The Complete Elvis Presley Masters

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1CD: 1954–1956
2CD: 1956
#TitleLength
1Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (on 1956-01-30) and Elvis Presley (on 1956-01-30)
lead vocals:
Elvis Presley (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (in 1955)
publisher:
Aberbach (London), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing, Hi Lo Music, Hill and Range Songs, Inc., Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
1:58
2My Baby Left Me
bass:
Bill Black (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
2:14
3One‐Sided Love Affair
bass:
Bill Black (from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (from 1956-01-30 until 1956-02-03)
guitar:
Scotty Moore (from 1956-01-30 until 1956-02-03) and Elvis Presley (from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (from 1956-01-30 until 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (from 1956-01-30 until 1956-01-31, on 1956-02-03)
recording of:
One-Sided Love Affair (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Bill Campbell
publisher:
EMI Unart Catalog Inc. and Sheldon Music
2:09
4So Glad You’re Mine
bass:
Bill Black (from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (from 1956-01-30 until 1956-02-03)
guitar:
Scotty Moore (from 1956-01-30 until 1956-02-03) and Elvis Presley (from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (from 1956-01-30 until 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (from 1956-01-30 until 1956-01-31, on 1956-02-03)
cover recording of:
So Glad You’re Mine (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
2:20
5I’m Gonna Sit Right Down and Cry
bass:
Bill Black (from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (from 1956-01-30 until 1956-02-03)
guitar:
Scotty Moore (from 1956-01-30 until 1956-02-03) and Elvis Presley (from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (from 1956-01-30 until 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (from 1956-01-30 until 1956-01-31, on 1956-02-03)
cover recording of:
I’m Gonna Sit Right Down and Cry (Over You) (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Howard Biggs and Joe Thomas
publisher:
Angle Music, Coblin Music Co., Copyright Records and EMI Music Publishing Ltd.
2:01
6Tutti Frutti
bass:
Bill Black (from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (from 1956-01-30 until 1956-02-03)
guitar:
Scotty Moore (from 1956-01-30 until 1956-02-03) and Elvis Presley (from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (from 1956-01-30 until 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (from 1956-01-30 until 1956-01-31, on 1956-02-03)
cover recording of:
Tutti Frutti (from 1956-01-30 until 1956-02-03)
lyricist:
Dorothy LaBostrie and Richard Wayne Penniman
composer:
Dorothy LaBostrie, Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 and Phonogram GmbH (in 1983)
1:57
7Lawdy, Miss Clawdy
bass:
Bill Black (from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (from 1956-01-30 until 1956-02-03)
guitar:
Scotty Moore (from 1956-01-30 until 1956-02-03) and Elvis Presley (from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (from 1956-01-30 until 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (from 1956-01-30 until 1956-01-31, on 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
2:07
8Shake, Rattle and Roll
bass:
Bill Black (from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (from 1956-01-30 until 1956-02-03)
guitar:
Scotty Moore (from 1956-01-30 until 1956-02-03) and Elvis Presley (from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (from 1956-01-30 until 1956-02-03)
vocals:
Bill Black (from 1956-01-30 until 1956-02-03), D.J. Fontana (from 1956-01-30 until 1956-02-03) and Scotty Moore (from 1956-01-30 until 1956-02-03)
recorded at:
RCA Studios in New York, New York, United States (from 1956-01-30 until 1956-01-31, on 1956-02-03)
cover recording of:
Shake, Rattle and Roll (from 1956-01-30 until 1956-02-03)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music, Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
2:26
9I Want You, I Need You, I Love You
engineer:
Bob Ferris
bass:
Bill Black (on 1956-04-14)
drums (drum set):
D.J. Fontana (on 1956-04-14)
guitar:
Chet Atkins (on 1956-04-14) and Scotty Moore (on 1956-04-14)
piano:
Marvin Hughes (on 1956-04-14)
lead vocals:
Elvis Presley (on 1956-04-14)
vocals:
Brock Speer (on 1956-04-14), Ben Speer (on 1956-04-14), Lena Brock "Mom" Speer (on 1956-04-14) and Gordon Stoker (on 1956-04-14)
phonographic copyright (℗) by:
BMG Music (in 1956) and Sony BMG Music Entertainment (in 2003)
recorded at:
RCA Studios in Nashville, Tennessee, United States (on 1956-04-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 25)
recording of:
I Want You, I Need You, I Love You (on 1956-04-14)
writer:
Ira Kosloff and Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music, Elvis Presley Music, Elvis Presley Music Inc., Gladys Music and Williamson Music Company
2:40
10Hound Dog
bass:
Bill Black (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (on 1956-07-02) and Elvis Presley (on 1956-07-02)
piano:
Shorty Long (on 1956-07-02)
lead vocals:
Elvis Presley (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) and Sony BMG Music Entertainment (in 2002)
recorded at:
RCA Studios in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc., MCA Music Ltd., MCA Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing, Universal/MCA Music, Williamson Music Company and Williamson Music, Inc.
2:14
11Don’t Be Cruel
bass:
Bill Black (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (on 1956-07-02) and Elvis Presley (on 1956-07-02)
piano:
Shorty Long (on 1956-07-02)
lead vocals:
Elvis Presley (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (in 2002)
recorded at:
RCA Studios in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone: 500 Greatest Songs of All Time (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
writer:
Otis Blackwell and Elvis Presley
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
2:02
12Any Way You Want Me
bass:
Bill Black (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (on 1956-07-02) and Elvis Presley (on 1956-07-02)
piano:
Shorty Long (on 1956-07-02)
vocals:
The Jordanaires (on 1956-07-02)
recorded at:
RCA Studios in New York, New York, United States (on 1956-07-02)
recording of:
Any Way You Want Me (on 1956-07-02)
writer:
Cliff Owens and Aaron Schroeder
publisher:
Chappell & Co., Chappell & Co., Inc., Rachel’s Own Music and Ross Jungnickel, Inc.
2:13
13We’re Gonna Move
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (from 1956-08-24 until 1956-09-04)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04), Charles Prescott (from 1956-08-24 until 1956-09-04) and Rad Robinson (from 1956-08-24 until 1956-09-04)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
cover recording of:
We’re Gonna Move (from 1956-08-24 until 1956-09-04)
writer:
Vera Matson and Elvis Presley
publisher:
Elvis Presley Music Inc., R&H Music and Copyright Control (in 1973)
2:30
14Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (on 1956-09-01)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (in 1956) and Sony BMG Music Entertainment (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
2:41
15Poor Boy
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (from 1956-08-24 until 1956-09-04)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04), Charles Prescott (from 1956-08-24 until 1956-09-04) and Rad Robinson (from 1956-08-24 until 1956-09-04)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (from 1956-08-24 until 1956-09-04)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:13
16Let Me
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (from 1956-08-24 until 1956-09-04)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04), Charles Prescott (from 1956-08-24 until 1956-09-04) and Rad Robinson (from 1956-08-24 until 1956-09-04)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
recording of:
Let Me (from 1956-08-24 until 1956-09-04)
writer:
Vera Matson and Elvis Presley
publisher:
Elvis Presley Music Inc. and R&H Music
2:08
17Playing for Keeps
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
recording of:
Playing for Keeps (from 1956-09-01 until 1956-09-03)
lyricist and composer:
Stan Kesler
2:50
18Love Me
engineer:
Thorne Nogar
bass:
Bill Black (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (on 1956-09-01)
lead vocals:
Elvis Presley (on 1956-09-01)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (in 2003)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd., Jerry Leiber Music, Mike Stoller Music, Quintet Music and Sony/ATV Songs LLC
recording of:
Love Me, Love Me
writer:
George Richey and Glenn Sutton
2:43
19How Do You Think I Feel
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How Do You Think I Feel (from 1956-09-01 until 1956-09-03)
composer:
Webb Pierce and Wiley Walker
2:12
20How’s the World Treating You
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How’s the World Treating You (on 1956-09-01)
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc.
2:25
21When My Blue Moon Turns to Gold Again
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
When My Blue Moon Turns to Gold Again (from 1956-09-01 until 1956-09-03)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS and Peer International Corporation (on 1941-12-03)
2:23
22Long Tall Sally
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Long Tall Sally (from 1956-09-01 until 1956-09-03)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc., Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
1:51
23Old Shep
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (on 1935-06-24)
lyricist:
Willis Arthur
composer:
Clyde Julian Foley
publisher:
Westpar Music
4:10
24Paralyzed
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
recording of:
Paralyzed (from 1956-09-01 until 1956-09-03)
composer:
Otis Blackwell and Elvis Presley
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
2:23
25Too Much
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Too Much (from 1956-09-01 until 1956-09-03)
writer:
Lee Rosenberg and Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. and Southern Belle Music
2:33
26Anyplace Is Paradise
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
recording of:
Anyplace Is Paradise (from 1956-09-01 until 1956-09-03)
lyricist and composer:
Joe Thomas
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
2:26
27Ready Teddy
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Ready Teddy (from 1956-09-01 until 1956-09-03)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd., ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
1:55
28First in Line
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
recording of:
First in Line (from 1956-09-01 until 1956-09-03)
composer:
Aaron Schroeder and Ben Weisman
publisher:
Rachel’s Own Music and Ross Jungnickel, Inc.
3:22
29Rip It Up
bass:
Bill Black (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (from 1956-09-01 until 1956-09-03) and Elvis Presley (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (from 1956-09-01 until 1956-09-03) and Gordon Stoker (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Rip It Up (from 1956-09-01 until 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
1:53
3CD: 1957
4CD: 1957–1958
5CD: 1960
6CD: 1960–1961
7CD: 1961
8CD: 1961–1962
9CD: 1962–1963
10CD: 1963–1964
11CD: 1964–1965
12CD: 1965–1966
13CD: 1966
14CD: 1966–1967
15CD: 1967–1968
16CD: 1968
17CD: 1969
18CD: 1969
19CD: 1970
20CD: 1970
21CD: 1970–1971
22CD: 1971–1972
23CD: 1972
24CD: 1973
25CD: 1973
26CD: 1973–1975
27CD: 1975–1977
28CD: Outtakes and Alternates I
29CD: Outtakes and Alternates II
30CD: Outtakes and Alternates III