piano:
- Pierre‐Laurent Aimard (in 2008-05) and Tamara Stefanovich (in 2008-05)
- orchestra:
- London Symphony Orchestra (in 2008-05)
- conductor:
- Pierre Boulez (in 2008-05)
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 2008-05)
- recording of:
- Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: I. Assai lento (in 2008-05)
- composer:
- Béla Bartók
- part of:
- Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
| Béla Bartók | 12:48 |
| 62 | Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: II. Lento ma non troppo- recording engineer, editor and balance engineer:
- Rainer Maillard
- producer:
- Christian Gansch
- percussion:
- Neil Percy (in 2008-05) and Nigel Thomas (in 2008-05)
- piano:
- Pierre‐Laurent Aimard (in 2008-05) and Tamara Stefanovich (in 2008-05)
- orchestra:
- London Symphony Orchestra (in 2008-05)
- conductor:
- Pierre Boulez (in 2008-05)
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 2008-05)
- recording of:
- Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: II. Lento, ma non troppo (in 2008-05)
- composer:
- Béla Bartók
- part of:
- Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
| Béla Bartók | 6:29 |
| 63 | Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: III. Allegro ma non troppo- recording engineer, editor and balance engineer:
- Rainer Maillard
- producer:
- Christian Gansch
- percussion:
- Neil Percy (in 2008-05) and Nigel Thomas (in 2008-05)
- piano:
- Pierre‐Laurent Aimard (in 2008-05) and Tamara Stefanovich (in 2008-05)
- orchestra:
- London Symphony Orchestra (in 2008-05)
- conductor:
- Pierre Boulez (in 2008-05)
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 2008-05)
- recording of:
- Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: III. Allegro non troppo (in 2008-05)
- composer:
- Béla Bartók
- part of:
- Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
| Béla Bartók | 6:18 |
| 64 | Violin Concerto no. 1, Sz. 36: I. Andante sostenuto | Béla Bartók | 9:33 |
| 65 | Violin Concerto no. 1, Sz. 36: II. Allegro giocoso | Béla Bartók | 11:47 |
| 66 | Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando | Béla Bartók | 14:31 |
| 67 | Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto | Béla Bartók | 4:37 |
| 68 | Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace | Béla Bartók | 4:16 |
| 69 | Violin Concerto No. 2, Sz. 112: I. Allegro non troppo | Béla Bartók | 16:39 |
| 70 | Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók | 10:50 |
| 71 | Violin Concerto No. 2, Sz. 112: III. Allegro molto | Béla Bartók | 12:59 |
| 72 | Rhapsody no. 1 for Violin and Orchestra, Sz. 87: I. Lassú. Moderato | Béla Bartók | 5:15 |
| 73 | Rhapsody no. 1 for Violin and Orchestra, Sz. 87: II. Friss. Allegretto moderato | Béla Bartók | 5:57 |
| 74 | Rhapsody no. 2 for Violin and Orchestra, Sz. 90: I. Lassú. Moderato | Béla Bartók | 5:15 |
| 75 | Rhapsody no. 2 for Violin and Orchestra, Sz. 90: II. Friss. Allegro moderato | Béla Bartók | 6:22 |
| 76 | Bluebeard’s Castle, Sz. 48: Prologue – Opening Scene: a. Megérkeztünk | Béla Bartók | 5:06 |
| 77 | Bluebeard’s Castle, Sz. 48: Opening Scene: b‐c. Ez a Kékszakállú véra? | Béla Bartók | 5:16 |
| 78 | Bluebeard’s Castle, Sz. 48: Opening Scene: d‐e. Nagy csukott ajtókat | Béla Bartók | 5:23 |
| 79 | Bluebeard’s Castle, Sz. 48: Door 1. The Torture Chamber. Jaj! Mit látsz? Mit látsz? Láncok, kések | Béla Bartók | 4:25 |
| 80 | Bluebeard’s Castle, Sz. 48: Door 2. The Armory. Mit látsz? Százkegyetlen szörnyü fegyver | Béla Bartók | 3:55 |
| 81 | Bluebeard’s Castle, Sz. 48: Door 3. The Treasury. Oh, Be sok kincs! Oh, Be sok kincs! | Béla Bartók | 2:25 |
| 82 | Bluebeard’s Castle, Sz. 48: Door 4. The Garden. Oh! virágok! Oh! ilatoskert! | Béla Bartók | 4:18 |
| 83 | Bluebeard’s Castle, Sz. 48: Door 5. The Kingdom. Ah! Lásdez az én birodalmam | Béla Bartók | 6:35 |
| 84 | Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: a. Csendes fehér tavat látok | Béla Bartók | 4:32 |
| 85 | Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: b. Az utolsót nem nyitom ki | Béla Bartók | 4:09 |
| 86 | Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: c. Tudom, tudom, Kékszakállú | Béla Bartók | 3:24 |
| 87 | Bluebeard’s Castle, Sz. 48: Door 7. The Wives. Lásd a régi aszszonyokat | Béla Bartók | 8:31 |
